Last Call at the Nightshade Lounge by Paul Krueger

In desperate need of something new to read and some cooking inspiration during this ongoing pandemic, I did a Google search for best foodie literature and actually got several unexpected suggestions. Two were books that extolled the virtues of various alcoholic beverages and cocktails, and I was immediately intrigued. I am not one to say no to anything liquor-based, and in fact have blogged previously about various drinks, including the mint julep, the Aperol spritz, the Campari cocktail, the Sazerac cocktail, and my personal favorite, the Pan-Galactic Gargleblaster.

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So I decided this latest novel, Last Call at the Nightshade Lounge, was worthy of a read. And I’m glad I did! The premise of the book is thus: Bailey Chen is fresh out of college and seeking that elusive first job with a degree that we all went through when the ink was still wet on our university diplomas. She gets a part-time job bartending with her old high school buddy Zane, who had a massive crush on her back in the day and has now leveled up his own game with his new wardrobe, nice Chicago apartment and partial ownership of his uncle’s bar. One night, Bailey is on her way home after having mixed herself a rather unusual and strong cocktail and is shocked to see monsters stalking people in the greater Chicago downtown area. The cocktail – a screwdriver – is made with magical liquor in just the right amounts and allows Bailey not only to see these monsters but also imbues her with super-hero powers.

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That’s the idea of the book – liquor gives you superpowers. Well, hell! I could have told you that! After a few glasses of wine, I am the world’s greatest singer! ūüôā Anyway, Bailey has uncovered an entire world of bartenders who know the secrets of different cocktails and the various powers they give when made correctly. A screwdriver gives you extreme strength and speed. A tequila slammer gives the ability to create protective force fields. A Tom Collins allows you to breathe underwater. A White Russian and you can walk on air. A Martini lets you turn to glass. Irish coffee lets you create illusions in the minds of others. And so on.

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One of the most fun aspects of this book is reading the cocktail recipes that precede each chapter. Taken from The Devil’s Water Dictionary, each cocktail recipe is spelled out with the specific ingredients and garnishes needed, the precise measurements for each, the type of glass necessary to activate the magic in the cocktail, and then each ingredient is described in detail as to its origin, history, and how it came to be associated with the drink itself. It’s nothing heavy, this book, and that was what made it so much fun to read. It’s also set in the various cool neighborhoods in Chicago, one of my favorite cities, so it was really cool to jump around with the characters as they roam the streets of the Windy City hunting and killing nasty-ass monsters and getting shitfaced drunk in order to do it. Works for me!

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Not being much for hard liquor, I quite enjoyed reading about the powers of the Mojito cocktail. Now, I like a good Mojito because I love mint and lime together. Rum took me awhile to get behind because Captain Morgan and I had a really bad night together many years ago and it turned me off rum for years, but an ex-boyfriend who was an accomplished bartender made me a killer Mojito many years ago that changed my mind. And then there was this book passage:

Mint leaves, sugar, lime juice. Concentrating on details always helped…….She had spent her preshift Saturday drinking coffee and staying as alert as possible; now that she was up next for patrol, she was making herself a mojito – her ex-coworker Trina’s favorite, which would give her the power to manipulate ambient water to her will……..

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INGREDIENTS
6 mint leaves
2 sugar cubes or 1 tablespoon of sugar
1 lime
2 ounces white rum
Soda water
Crushed ice

METHOD
Drop 6 mint leaves, the sugar cubes, and the juice of one lime into a glass.

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Muddle the mint leaves until they are bruised and the sugar has dissolved.

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Add the 2 ounces of rum and a splash of soda water.

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Fill the glass with crushed ice, garnish with a mint sprig and a slice of lime, and serve.¬†Knocks the wind back into your sails, this one does. After drinking it, you might very well feel that you can fly or at very least, manipulate ambient water like in the book. Don’t try it, though.

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REPOST – Kitchen Confidential by Anthony Bourdain

I originally posted this blog in May 2017.  Today marks two years from the date that my idol Anthony Bourdain died. One of my biggest culinary influences, as well as someone who changed my worldview in general, I loved, respected and honored his work and who he was as a human being. I hope you enjoy this repost. 

Original posting: May 2017: Oh, that damn Monday fish. Anthony Bourdain, to whom I refer affectionately as “my future ex-husband,” is never going to live that down. I didn’t eat a Monday fish special at a restaurant for¬† five years after reading Kitchen Confidential. Of course, in his updated version of that classic foodie memoir, he recants in his inimitable style by saying “eat the fucking fish on Monday, already!”

