Latest episode of my podcast “Cooking the Books” is has dropped, so give it a listen at the link below, or on Spotify!
Latest episode of my podcast “Cooking the Books” is has dropped, so give it a listen at the link below, or on Spotify!
I found The Fifth Gospel to be quite a great read, fast-paced and adventurous, but with a fascinating historical and Biblical premise as the storyline. It’s simple – a Greek Catholic priest living in The Vatican must defend his brother, also a Greek Catholic priest but one attached to the Pope’s staff, who is accused of murder. The victim? An artist who recreated the Shroud of Turin for a Papal art show and made a discovery that could possibly turn the Catholic Church upside down.
It’s very well written, heavy on Church history (which I like) and yet has a human side in the main character of Father Alex Andreou, whose desperate efforts to prove his brother innocent are matched only by his dedication to the Greek Catholic church, raising his son Peter, and hoping his estranged wife Mona will return to them both. She does, mysteriously one evening, and when she reunites with Peter, she brings dinner with her, in that clever way women have of knowing that the best way to a man’s heart is through his stomach.
“Mona reaches into a plastic bag by her feet and says ‘I brought dinner.’ ‘A gift,’ she clarifies. ‘From Nonna.’ Peter’s maternal grandmother. I recoil. Peter looks at the Tupperware and says…….’My favorite pizza is margherita.’ ‘I’m sorry,’ Mona says, crestfallen. ‘All I brought is some cacio e pepe.’ Tonnarelli with cheese sauce. The devil inside me smiles. Her mother’s version of the dish will be too peppery for Peter. A fitting introduction to the mother-in-law I always found to be an acquired taste.”
This post came about, in part, from an IM conversation I had with my friend Luca Marchiori of Chestnuts and Truffles. Luca is not only my cooking hero, he’s a marvelous chef, a talented food and travel writer, and takes the most wonderful photographs. He also lives in Italy and gets to travel around that beautiful country ALL THE TIME. Is it any wonder I want to be him?
Anyway, I’ve gotten in the habit (annoyingly to Luca, I’m sure!) of asking his advice about the week’s upcoming blog post and my thoughts on how to make my recipe unique. Cacio e pepe is a traditional pasta dish that features three major ingredients – pasta, pepper and cheese. You really can’t go wrong with that trio, but I wanted to add my own unique twist on the recipe, so I asked Luca what he thought of perhaps a margherita-style cacio e pepe, combining two food descriptions in the passage above.
Luca didn’t think combining two separate pasta dishes into one was the best way to go, and when I mentioned wanting to make something one’s own, he talked about the writing of Philippe Conticini, who was, in Luca’s words, “a great patissiere who had the philosophy that when you were revising classic dishes you should make sure you keep all the original ingredients and not add more. Change the way they are put together rather than leaving out or adding.”
Something to consider. So, rather than trying to make it into something unique, I decided to challenge myself by simply recreating this classic recipe, and having roasted tomatoes on the side. Not IN the dish, Luca, so calm down. But as a garnish. And guess what? It worked!
This is the method that worked for me, based on this article from Business Weekly, featuring the late, great, notorious Anthony Bourdain – my future husband – in Rome. I mean, Bourdain, Italy and pasta – the holy trinity, in my book. (And very fitting for today’s post!)
1 lb bucatini pasta
1 tablespoon of butter
3 tablespoons grated fresh Parmeggiano Reggiano cheese
3 tablespoons Pecorino cheese
Generous amount of ground black pepper
Bring a large pot of salted water to the boil. Once boiling, add the pasta and cook for about 6 minutes, until the pasta is almost cooked, but not quite. You’ll see why in a minute.
One of the best cooking tips I’ve ever gotten in my life was to save some of the boiling water that the pasta has cooked in, and add a bit to whatever sauce you are making. The starch in the water helps the sauce to emulsify and thicken somewhat, and also adds to the dense flavor. So keep about a cupful of the pasta water before draining the pasta. But do keep some of the water on the noodles. Anna del Conte, the matriarch of Italian cooking and food writing, calls this “la goccia,” which means “a drop” to keep the pasta moist.
In a separate saucepan, add the butter and a very generous amount of freshly ground black pepper. Melt the butter gently over low heat, then add the starchy pasta water. Swirl around to mix.
Add the cooked and drained pasta to the saucepan with the pasta water, butter and pepper. Stir around with tongs to finish cooking the pasta, about 2-3 minutes more. Taste to see if the pasta is al dente, with a small bite but cooked.
Remove from the heat, and add your cheeses to the hot pasta mixture. Stir again to mix and meld all the cheeses. You DO NOT want your cheese to be in lumps, which is why you want to do it when the pasta is hot off the stove. Just stir and swirl with your tongs and pretend you’re one of those bad-ass Italian chefs who have that technique down pat.
Place a swirly pile in a shallow bowl, and sprinkle over more Parmeggiano, and add another generous sprinkle of freshly ground black pepper. Et voila! Cacio e pepe alla Romana!
Serve with roasted tomatoes on the side, which are simple to make. Slice the tomatoes thinly, and sprinkle over some slivered garlic. Toss with olive oil and dried basil, and roast at 425 for 30-35 minutes. Remove, let cool for about 15 minutes, then sprinkle over a dash of balsamic vinegar. Salt and pepper as you like.
A dish fit for a Pope!
The connection between food and sex is one I looked at in one of my very first blog posts, which you can read here if you’re so inclined. That connection is one of the major threads in this book, as well.