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Bourdain is as snarky and smart-assy as they come. God, I love him. His attitude of irreverence, particularly within an industry that traditionally holds male chefs on very high pedestals, is refreshing. Though he is somewhat of a hypocrite in how he has previously mocked celebrity chefs like Emeril Lagasse and Rachael Ray whilst simultaneously pursuing his own brand of foul-mouthed celebrity, I can’t help but like the guy. He’s funnier than hell, can cook like an angel, curse like a devil, drink like a sailor, and is one of those men that just get more handsome and sexy with age. He’s welcome to eat crackers in bed with me anytime.

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What sets him apart is that he doesn’t take himself seriously, either in his writing or his cooking. He’s a good chef and he knows it, but he regularly mocks himself, and I like that in a person. We none of us should take ourselves so seriously in life, because we are all going to screw up eventually. I also like that he doesn’t have any arrogance toward his staff and he gives credit where credit is due – to the hardworking cooks, sous-chefs, servers, bakers, prep cooks, dishwashers and all the unseen migrant men and women behind the scenes who make the food.

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Without these workers, restaurants would shut down. They are the true backbone of the service industry, and I say this having worked for several years in the restaurant business myself; as a table busser, a hostess, a waitress, and a cashier at a well-known Mexican restaurant; and as a cocktail waitress at a couple of dive bars while in college.

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It was fun, but physically demanding and mentally exhausting. I got yelled at by customers and dropped numerous glasses of water working in the restaurant business; I got my butt pinched so often as a cocktail waitress that I think it’s permanently bruised; and for years after I left the Mexican restaurant I could not look at a bowl of salsa and basket of tortilla chips without gagging. I respect the hell out of people in the service industry, and Bourdain respects them, too.

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Well, my dear future ex-husband, I am going off the rails a little bit and making this dish in your honor ON A MONDAY! I’m taking you on, baby, and making that yellowfin tuna in a braised fennel, confit tomato, and saffron sauce. Except, with my usual recipe edits. This is the method that worked for me, based on this New York Times tasty recipe.

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INGREDIENTS
For the tomato confit:
1 pint cherry tomatoes
8 cloves of garlic, unpeeled
3 tablespoons fresh thyme and parsley
1 cup extra virgin olive oil
Sea salt and fresh ground pepper

For the tuna:
2 tablespoons olive oil
1 shallot, cut in thin slices
3 cloves of garlic, thinly sliced
1 fennel bulb, thinly sliced
3 small tuna steaks, 5 oz. each
Zest and juice of half a lemon
1/2 cup of seafood stock
1/ 2 teaspoon saffron threads

METHOD
Heat the oven to 350F.

Bring a large pot of water to boil. Cut a small slit across the bottom of each cherry tomato. Put the tomatoes and unpeeled garlic cloves in the boiling water for 30 seconds.

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Drain in ice-cold water to blanch, then remove the peels from each tomato. This will probably take a good 20 minutes.

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Put the tomatoes and garlic in a baking pan, submerge in olive oil, add the dried and fresh herbs, sea salt, and pepper. Cover in foil and bake for 30 minutes. Allow to cool thoroughly, peel the garlic cloves and mash, mix with the tomatoes, then store in a jar.

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In a small pan, heat the seafood stock to just boiling. Add the saffron threads, squeeze in the lemon juice, stir together, and let simmer.

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Heat a cast-iron stovetop grill to high. Salt and pepper the tuna steaks, oil them lightly on both sides, and sear them each for 30 seconds per side.

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Place the tuna steaks on top of the shallot, garlic and fennel. Grate over the lemon zest.

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Pour over the seafood stock, check for taste and seasoning, cover and cook on low for another 5-7 minutes, until the fish is cooked through. Don’t let it overcook!

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Plate and garnish with the gorgeously red tomato confit, and maybe some black rice. It makes a stunning presentation on a plate, and better  yet, tastes delicious. Anthony, I think I did you proud!

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The Fifth Gospel by Ian Caldwell

I found The Fifth Gospel to be quite a great read, fast-paced and adventurous, but with a fascinating historical and Biblical premise as the storyline. It’s simple – a Greek Catholic priest living in The Vatican must defend his brother, also a Greek Catholic priest but one attached to the Pope’s staff, who is accused of murder. The victim? An artist who recreated the Shroud of Turin for a Papal art show and made a discovery that could possibly turn the Catholic Church upside down.

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It’s very well written, heavy on Church history (which I like) and yet has a human side in the main character of Father Alex Andreou, whose desperate efforts to prove his brother innocent are matched only by his dedication to the Greek Catholic church, raising his son Peter, and hoping his estranged wife Mona will return to them both. She does, mysteriously one evening, and when she reunites with Peter, she brings dinner with her, in that clever way women have of knowing that the best way to a man’s heart is through his stomach.

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“Mona reaches into a plastic bag by her feet and says ‘I brought dinner.’ ‘A gift,’ she clarifies. ‘From Nonna.’ Peter’s maternal grandmother. I recoil. Peter looks at the Tupperware and says…….’My favorite pizza is margherita.’ ‘I’m sorry,’ Mona says, crestfallen. ‘All I brought is some cacio e pepe.’ Tonnarelli with cheese sauce. The devil inside me smiles. Her mother’s version of the dish will be too peppery for Peter. A fitting introduction to the mother-in-law I always found to be an acquired taste.”

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This post came about, in part, from an IM conversation I had with my friend Luca Marchiori of Chestnuts and Truffles. Luca is not only my cooking hero, he’s a marvelous chef, a talented food and travel writer, and takes the most wonderful photographs. He also lives in Italy and gets to travel around that beautiful country ALL THE TIME. Is it any wonder I want to be him?

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Anyway, I’ve gotten in the habit (annoyingly to Luca, I’m sure!) of asking his advice about the week’s upcoming blog post and my thoughts on how to make my recipe unique. Cacio e pepe is a traditional pasta dish that features three major ingredients – pasta, pepper and cheese. You really can’t go wrong with that trio, but I wanted to add my own unique twist on the recipe, so I asked Luca what he thought of perhaps a margherita-style cacio e pepe, combining two food descriptions in the passage above.

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Luca didn’t think combining two separate pasta dishes into one was the best way to go, and when I mentioned wanting to make something one’s own, he talked about the writing of Philippe Conticini, who was, in Luca’s words, “a great patissiere who had the philosophy that when you were revising classic dishes you should make sure you keep all the original ingredients and not add more. Change the way they are put together rather than leaving out or adding.”

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Something to consider. So, rather than trying to make it into something unique, I decided to challenge myself by simply recreating this classic recipe, and having roasted tomatoes on the side. Not IN the dish, Luca, so calm down. But as a garnish. And guess what? It worked!

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This is the method that worked for me, based on this article from Business Weekly, featuring the late, great, notorious Anthony Bourdain – my future husband – in Rome. I mean, Bourdain, Italy and pasta – the holy trinity, in my book. (And very fitting for today’s post!)

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INGREDIENTS
1 lb bucatini pasta
1 tablespoon of butter
3 tablespoons grated fresh Parmeggiano Reggiano cheese
3 tablespoons Pecorino cheese
Generous amount of ground black pepper

METHOD
Bring a large pot of salted water to the boil. Once boiling, add the pasta and cook for about 6 minutes, until the pasta is almost cooked, but not quite. You’ll see why in a minute.

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One of the best cooking tips I’ve ever gotten in my life was to save some of the boiling water that the pasta has cooked in, and add a bit to whatever sauce you are making. The starch in the water helps the sauce to emulsify and thicken somewhat, and also adds to the dense flavor. So keep about a cupful of the pasta water before draining the pasta. But do keep some of the water on the noodles. Anna del Conte, the matriarch of Italian cooking and food writing, calls this “la goccia,” which means “a drop” to keep the pasta moist.

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In a separate saucepan, add the butter and a very generous amount of freshly ground black pepper. Melt the butter gently over low heat, then add the starchy pasta water. Swirl around to mix.

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Add the cooked and drained pasta to the saucepan with the pasta water, butter and pepper. Stir around with tongs to finish cooking the pasta, about 2-3 minutes more. Taste to see if the pasta is al dente, with a small bite but cooked.

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Remove from the heat, and add your cheeses to the hot pasta mixture. Stir again to mix and meld all the cheeses. You DO NOT want your cheese to be in lumps, which is why you want to do it when the pasta is hot off the stove. Just stir and swirl with your tongs and pretend you’re one of those bad-ass Italian chefs who have that technique down pat.

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Place a swirly pile in a shallow bowl, and sprinkle over more Parmeggiano, and add another generous sprinkle of freshly ground black pepper. Et voila! Cacio e pepe alla Romana!

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Serve with roasted tomatoes on the side, which are simple to make. Slice the tomatoes thinly, and sprinkle over some slivered garlic. Toss with olive oil and dried basil, and roast at 425 for 30-35 minutes. Remove, let cool for about 15 minutes, then sprinkle over a dash of balsamic vinegar. Salt and pepper as you like.

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A dish fit for a Pope!

Episode 4 of “Cooking the Books” Podcast Now Available!