In 1925 South America, Gabriela is a young woman from a terribly poor background who is “hired” by Nacib to do the cooking in his pub in the Brazilian town of Ilhéus. She is beautiful, from a very low social status, which was (and is) very important in the Brazilian culture. She has skin like cinnamon and gives off the scent of cloves, which entices everyone who meets her. Nacib is infatuated with her and they begin an intense love affair, which binds Nacib to her even more, because the connection between her cooking in the kitchen and her “cooking” in the bedroom have become intertwined in his mind. He marries her but then the challenges start.
The concept of change and sexual politics are major themes in the book, the new overthrowing the old, and the old-school machismo personified in the beginning of the book, when Col. Mendonca kills his wife, Dona Sinhazinha and her lover, Dr. Pimentel, for adultery. Adultery is accepted among men, but God forbid a woman take a lover.
What is ironic about the main tale of Nacib and Gabriela is that initially, she doesn’t fit his standard of what he believes he should have in a partner. She is beautiful, can cook like a dream, fulfills all of his sexual desires and fantasies, yet he is still held back by this expectation in his own mind that a relationship has to fit a certain mold. Ultimately, he realizes that he cannot change her, and in fact, to change her would be to lose the qualities about her he most loves.
Passion colors every aspect of Gabriela’s life and it shows up in her food. Again, another book that features food as a type of medicine, a mood-altering substance that can make others feel joy, happiness, sexual passion and release. Gabriela’s passion is food – she puts everything she feels into her food, and by extension, everything she feels into life itself.
She does not hold back her heart, and it is that openness that ultimately makes Nacib realize the value she brings to his life……and that in loving and accepting her as she is, it helps him love and accept himself and all the roiling changes happening around him. In her unchangeable passionate heart, she becomes his anchor and a catalyst for change in the entire town.
Obviously, a book called Gabriela, Clove and Cinnamon has some amazing food descriptions in it. Being set in Brazil with a cook as one of the main characters, the food is mouth-watering. Gabriela cooks Bahaian-style dishes involving manioc, rice, jerk chicken, shrimp, peanuts, bean fritters, stews………..so many delicious choices. This passage was the one I chose for today.
Gabriela was loading an enormous tray with pastries, and another, larger still, with codfish balls, bean-paste balls flavored with onion and palm oil, and other tidbits.
Bean-paste balls are a type of fritter made from black-eyed peas and called acaraje in Portuguese, and are usually stuffed with shrimp or something called vatapá, which has ground cashews as its base. So I decided some shrimp-stuffed acaraje and vatapá were in order.
For the acaraje:
2 14-oz cans black-eyed peas, drained and rinsed
1 large white onion
4 cloves of garlic
1 teaspoon sea salt
Teaspoon of cayenne powder
Red palm oil for frying
For the vatapá:
1 cup dried shrimp
1 cup unsalted cashews
2 pieces of day old-bread, torn into chunks
3 cups coconut milk
1 jalapeno pepper
1 piece of fresh ginger, peeled
Handful of fresh cilantro, chopped
Salt and pepper to taste
2 cups cooked shrimp, thawed
Chop the onion and garlic in a food processor. Set aside.
Mash the black-eyed peas in the same processor until it forms a thick paste. Season with salt and cayenne.
Mix together with onion and garlic in a bowl. Form little round patties.
Heat the red palm oil in a frying pan. Fry 4-5 fritters at a time, for about 3 minutes per side, until crispy and orange-red in color. Don’t cook more than that at a time, because it will lower the oil’s temperature and make the fritters greasy.
Chop the cashews and process for another minute or so until well mixed and rendered down. Add the dried shrimp, mix and set aside.
Soak the bread in a 1/2 cup of coconut milk for a minute. Then process for another minute, until it forms a paste-like texture. Mix with the cashew and shrimp in a separate bowl.
Finely chop the tomato, onion, ginger, cilantro, scallions and jalapeno in your well-exercised food processor, and set aside.
Heat the remaining coconut milk in a pan, and add the tomato-onion-cilantro mixture, then spoon in the shrimp-cashew mixture. Simmer gently at medium low for about 10 minutes, then add the bread mixture, and a tablespoon of red palm oil, for thickening and color. Cook for about half an hour, stirring occasionally.
Top the stew with the shrimp and cilantro, and apply to your face. Delicioso!
This is one of those books I would want with me if trapped on a desert island. The Wonder Worker has many levels, and is one of those wonderful stories that you return to again and again, always finding something new in the words.
On the surface level, it’s a story about four everyday people and their lives at the London-based Anglican rectory of St. Benet’s Church. Nicholas Darrow is the rector of St. Benet’s, and along with his assistant priest Lewis Hall, they run the church and affiliated Healing Center. Alice Fletcher is their cook/housekeeper, and Rosalind Darrow is Nicholas’s wife and the ultimate match that sets the flame for the dramatic events that happen in the book. The story is told from their individuals viewpoints, and one of the things I like most about this book is how you see the same events through differing lenses, and you always empathize with each character, even if you hated them when reading about them from another character’s POV.
On another level, this book is about spirituality and The Church of England, which might not sound like the greatest thrill in the world, but you’d be surprised. Howatch brings the rituals, beliefs and psychology of the Anglican Church vividly to life. Each of these four characters is in their own emotional or spiritual predicament, and it’s the combination of these four different emotional crises that bring the book to its very exciting and disturbing climax, involving a demonic possession! And who doesn’t love a demonic possession?