The latest episode of my podcast “Cooking the Books” has dropped, so give it a listen if you can! We’re talking about sci-fi fiction and escaping to the kitchen to try a rather unusual yet delicious dish, so let me know what you think! Click on the link below and happy listening!

https://anchor.fm/cookingthebooks/episodes/Dune-and-the-Otherwordly-Joys-of-Cooking-Rabbit-ee2rgc/a-a233vru

The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix

If you’re like me and you’re as drawn to a book’s title and cover as you are the contents of the book itself, then you’ll love this one. Grady Hendrix has a knack for writing about horror against the most banal, ordinary, American backgrounds. I think of him as the literary version of the Duffer Brothers in the sense that he, like they’ve done with Stranger Things, is able to take the best tropes of horror and not only turn them upside down but put them against a backdrop of ordinary, everyday life in a timeframe so familiar to us because most of us grew up then and can recognize the cultural and societal expectations of the time.

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The Southern Book Club’s Guide to Slaying Vampires is both satire and horror and it balances perfectly between the two. Patricia is a housewife in the mid-90s living in Charleston, in a very exclusive neighborhood called Pierates Cruze. She’s the average Southern belle turned wife/mom/daughter-in-law. Her husband is a doctor and works all the time; her two kids are teenagers and are perfectly horrible; she caretakes for her elderly, senile mother-in-law and of course, she has her group of friends who are equally boring, wealthy and proper……except they really aren’t. Well, they never are, are they?

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Their original book club fizzles out due to the sheer boringness of the books chosen by the first book club head, so Patricia, Kitty, Grace, Maryellen and Slick form their own book club in which they read true crime and horror and any manner of horrendous novels. So when James Harris moves in next door in all his scary, sexy glory and Patricia starts experiencing and seeing some very weird and frightening things, she is in the right mindset for horror. James claims to be the nephew of the awful old woman who suffers a psychotic episode and attacks Patricia, their house is overrun with vicious rats who – and this scene is not for the faint of heart (I skimmed it) – attack Patricia’s mother-in-law so viciously that she dies, and with this and some other gruesome goings-on, Patricia begins to strongly suspect the new neighbor is a vampire.

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Though the horror is intense and quite gross at times, for me the true horror was how easily Patricia is made to feel like she is crazy, how she is ostracized within her own group of friends, how her husband subjugates her, and how easy it is for her to doubt herself and question her own sanity when she knows what she has seen and when she tries to get people to realize what is going on. That was more monstrous than any vampire – that absolute lack of self-worth, lack of self-esteem, lack of any true resources of one’s own. I kept wanting to shake her and smack her upside the head to get her to realize that she did not have to allow herself to be treated the way she was.

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I like a good twist on a horror trope as much as the next girl, and Hendrix delivers. He is in that same modern group of horror novelists such as Paul Tremblay, Jason Arnopp and F.G. Cottam – and I have blogged all of them previously – who run with the horror tropes of vampires, ghosts, haunted houses, werewolves, demonic possession, home invasion and the occult – and give them new life by completely presenting them in unexpected ways. Hendrix kicks ass with this updated edition of Dracula. This vampire is meaner, grosser, way more visceral and so much more loathsome than the Count himself ever could be. This vampire still controls the mean creatures of the earth – bats, rats, bugs. This vampire is still dangerously sexy and able to entice its victims and he still needs to be invited over the threshold to enter a home……all little grace notes that I appreciated. But this vampire is the most vicious I’ve run across in modern literature and Hendrix is one hell of a visceral writer. Don’t read this while you’re eating……which I realize is ironic, considering the point of my blog. ūüôā Just don’t. Trust me on this.

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And of course, being set in the South, there is food. Lots of food, and exactly the type of food you’d expect from upper-class, wealthy Southern housewives – Boston cream pie, peach pie, any variety of casseroles, a crab boil, a massive amount of cocktails, Swedish meatballs, and of course, the inevitable party finger food consisting of crudit√©s, ham biscuits, pimiento cheese sandwiches and my favorite, cheese straws. You can’t have a party in the Deep South and not have cheese straws. You’d get thrown out of Tara like Scarlett O’Hara, my dear!

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The party spilled from the living room into the dining room, where it swirled in a circle around a table overflowing with miniature ham biscuits, cheese straws, pimento cheese sandwiches, and a tray of crudit√©s that would be thrown out untouched tomorrow morning…….

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This is the method for Southern-style cheese straws I used, based on the recipe by the late, great Edna Lewis, who is one of the great African-American chefs of the last 100 years and whose classic cookbook Taste of Country Cooking is one of my favorites.