On the deepest level, it’s about the power of love. Love has many facets, as we all know. What I took away was the understanding of true, unconditional love for another person. You don’t have to like the actions of the other person, and you certainly don’t have to condone their actions, in order to still love them. Alice is in love with Nicholas, though they never cross the line into adultery. Her initial feelings for him are romantic, schoolgirlish; she sees him through the rose-colored glasses of instant infatuation. When she begins to see his darker side, though, she still loves him and makes more of an effort to understand him. She accepts him always, even though some of his actions later in the book are appalling and she never condones them. It is this understanding and acceptance that helps her learn more about her own motivations and spirituality. She becomes a better person for loving him, and ultimately, it’s this unconditional love for him that transforms everyone else around them. And that is what spoke to my heart, that knowledge that true, unconditional love for another, can make you a better, stronger person. It definitely did me.
Back to the book. Rosalind decides to cook an elegant dinner for herself and Nicholas when she visits St. Benet’s, somewhat under duress. She plans a civilized, gourmet meal during which they will dine, drink wine, and she will tell him she wants a divorce. What could possibly go wrong in this scenario?
“For the first course I had decided to do deep fried radicchio with goat’s cheese, a very tasty starter which apart from the final frying, can be prepared ahead of time……For the main course I had chosen roast guinea fowl.”
Guinea hen is what it’s called here in America, but I substituted Cornish game hens because that’s what I had stashed in the freezer and wanted to avoid an unnecessary trip to the grocery store. As well, I had some porcini mushrooms I’d bought awhile back and it occurred to me that their rich, bosky, reconstituted flavors would be fantastic with Cornish game hen, and grilled radicchio with a tasty twist. This is the method that worked for me.
3 Cornish game hens, room temperature
3 strips of good quality, thick bacon
1 shallot, peeled and finely chopped
3 cloves of garlic, peeled and finely chopped
1 rib of celery, finely chopped
3-4 sprigs fresh rosemary
1/2 teaspoon truffle oil
Sea salt and pepper
1 cup dried porcini mushrooms
1 cup chanterelle mushrooms
1 cup strong red wine
1 head red radicchio, cut into quarters
Soak the porcini and chanterelle mushrooms in a cup of hot water each for about 30 minutes.
Fry the bacon until crisp, and remove to a paper towel to drain. In the bacon juices, cook the shallots and garlic.
Drain the mushrooms, but KEEP the liquid they’ve been soaking in. Chop the mushrooms and add them to the shallots, garlic and rosemary mixture. Crumble up the bacon and add it to the mixture as well.
Season the insides and outsides of the Cornish game hens with salt and pepper. Stuff each cavity with a sprig of rosemary. Then add the mushroom-bacon stuffing.
Slice a lemon thinly, and carefully tuck small slices between the Cornish hen skin and the meat. This helps tenderize and adds more flavor. Tuck the little birds into a casserole, pour over some olive oil, and squeeze over the juice of half a lemon. In a separate pan, combine the red wine, mushroom juices and a chicken bouillon cube. Whisk in about a tablespoon of cornstarch. Stir and cook constantly for 20 minutes. Pour the liquid over the birds, c0ver with a lid and cook stovetop for 30 minutes at medium. Heat the oven to 375.
After 30 minutes on the stove, remove the lid and put the pan of birds into the oven to cook for another 40 minutes. You want them uncovered so the liquid reduces into a gravy, and the birds get crisp. Check them occasionally to make sure they don’t burn.
While this is happening, grill your radicchio. Brush each quarter with olive oil, salt and pepper, and grill on a stovetop grill for about 5 minute per side, until those nice, black, charred marks show up. Squeeze over some lemon juice and grate over some fresh Parmesan cheese.
Serve with any starch you’d like. I love black Japanese rice, so I cooked mine in a mixture of chicken and tomato broths, and garnished with slivered almonds.
The result? Almost heavenly! The Church would approve.
I haven’t felt much like posting over the past few weeks. The ongoing coronavirus situation continues to scare me, even though I am doing all the recommended things the CDC has instructed: social distancing, frequently washing my hands, covering my cough, cleaning and disinfecting frequently-used items and surfaces, checking on elderly neighbors, and trying not to panic but instead be prepared. I have limited my reading of the news to the simple facts of new cases, what to expect from our Governor in terms of closures and service limitations, and I am cooking like a madwoman to feed my elderly neighbor who is blind, my grandmother who is 95 and in fragile health, and other family members who are also self-quarantined…..and to keep myself calm. I am also watching quite a lot of Netflix and Amazon Prime, and in fact, last night decided to rewatch a film I hadn’t seen in years and didn’t find terribly funny at the time – My Big Fat Greek Wedding.
Well, hell. It’s hilarious! I don’t know what was wrong with me when I first saw it but on second viewing I literally snarfed wine as I watched the shenanigans of her loud, obnoxious, and loving Greek family. If you haven’t seen the film, the basic premise is this: Toula Portokalos is a frumpy, 30-year old woman living at home with her very traditional Greek family. Her father, Gus, is uber-proud of their Greek heritage, having their house painted in the blue-and-white colors of the Greek flag. He and his wife Maria own the Greek restaurant Dancing Zorba’s, where Toula works as a waitress. One day, she sees Ian Miller and falls for him, though she is so socially awkward that her attempts to talk to him fall somewhat flat. She soon starts to stretch her wings by taking computer classes, which in turn help her confidence to the point where she gets a haircut and a makeover, buys new clothes, and convinces her father to have her work at her Aunt Voula’s travel agency. She meets Ian again, they fall in love and he proposes. But…….no one in her Greek family has ever married a non-Greek, so bringing this outsider into the family has some complications.