INGREDIENTS
1 and 2/3 cups unbleached all-purpose flour
1 teaspoon salt
1 teaspoon dry mustard
1/4 teaspoon cayenne pepper, or more to taste
1 stick unsalted butter, at room temperature and cut into pieces
2 and 1/2 cups extra-sharp cheddar cheese, coarsely grated
2 tablespoons water

METHOD
Sift the flour, mustard, salt and cayenne into a medium bowl.

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Using your most awesome red Kitchen Aid with the paddle attachment, beat together the cheese and butter on low until well blended.

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Gradually mix in the flour mixture until completely incorporated, then add the water and beat for another few minutes until the dough comes together.

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Turn out the dough onto a lightly floured surface and knead a few times, then roll it out into a rough rectangle on a parchment sheet-covered baking tray, and chill about half an hour.

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Heat the oven to 425F, and trim the dough edges, cut in half, then again into strips roughly 6 inches by 1/4″, but don’t get out the ruler. Just long, skinny strips will work.

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Bake for 20 minutes, or until they’re golden-brown, crisp, and you can smell the cheese.¬†Let cool and enjoy with soup, salad, or as a snack with your evening cocktail. Any Southern belle would surely approve!

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Gabriela, Clove and Cinnamon by Jorge Amado

The connection between food and sex is one I looked at in one of my very first blog posts, which you can read here if you’re so inclined. That connection is one of the major threads in this book, as well.

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In 1925 South America, Gabriela is a young woman from a terribly poor background who is “hired” by Nacib to do the cooking in his pub in the Brazilian town of Ilh√©us. She is beautiful, from a very low social status, which was (and is) very important in the Brazilian culture. She has skin like cinnamon and gives off the scent of cloves, which entices everyone who meets her. Nacib is infatuated with her and they begin an intense love affair, which binds Nacib to her even more, because the connection between her cooking in the kitchen and her “cooking” in the bedroom have become intertwined in his mind. He marries her but then the challenges start.

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The concept of change and sexual politics are major themes in the book, the new overthrowing the old, and the old-school machismo personified in the beginning of the book, when Col. Mendonca kills his wife, Dona Sinhazinha and her lover, Dr. Pimentel, for adultery. Adultery is accepted among men, but God forbid a woman take a lover.

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What is ironic about the main tale of Nacib and Gabriela is that initially, she doesn’t fit his standard of what he believes he should have in a partner. She is beautiful, can cook like a dream, fulfills all of his sexual desires and fantasies, yet he is still held back by this expectation in his own mind that a relationship has to fit a certain mold. Ultimately, he realizes that he cannot change her, and in fact, to change her would be to lose the qualities about her he most loves.

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Passion colors every aspect of Gabriela’s life and it shows up in her food. Again, another book that features food as a type of medicine, a mood-altering substance that can make others feel joy, happiness, sexual passion and release. Gabriela’s passion is food – she puts everything she feels into her food, and by extension, everything she feels into life itself.

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She does not hold back her heart, and it is that openness that ultimately makes Nacib realize the value she brings to his life……and that in loving and accepting her as she is, it helps him love and accept himself and all the roiling changes happening around him. In her unchangeable passionate heart, she becomes his anchor and a catalyst for change in the entire town.

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Obviously, a book called Gabriela, Clove and Cinnamon has some amazing food descriptions in it. Being set in Brazil with a cook as one of the main characters, the food is mouth-watering. Gabriela cooks Bahaian-style dishes involving manioc, rice, jerk chicken, shrimp, peanuts, bean fritters, stews………..so many delicious choices. This passage was the one I chose for today.

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Gabriela was loading an enormous tray with pastries, and another, larger still, with codfish balls, bean-paste balls flavored with onion and palm oil, and other tidbits.

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Bean-paste balls are a type of fritter made from black-eyed peas and called acaraje in Portuguese, and are usually stuffed with shrimp or something called vatapá, which has ground cashews as its base.  So I decided some shrimp-stuffed acaraje and vatapá were in order.

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INGREDIENTS
For the acaraje:
2 14-oz cans black-eyed peas, drained and rinsed
1 large white onion
4 cloves of garlic
1 teaspoon sea salt
Teaspoon of cayenne powder
Red palm oil for frying

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For the vatap√°:
1 cup dried shrimp
1 cup unsalted cashews
2 pieces of day old-bread, torn into chunks
3 cups coconut milk
2 tomatoes
1 onion
1 jalapeno pepper
1 piece of fresh ginger, peeled
3 scallions
Handful of fresh cilantro, chopped
Salt and pepper to taste
2 cups cooked shrimp, thawed

METHOD
Chop the onion and garlic in a food processor. Set aside.