The fact that Gus goes around with a bottle of Windex claiming it as a cure-all for any and all health issues took me back to my great-grandfather Reymundo who fixed anything and everything with duct tape and baling wire, and my great-grandmother Antonia who sprinkled holy water on everything as her own cure-all. The scene where Toula’s brother and cousins keep teaching Ian inappropriate phrases in Greek knowing he doesn’t understand brought back memories of my own male cousins totally messing with one of my female cousins’s future husband. Aunt Voula’s horror at finding out Ian is a vegetarian brought back memories of me introducing a college friend (and vegan) to my grandmother and her offering him beans and chile – that were cooked with pork. 🙂
I suppose part of the humor of this film is the familiarity. So many of us come from large, loud, “ethnic” (for lack of a better way to put it) families that are like this. My own paternal side of the family lived in what we call the “compound,” with three family houses next to one another on the same three family-owned acres and as kids, we’d run between all three, visiting our great-grandparents, our aunt and uncle and then back to our grandparent’s house. The familiarity of how the Portokalos family is portrayed was as comforting as it was funny, which is what we all need in this very nerve-wracking time. Comfort and humor go a long way toward calming and settling the soul.
Possibly the funniest moment in a movie filled with laugh-out-loud moments is when Ian’s very reserved, Caucasian parents come to meet Toula’s parents – and the rest of their enormous Greek family – after the engagement, and Ian’s mother brings a Bundt cake. Maria and Gus have never seen a Bundt cake before, and the ensuing language culture clash is beyond funny!
So of course I had to make a Bun-Bo-Bunk-Bonk-Bundt cake! I have my grandmother’s Bundt cake pan that she used to make all of our birthday cakes every year, and my favorite being her traditional rum cake with pecans and a sugar glaze, I decided to recreate that. DISCLAIMER: I am not one to EVER use a cake mix from a box, but in the spirit of tradition and comfort, I followed my Nana Jean’s recipe to the letter and it involved a yellow cake mix. (sigh) Don’t judge me.
1 box of yellow cake mix
1 packet vanilla instant pudding mix
4 eggs, room temperature
1/2 cup grapeseed oil
1 cup golden rum
1 generous cup chopped pecans
For the sugar glaze:
1/4 cup butter
1/4 cup water
1/2 cup sugar
1/2 cup golden rum
Heat the oven to 325F and spray your Bundt cake pan with baking spray.
In a large mixing bowl, combine the cake mix, the pudding mix, the eggs, the oil, the rum, and the nuts.
Pour into the Bundt pan and bake for an hour.
Let the cake cool while you make the glaze. Melt the butter in a small saucepan and add in the water and sugar, stirring constantly. Don’t leave it as the sugar burns very easily. Boil for about 5 minutes, stirring all the while, until it thickens, then add the rum.
Drizzle over the Bundt cake.
If you so happen to have one, garnish with a lovely potful of flowers! Just like Mama Maria!
One of the most verbose and least credible narrators I’ve come across in recent literature, the hero of The Debt to Pleasure, one Tarquin Winot, is a total and complete food snob. He opens the book with the line “This is not a conventional cookbook,” and no, it most certainly is not. Just as Tarquin himself is not a conventional foodie, though he is highly intelligent, erudite and a horrible egomaniac. Here’s one of my favorite of his lines that tells you who you’re dealing with: “I myself have always disliked being called a ‘genius’. It is fascinating to notice how quick people have been to intuit this aversion and avoid using the term.”
Reading this book was a bit of a slog for me, though I enjoyed it thoroughly, because of the sheer amount of long, run on sentences and wordiness of each chapter. The book is broken into seasonal chapters, opening with Tarquin giving a few suggested menus for Spring, Winter, Summer and Fall…..though not in that order. I was put in mind of Nigella Lawson’s first book How To Eat, where she talks about the concepts of French cooking and how they informed modern British palates and food. Tarquin is an Englishman currently living in France, and as the story gradually unfolds, you start to see the dark and sinister undertone to his words. Little by little, you realize exactly who he is and what he has done. It’s a lovely slow burn.
He is a food philosopher, beyond anything else. When talking about seasonal food and what is appropriate for spring, he waxes philosophical on the theme of lamb and how it ties in with the concepts of rebirth, sacrifice and why it’s eaten both in the springtime and around Easter. This is not new for any foodie or student of history, but his greatly entertaining way of expressing himself makes reading about the blood of the lamb so very unique.
He waxes rhapsodically about the delights of food in such a delicious, mouthwatering way that you can’t help but feel your tummy growl in response. He is also the biggest prick when it comes to everything and anything else, as evidenced by this zinger: “I could forgive her many things, but his Welshness is hard to bear.” Ouch! Also, hilarious! But it was this passage that enticed me into making a delectable chicken dish that I got from Nigella herself, coming directly after his musings about lamb in springtime and how certain culinary constructs lend themselves very well to certain and specific food pairings:
“These combinations have a quality of a logical discovery: bacon and eggs, rice and soy sauce, Sauternes and foie gras, white truffles and pasta, steak-frites, strawberries and cream, lamb and garlic, Armagnac and prunes, port and Stilton, fish soup and rouille, chicken and wild mushrooms; to the committed explorer of the senses, the first experience of any of them will have an impact comparable to an astronomer’s discovery of a new planet.”
12 organic chicken thighs, skin on and bone in
2 large lemons
1 large head of garlic
1 cup white wine (I used chardonnay)
3-4 tablespoons olive oil
4 tablespoons dried thyme
Several sprigs of fresh thyme
Sea salt and cracked black pepper
Heat the oven to 375F and lay the room-temperature chicken pieces into a large baking tray. I got to use one of my Christmas gifts for this dish – my gorgeous stainless steel Le Creuset roasting pan!
Quarter the two lemons and tuck them in and around the chicken pieces.
Break the garlic cloves from the head – leaving them unpeeled – and dot them around the chicken and lemon chunks.
Pour the white wine and then the olive oil over the chicken, lemon and garlic pieces, and sprinkle over the dried thyme.
Season generously with salt and pepper, and dot the fresh thyme sprigs around the pan. Cover with foil, and roast for two hours at 375F.
At the 2-hour mark, turn the oven up to 450F and take the foil off the chicken. Roast another 30-45 minutes, until the chicken skin gets crispy and bronze and the garlic and lemon are steaming and caramelized. Serve with some sautéed mushrooms and ponder the philosophy of food.
For some reason, I’ve been feeling rather depressed lately. It comes on occasionally, and I try to overcome it with the comforts of reading, cooking, venturing out to new places, or writing. In poring over my library to find something that hopefully will help shake me out of my low spirits, I came across Possession, which I’d not read in a couple of years. A trip to the rainy British Isles seemed just the ticket.
I’d forgotten what a great literary mystery this book is. It’s philosophical, analytical, and romantic all at once. Roland, the main character, is also feeling trapped in his career as a scholar and trying to find a place for himself both professionally and personally. He discovers two handwritten letters from a famous Victorian poet, Randolph Henry Ash, written to a mysterious woman, and Roland becomes obsessed – possessed, you could say – in finding out who she is. His researches lead him to Professor Maud Bailey, another mysterious female. Together, they embark on a quest to learn not just who the “Dark Lady” in Ash’s life was, but how and why they met, and the outcome of their meeting. The book combines literary analysis with a sense of wonder in discovering something fresh in a world where, it seems, nothing is new. The pleasures of research, of reading, of taking one’s time, of discovery, are concepts to be savored and enjoyed.
Upon Roland and Maud’s first meeting, she invites him to spend the night on her sofa, as his lack of money makes it impossible for him to find a hotel. She cooks him dinner and they begin their literary journey together. Their quest takes them to France, as well, where they begin to discover not just who the mystery woman is, but their feelings for each other, as well. I love both passages, so I decided to make two recipes – added solace for my rather low spirits.
“Maud Bailey gave him potted shrimps, omelette and green salad, some Bleu de Bresse and a bowl of sharp apples. They talked about Tales for Innocents, which Maud said, were mostly rather frightening tales derived from Grimm and Tieck, with an emphasis on animals and insubordination.”
“During his stay he had become addicted to a pale, chilled, slightly sweet pudding called Iles Flottantes, which consisted of a white island of foam floating in a creamy yellow pool of vanilla custard, haunted by the ghost, no more, of sweetness.”
Potted shrimps were something I’d never heard of, so I did some research and found that they are essentially shrimp cooked in clarified butter, and served generally as an appetizer. Making clarified butter was a new culinary challenge for me, but I was in need of distraction, so I gave it a go. Similarly, Iles Flottantes – floating islands or snowballs – were a new one for me, but I discovered that it is similar to the New Mexican dessert known as natillas, a vanilla custard. I decided that both recipes were in need of interpretation by yours truly, so here we go.
1 pound of unsalted butter
Muslin cloth or cheesecloth
1 pound of raw, deveined, shelled shrimp
1 shallot, finely diced
3 cloves of garlic, peeled and finely diced
1/2 teaspoon of ground nutmeg
1 teaspoon anchovy paste or two finely chopped anchovies
1 tablespoon lemon juice, or about half the juice of a large lemon
Melt the butter under low heat. When completely melted, empty into a large, clear container. Allow to slightly cool, and as it does, use a spoon to scrape off the solids that form at the top. The milk solids will have sunk to the bottom of the container by then. Strain through muslin or cheesecloth, or just pour very carefully into another container, so that you get just the clear, golden melted fat solids. The end result should be this nice liquid that is ideal for cooking, as it can be used at very high temperatures without burning. Who knew?
In a small skillet, heat some of the clarified butter, the shallot and garlic, sea salt, and the nutmeg, and saute until translucent, about 10 minutes. Add the anchovy paste and the lemon juice and cook for another minute.
Add the raw shrimp to the pan with the other goodies, and cook briefly until the shrimp are pink. Divide this mixture into ramekins and cover with the clarified butter. The idea is to have the butter completely submerge the shrimp. Refrigerate for at least an hour. Remove, and spread on toast or crackers. Delish, very decadent, and quintessentially British.
For the Iles Flottantes, which, rather serendipitously, were featured last night on a late-night rerun of that great old British cooking show, Two Fat Ladies. Clarissa Dickson Wright, the blonde half of that hilarious duo, made these using a chocolate custard, so I decided to try her method, adding a couple of flavoring twists of my own:
6 eggs, separated
1/2 pint of whole milk
2 tablespoons granulated sugar, separated
4 ounces of dark, bittersweet chocolate, minimum 60% cocoa solids
1 teaspoon of cinnamon
1 tablespoon of vanilla extract
Over low heat, slowly melt the chocolate, stirring occasionally, then add the cinnamon and vanilla and stir.
Add 1 tablespoon of sugar to the egg whites, and beat until very stiff, like little meringues.