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Mash the black-eyed peas in the same processor until it forms a thick paste. Season with salt and cayenne.

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Mix together with onion and garlic in a bowl. Form little round patties.

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Heat the red palm oil in a frying pan. Fry 4-5 fritters at a time, for about 3 minutes per side, until crispy and orange-red in color. Don’t cook more than that at a time, because it will lower the oil’s temperature and make the fritters greasy.

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Chop the cashews and process for another minute or so until well mixed and rendered down. Add the dried shrimp, mix and set aside.

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Soak the bread in a 1/2 cup of coconut milk for a minute. Then process for another minute, until it forms a paste-like texture. Mix with the cashew and shrimp in a separate bowl.

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Finely chop the tomato, onion, ginger, cilantro, scallions and jalapeno in your well-exercised food processor, and set aside.

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Heat the remaining coconut milk in a pan, and add the tomato-onion-cilantro mixture, then spoon in the shrimp-cashew mixture. Simmer gently at medium low for about 10 minutes, then add the bread mixture, and a tablespoon of red palm oil, for thickening and color. Cook for about half an hour, stirring occasionally.

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Top the stew with the shrimp and cilantro, and apply to your face. Delicioso!

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Alburquerque by Rudolfo Anaya

Those of you who know me know of my deep and abiding love for the books of Rudolfo Anaya. For those of you who may not have heard of him, he is a well-known New Mexico writer who wrote what many consider the seminal work of Chicano literature – Bless Me, Ultima. His work tends to focus on the lives of his fellow New Mexicans, and he has made forays into children’s literature as well. He’s written poems, essays, short stories, and plays, but it is his fictional novels that reveal his heart and soul, as well as the intense love he has for his home state and in particular, for the city where we both reside, Albuquerque.

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His novel Alburquerque – yes, you read that correctly with the extra “R” – is a love story and homage to this unique character of a city. It tells the story of Ben Chavez, a writer and professor and his connection with a young boxer named Abr√°n Gonzalez, but that is only part of the tale. The story takes place against the backdrop of a nasty mayoral race, and incorporates a beautiful love story between Abr√°n and Lucinda, an adopted boy’s search for his birth father, the spiritual beliefs and mingled faith of the Catholics of Northern New Mexico, and the unique politics of Albuquerque.

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I love this book so very much, not just because I love Rudolfo Anaya, but because it so perfectly describes my city. From the stunningly blue springtime skies to the cottonwood trees along the bosque trails that frame the Rio Grande River, from the tall buildings of Downtown to the seasonal matanzas, from the mountains of the many small towns of Northern New Mexico to the gorgeous homes of Albuquerque’s North Valley, Anaya not only knows Albuquerque inside and out, he clearly adores this city.

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The story takes place right around Easter, and rereading it, I was struck by the beautiful description of the traditional Good Friday trek to El Santuario de Chimayó. Chimayó is a tiny town about an hour and a half north of Albuquerque, and is world-famous for its church and for its holy dirt, which pilgrims take with them as a blessing. The dirt is believed to have healing powers and people come from around the world to see it. On Good Friday, devout Catholics trek on foot from surrounding towns, sometimes walking over 100 miles to show their faith and devotion. This year, due to the ongoing coronavirus emergency, the trek was cancelled. Though I am not a practicing Catholic, I understand the importance of this annual pilgrimage to the faithful, as well as the cultural identity we New Mexicans have with Chimayó. I pray that next year we can renew this wonderful tradition.

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Then, of course, there is the New Mexican food that is described in luscious detail by Anaya. Red chile enchiladas, tortillas, the scent of fresh green chile roasting, the tart zing of a margarita, and then there is this passage, describing the smells of food cooking as Abr√°n walks into the house where his mother Sara is cooking.

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Sara was up when he got home. The house was warm and welcomed him with the smell of tortillas on the comal and fresh coffee brewing. She called from the kitchen, where she was making Lenten food for Good Friday: tortillas, tortas de huevo, spinach mixed with beans and a pod of red chile, and natillas for dessert.

New Mexican Catholics have a traditional Lenten meal that we eat on Good Friday. It’s meatless, and almost always comprises salmon patties, torta de huevo with red chile,¬† (tortas de huevo are savory little egg cakes),¬† quelites (wilted spinach greens) mixed with cooked pinto beans, tortillas, and for dessert, natillas. Natillas is a delicious vanilla custard dusted with cinnamon and is very central to any New Mexican’s Lenten meal. So that’s what I made, using my own Nana Jean’s tried-and-true method. She used to make the Good Friday dinner every year, and my sister and I took up the tradition after she died. This year, sadly, we are all social distancing so no point in making all that food when we can’t be together to share it. But natillas are so delicious that I decided a bowl of them would be a good distraction from everything going on right now.

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INGREDIENTS
2 cups whole milk
1 cup sweetened condensed milk
3 heaping tablespoons cornstarch
2 tablespoons granulated sugar
4 eggs, separated
3 tablespoons vanilla extract
2 tablespoons ground cinnamon

METHOD
Mix together the whole milk, condensed milk, cornstarch and sugar over medium heat, stirring very frequently. The sugar burns easily so don’t leave it.

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Separate the egg yolks from the whites and add the yolks to the milk mixture. Set aside the egg whites.

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Whisk the mixture for the first couple of minutes, so the cornstarch is better incorporated, then stir with a wooden spoon.

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Add the vanilla and cook, stirring often, until the mixture thickens into a custard. Remove from the heat.

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Whisk the egg whites on high until they form stiff peaks.

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Fold the whipped egg whites into the custard mixture in a large bowl.

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Sprinkle with cinnamon and chill overnight.

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Heavenly to taste, light and sweet but not overly so, and just completely the taste of New Mexico Eastertime!

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The Wonder Worker by Susan Howatch

This is one of those books I would want with me if trapped on a desert island. The Wonder Worker has many levels, and is one of those wonderful stories that you return to again and again, always finding something new in the words.

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On the surface level, it’s a story about four everyday people and their lives at the London-based Anglican rectory of St. Benet’s Church. Nicholas Darrow is the rector of St. Benet’s, and along with his assistant priest Lewis Hall, they run the church and affiliated Healing Center. Alice Fletcher is their cook/housekeeper, and Rosalind Darrow is Nicholas’s wife and the ultimate match that sets the flame for the dramatic events that happen in the book. The story is told from their individuals viewpoints, and one of the things I like most about this book is how you see the same events through differing lenses, and you always empathize with each character, even if you hated them when reading about them from another character’s POV.

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On another level, this book is about spirituality and The Church of England, which might not sound like the greatest thrill in the world, but you’d be surprised. Howatch brings the rituals, beliefs and psychology of the Anglican Church vividly to life. Each of these four characters is in their own emotional or spiritual predicament, and it’s the combination of these four different emotional crises that bring the book to its very exciting and disturbing climax, involving a demonic possession! And who doesn’t love a demonic possession?

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On the deepest level, it’s about the power of love. Love has many facets, as we all know. What I took away was the understanding of true, unconditional love for another person. You don’t have to like the actions of the other person, and you certainly don’t have to condone their actions, in order to still love them. Alice is in love with Nicholas, though they never cross the line into adultery. Her initial feelings for him are romantic, schoolgirlish; she sees him through the rose-colored glasses of instant infatuation. When she begins to see his darker side, though, she still loves him and makes more of an effort to understand him. She accepts him always, even though some of his actions later in the book are appalling and she never condones them. It is this understanding and acceptance that helps her learn more about her own motivations and spirituality. She becomes a better person for loving him, and ultimately, it’s this unconditional love for him that transforms everyone else around them. And that is what spoke to my heart, that knowledge that true, unconditional love for another, can make you a better, stronger person. It definitely did me.

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Back to the book. Rosalind decides to cook an elegant dinner for herself and Nicholas when she visits St. Benet’s, somewhat under duress. She plans a civilized, gourmet meal during which they will dine, drink wine, and she will tell him she wants a divorce. What could possibly go wrong in this scenario?

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“For the first course I had decided to do deep fried radicchio with goat’s cheese, a very tasty starter which apart from the final frying, can be prepared ahead of time……For the main course I had chosen roast guinea fowl.”

Guinea hen is what it’s called here in America, but I substituted Cornish game hens because that’s what I had stashed in the freezer and wanted to avoid an unnecessary trip to the grocery store. As well, I had some porcini mushrooms I’d bought awhile back and it occurred to me that their rich, bosky, reconstituted flavors would be fantastic with Cornish game hen, and grilled radicchio with a tasty twist. This is the method that worked for me.

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INGREDIENTS
3 Cornish game hens, room temperature
3 strips of good quality, thick bacon
1 shallot, peeled and finely chopped
3 cloves of garlic, peeled and finely chopped
1 rib of celery, finely chopped
3-4 sprigs fresh rosemary
1/2 teaspoon truffle oil
Sea salt and pepper
1 cup dried porcini mushrooms
1 cup chanterelle mushrooms
1 cup strong red wine
1 head red radicchio, cut into quarters
Olive oil
2 lemons
Parmegiano-Reggiano cheese

METHOD
Soak the porcini and chanterelle mushrooms in a cup of hot water each for about 30 minutes.