In another saucepan, heat the milk until simmering, but don’t let it boil, or it will curdle. Put a spoonful of the beaten egg white onto the hot milk. The idea is to poach the egg white so that it cooks slightly and holds it shape. It’s one of those things that is much easier in concept than in execution. Anyway, do this two egg white cakes at a time. Remove them to a paper towel and drain while you make the chocolate-cinnamon-vanilla custard.
Beat the egg yolks and the remaining tablespoon of sugar. Add the slightly cooled melted chocolate and the slightly cooled milk. The reason for allowing the chocolate and milk to cool is because if you don’t, you’ll end up with chocolate scrambled eggs. I mean, how gross is that? Delia Smith and Fanny Cradock would kill me! Anyway, stir this mixture together in the same double boiler under low heat, until it thickens to the texture of thin cream. Like this.
Allow the chocolate custard to cool for about 5 minutes, then spoon into fancy glasses, top with the poached egg white, drizzle some of the remaining custard on top, and refrigerate for an hour, to set.
Eat, then lie back and think of England. If you can still breathe, of course.
I can’t say enough about Carlos Ruiz Zafón’s writing. It’s absolutely beautiful, lyrical, lush without being overly purple, and whether describing the sensory overload of a roomful of books, the scent of tobacco, the deeply scarlet hue of a woman’s lipstick, or the existential dread and horror of torture and death, the man writes like a magician. I’ve read each of the books in the series over 10 times apiece, and I continue to find small, overlooked details in each one the more I read. The Labyrinth of the Spirits, the fourth and final book in the Cemetery of Forgotten Books series, draws together the threads splayed out in the previous three books, brings a kind of justice to the Sempere family, and introduces the reader to a very unusual heroine, Alicia Gris.
The basic premise of this book is the story of Alicia, born in Barcelona, how she loses her parents during the Civil War in Spain, her chameleonlike evolution from petty street criminal to police officer/spy and her connection to Barcelona, Daniel Sempere, David Martín, and Fermín Romero de Torres (in my opinion, one of the funniest and most touching sidekick characters in modern literature and an obvious nod to Sancho Panza); and her connection to the marvelous and terrifying Cemetery of Forgotten Books. If you’ve read the three previous books, The Shadow of the Wind, The Angel’s Game, and The Prisoner of Heaven – all of which I have previously blogged – you will know the overarching storyline. How Alicia fits into this dark Wonderland tale that pays homage to books, literature, freedom, love and mystery, is both beautiful and sad.
I will say that my only beef with this book is how most of the women are portrayed, as either femmes fatales or saints, which is something I run across in most books where a male writer writes from a female POV. Alicia is a fascinating character. Yes, she is beautiful and somewhat damaged both physically and emotionally and she does have very complex emotions, but she isn’t a homewrecker and the reactions of other female characters to her is somewhat irritating after awhile. No, she isn’t there to steal your man, ok? She’s investigating a disappearance and looking into her own childhood history. Sheesh. I suppose it annoys me because I see so much of this in real life – this Madonna/whore outlook even from other women when they see a physically beautiful woman and automatically assume she is trouble or that she is a man-eater or a slut or all those other awful words that both men and women use to shame females for daring to look a certain way.
As dark and painful as this book is at times, it is above else, a love letter to reading. The sheer joy of losing yourself in a book is something that every lover of literature can relate to, including me. Alicia has loved books since she was a little girl, and when she is rescued early on in the book from a bombing in Barcelona by our erstwhile Fermín and accidentally falls through the glass roof of the Cemetery of Forgotten Books, it completely changes her life, both physically and emotionally. Can you imagine getting lost in the Cemetery of Forgotten Books? Between the ghosts and mysterious figures that supposedly haunt its corridors, the sheer amount of books to be devoured and the romantic terror implicit in such a place, it sounds like somewhere I could happily spend eternity. With lots of good wine and Spanish tapas, of course.
Alicia is paired with a detective named Vargas, with whom she has a strong attraction and shares a unique sense of humor. He’s a bit older than her, which is fine with me since I have always preferred older men. They have been tasked with finding Spain’s Minister of Culture, Mauricio Valls, who has mysteriously vanished and with whom the enigmatic David Martin – of The Angel’s Game – has been connected. Valls was responsible for imprisoning and torturing many people during Spain’s Civil War, including Martín, and it’s feared he has been kidnapped in retaliation. The reality, of course, is much more complex and far, far worse. Anyway, once back in Barcelona, Alicia introduces Vargas to many of her favorite haunts from her childhood and adult years living there. The Ribera quarter is home to her favorite tapas bar, appropriately called La Bombeta. There, she orders a plateful of bombas, bread with olive oil and tomatoes, and beer – a quintessential Barcelona treat.
“Bring us four bombs and two beers,” Alicia instructed, without taking her eyes off Vargas. “Estrella or draft beer?” “Estrella.” “Bread with oil and tomato?” “A couple of slices. Toasted.” The waiter nodded and walked off without more ado………..the beers and the plate of bombas arrived just in time to interrupt the conversation. Vargas eyed that curious invention, a sort of large ball of breaded potato filled with spicy meat.
Bombas are potato balls stuffed with meat and shallow-fried, eaten hot with a cold beverage. They can be stuffed with ground beef, ground pork, chorizo, etc. I ate many of them when I was a student living in Spain, and though they are made in various iterations in different cities, the bomba is a true child of that beautiful, unique and haunting city of Barcelona. This is my take on them.
6 waxy potatoes
1 yellow onion, finely diced
4 cloves of garlic, finely diced
1 tablespoon smoked Spanish paprika – also known as pimenton
1 pound uncooked chorizo
1/2 cup Spanish sherry
Salt and pepper to taste
1 cup flour
1 cup breadcrumbs
Olive oil for frying
Cook the potatoes in boiling, salted water for 20-30 minutes until soft. Push through a potato ricer and stir to mix and break down. Add salt and pepper to taste and set aside to cool.
Heat some olive oil in a pan and cook the onion and garlic for 10 minutes, until softened. Remove from the pan but leave the oil.
Add the chorizo and stir, breaking it into smaller pieces, cooking it until it firms up, about 10 minutes.
Add the cooked onion and garlic to the meat, and sprinkle over the smoked paprika. Cook for another 10 minutes.
Toss in the sherry and cook until the liquid evaporates, then let the meat cool and get on with your potato bombs.
Form a large ball with the potato and put some of the chorizo-onion mixture in the middle. Close the potato over the meat so it is completely contained. Repeat until you have 6-7 bombas. Lay on a platter and chill for up to 2 hours, if not longer.
Pour the flour and the breadcrumbs into separate bowls, and crack the egg into another bowl, mixing with a fork and some water and salt.
Quickly dip the bomba into the egg, then the flour, then the breadcrumbs so it is completely covered, then heat about 3 cups of olive oil in a large pan and toss a small drop of water to test the heat. When the oil sizzles, it’s ready.
In batches of 3, cook the bombas for about five minutes, until golden brown. Drain on paper towels and eat hot, garnished with roasted red peppers, and with a toast to the Cemetery of Forgotten Books, the Sempere family, and the genius that is Carlos Ruiz Zafón. ¡Salud!
So this was a totally bizarre, engrossing and freaky ride of a book. I haven’t read anything in quite awhile that literally hooked me from the first sentence and didn’t let go. I actually checked it out at the library and got three overdue notices because I wanted to read it slowly and savor it, and then read it over again. In fact, I ended up buying it for myself as a Christmas gift and thus far have read it a total of four times. So yes, you could say I love this book!
Bardugo is an intense writer and I love her unique style with words. Visceral, irreverent yet serious, with occasional blasts of sick humor and an absolutely fascinating murder mystery, mixed with black magic, frat boy hijinks and one of the more uniquely loveable heroines in fiction and a wonderful world of magic set against an Ivy League university setting………such a bizarre premise that of course it works.
Alex Stern has been given a second chance, both at life having survived a gruesome multiple murder and in academia having been chosen to attend Yale on a free ride. It turns out that her lifelong ability to see the spirits of the dead – Grays, as she calls them – is the very reason she is chosen to attend this legendary Ivy League college. She is picked to oversee the magic of the eight houses at Yale, to act as a guardian against any of the black magic being noticed or misused by these houses, and in her role as “Dante,” she is part of Lethe House, the eponymous ninth house. She acts as a type of apprentice to “Virgil,” who is Daniel Arlington when he’s at home, or Darlington, as he is more familiarly known.
When Darlington mysteriously disappears during a magic ritual and when Alex discovers the murder of a town girl and finds connections with four of the eight magical houses, she sets out on a quest to find the murderer and becomes embroiled not just in a police procedural mystery but the real, nasty, dirty reality of the type of magic being practiced at Yale. Some of the houses cast spells of manipulation and perception, some raise the dead, some work with plants to create magical potions, some can tell the future. Alex has taken to heart Darlington’s assessment that they are “shepherds,” meant to oversee and contain the magic and to protect innocent bystanders.
I personally love a book that does not explain everything from the get-go and that basically sets up this alternate universe and expects you to follow along and learn as you go. That’s what Bardugo does in this book. She doesn’t stop to explain how this house came into being, why their magic works, why Alex can see Grays and how Alex came to end up at Yale after a youth filled with petty drug use, stealing and living with drug dealers. Rather, you find out in subtle flashbacks and that old “suspension of disbelief.” If you can let go and follow Bardugo into the world of magical fraternities, spirits of the dead, invisible hounds that protect sacred spaces, and ghosts who can possess the living, you will so not be disappointed.
Darlington is watched over in his position of Virgil by “Oculus,” his cook/housekeeper/research assistant who also acts as a protector and source of information about the other houses….or as her real name goes, Dawes. She and Alex initially dislike each other on site and probably on principle, but they are united in their love for Darlington and desire to get him back, and their need to understand the supernatural. Early in the book, Virgil and Dante – Darlington and Alex – return to Darlington’s private house where Oculus – Dawes – has prepared them a meal to fortify them after all the magical goings-on of the evening, to the delight of Darlington.
Dawes slid her headphones down to her neck “We have smoked salmon and egg and dill sandwiches.” “Dare I ask?” “And avgolemono.” “I’d say you’re an angel, but you’re so much more interesting.” Dawes clucked her tongue. “It’s not really a fall soup.” “It’s barely fall and there’s nothing more fortifying.”
I’d never made avgolemono soup before, that delicious, delicate yet filling Greek soup of chicken, rice and lemon made creamy with a tempered mix of eggs gently whipped into the hot soup, but I figured it was time to give it a whirl. I was very happy and honored to be given the method from Jessica, one of my favorite Instagram posters and food bloggers, who can be found on IG at @jesswhoamamma. You won’t be disappointed in her feed. Anyway, this is her method, which she got from her beloved yia-yia (grandmother) and which I am proud to share with you now.
1 3-lb organic chicken
1 cup white rice (I used Basmati)
1 tablespoon unsalted butter
3 large eggs
1 large lemon
1 cup ice-cold water
Salt and pepper to taste
Put the chicken into a large stockpot filled with about a gallon of water. Boil for 1-2 hours, skimming fat and impurities from the surface. Once cooked, remove chicken from liquid and let cool.
Drain the stock into a clean pot and put on to a low boil, and add the rice and the tablespoon of butter. Let cook, and once the rice is tender, remove from the heat and get on with the avgolemono.
Separate the egg yolks from the whites.
Add juice of half the lemon and a tablespoon of ice-cold water to the egg whites, and whisk until frothy and pale.
Whisk the egg yolks together, then add to the egg white mixture and whisk again until well combined.
One spoonful at a time, add some hot broth to the egg mixture and whisk madly. This is called tempering the eggs, and what it does is slowly brings them to soup temperature and makes them creamy. If you put the eggs directly into the hot soup, they would cook and become scrambled eggs, and you DO NOT want that.
After about 6 spoonfuls of hot stock being slowly added and whisked into the egg mixture, you can now pour the entire bowlful of egg mixture into the hot soup.
Shred the chicken, remove the skin, gristle, and bones, and add the meat to the soup. Simmer very gently on low until everything is creamy and combined. Adjust seasoning and add more salt, pepper or lemon to your taste.
Heaven! Light, rich, delicate yet substantial, with that effervescent tang of lemon, this soup is actually perfect year-round and not just in the fall. Sorry, Dawes! Darlington was right!
I suppose this book would fall under the category “chick-lit” which I generally loathe. However, I read Bridget Jones’s Diary years ago and remember laughing so hard I had tears in my eyes, and the film version with Renee Zellwegger, was similarly hilarious and heart-felt. It’s still as funny today and I found myself snickering yet again as I reread it last week. I suppose many of us who were singletons in our mid-30s could definitely relate to many of the themes in this book – wanting to find a relationship, parental issues, being stuck between two different lovers, trying to find the right job – but for me, the underlying theme that stood out to me then and now was the concept of loving yourself and finding someone who was going to love you just as you were, warts and imperfections and cellulite and all.
We live in a society that idolizes appearance. We all want to look our best. These two elements combined have created a sense that if we don’t look homogenized, have long straight hair, have the perfect relationship, or be a size 6, that we are not worthy, not valuable, not lovable, not NORMAL. I think why this book resonates is because it shows that when you do kill yourself to look/be “normal” or all those catchphrases that society tells us we must adhere to, oftentimes we end up looking worse, feeling worse, not being true to ourselves. When we accept our faults and our quirky unique weirdness is when we are our true selves and when we are able and open to loving ourselves.
The book, in a nutshell, is the adventures of Bridget Jones, 30-something, still single, and her quest for the perfect job, perfect weight, and perfect man. What makes it so hilariously funny is that she is about as far from perfect as you can get – in other words, she is just like us. She is funny as fuck, totally relateable as she goes from one disaster to another, constantly trying to stop smoking, quit drinking, drop pounds, etc.
The film version is excellent, too, and actually I prefer her mother in the movie. Bridget’s mom in the book is a horrendous human being. She isn’t even funny. In the film, Gemma Jones plays her with a ditzy sympathetic self-centeredness, but the book Mrs. Jones is just a selfish, self-centered nightmare who really doesn’t seem to care about anyone other than herself. She was quite an unpleasant character. Other than that, the book was most amusing.
So of course Bridget is a walking disaster in the kitchen, which lends itself to possibly the funniest scene in the book, when she decides to cook herself and her friends a lovely birthday dinner. Of course, being Bridget Jones, it gets completely fucked up, and made even more hilarious by the fact that Mark Darcy shows up at her house as she is attempting her culinary masterpiece.
7 p.m. Just got home. Right. Calm, calm. Inner poise. Soup will be absolutely fine. Will simply cook and purée vegetables as instructed and then – to give concentration of flavor – rinse blue jelly off chicken carcasses and boil them up with cream in the soup.
8:30 p.m. All going marvelously. Guests are all in living room. Mark Darcy is being v. nice and brought champagne and a box of Belgian chocolates. Have not done main course yet apart from fondant potatoes but sure will be v. quick. Anyway, soup is first.
8:35 p.m. Oh my God. Just took lid off casserole to remove carcasses. Soup is bright blue.
Horror-struck, took mouthful myself. It was, as he said marmalade. Realize after all effort and expense have served my guests:
Now, making an actual blue soup would be totally fun but I can’t imagine it would taste very good. So I decided to go another route and incorporate blue cheese into a spinach soup, and it was a most inspired decision, if I do say so myself.
5 ounces fresh baby spinach, preferably organic
1 tablespoon olive oil
1 tablespoon butter
1 tablespoon all-purpose flour
2-3 cloves of garlic
1 cup half and half (or full-fat milk)
2 cups chicken stock
3/4 cup white wine
1-2 tablespoons chicken bouillon paste
Salt and pepper to taste
1 cup blue cheese crumbles
Chop up the spinach finely and set aside.
Heat the olive oil in a skillet and add the flour to brown it, stirring constantly so it doesn’t burn.
Add the milk and keep whisking until the mixture thickens. You don’t want lumps so stirring continually is a good thing, and better yet, if you do it with a glass of wine in hand, you’ll feel confident and competent in the kitchen, just like Bridget Jones!
Add the spinach, garlic cloves and salt and pepper, and stir.
Add in the chicken broth, the chicken bouillon paste and the white wine, cover, and let simmer about 25-30 minutes.
Tumble in the blue cheese crumbles and let melt into the hot soup.
Decant into bowls and serve with more wine, in true Bridget Jones fashion. So good, rich and warming and decadent. Yum!
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