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Fry the bacon until crisp, and remove to a paper towel to drain. In the bacon juices, cook the shallots and garlic.

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Drain the mushrooms, but KEEP the liquid they’ve been soaking in. Chop the mushrooms and add them to the shallots, garlic and rosemary mixture. Crumble up the bacon and add it to the mixture as well.

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Season the insides and outsides of the Cornish game hens with salt and pepper. Stuff each cavity with a sprig of rosemary. Then add the mushroom-bacon stuffing.

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Slice a lemon thinly, and carefully tuck small slices between the Cornish hen skin and the meat. This helps tenderize and adds more flavor. Tuck the little birds into a casserole, pour over some olive oil, and squeeze over the juice of half a lemon. In a separate pan, combine the red wine, mushroom juices and a chicken bouillon cube. Whisk in about a tablespoon of cornstarch. Stir and cook constantly for 20 minutes. Pour the liquid over the birds, c0ver with a lid and cook stovetop for 30 minutes at medium. Heat the oven to 375.

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After 30 minutes on the stove, remove the lid and put the pan of birds into the oven to cook for another 40 minutes. You want them uncovered so the liquid reduces into a gravy, and the birds get crisp. Check them occasionally to make sure they don’t burn.

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While this is happening, grill your radicchio. Brush each quarter with olive oil, salt and pepper, and grill on a stovetop grill for about 5 minute per side, until those nice, black, charred marks show up. Squeeze over some lemon juice and grate over some fresh Parmesan cheese.

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Serve with any starch you’d like. I love black Japanese rice, so I cooked mine in a mixture of chicken and tomato broths, and garnished with slivered almonds.

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The result? Almost heavenly! The Church would approve.

House of Salt and Sorrows by Erin A. Craig

Fairy tales are probably my favorite genre of book in the world, though like all my other favorites, I am very picky about which ones I read. The prose has to be quality and the elements of each individual story must be present, though I love it when they are presented in a new and different way, or with a twist. And my favorite fairy tale of all time has to be the Twelve Dancing Princesses. I mean, how can it get any better than 12 daughters of a king who, every night, dance through their expensive shoes and refuse to explain how, an errant knight who finds a way to become invisible, and a magical world of golden trees, diamond branches and a ballroom both magical and terrifying? So when I was recently listening to the podcast Books in the Freezer (also, how can you not love that name and the Friends reference) and they mentioned the book House of Salt and Sorrows as being part of the horror-fairy tale genre and as a retelling of my favorite fairy tale, hell yeah I immediately ordered it from Amazon!

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I actually have a very old fairy tale book of the story itself, kept from childhood when I purloined it from my school library. I know, I know, that’s a lousy thing to do but in my defense……..well, I have none. But I have the book over 30 years later and I still swoon over the gorgeous illustrations by Errol Le Cain. Feel free to judge me for being a library book thief. But just feast your eyes on these stunning images from my childhood book!

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In a nutshell, this book is told from the viewpoint of Annaleigh, one of 12 daughters of Duke Thaumas. Four of his daughters have already died under horrible – and mysterious – circumstances, and Annaleigh starts to suspect there is more to their deaths than meets the eye. The kingdom and universe created in this book are marvelous, and perhaps one of the reasons I loved it so much was because of the strong use of ocean symbolism and metaphor. There is an entire mythology of gods that rule over the world, and Annaleigh’s people are called People of the Salt and the sea, and everything related to it, including salt, are intensely tied into their lives.

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The elements of the shoes are one of the major plot points, as well they should be. The enchanted forests of gold, silver and diamonds are also part of the tale, as is the knight who helps discover the mystery behind the shoes and the subsequent enchantment over the daughters of the Duke. There is also, as there should be in any fairy tale story, a stepmother whose intentions are seemingly innocent, and although I did figure out her role in the entire mystery about halfway (as will any discerning reader), there is a little unexpected twist at the end that I appreciated.

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Probably the most fascinating aspect of the universe created in this book is how it mirrors so much of ancient Greece and Judeo-Christianity in terms of gods, religion, rites and superstitions. The role of the priest, when burying the dead, is called the High Mariner. Bodies are not buried underground, but instead, put in wooden coffins in a cave where the sea will take the body back…….just like ashes to ashes, dust to dust, or in this case, from salt you came and to salt you will return. The god who rules over the sea is called Pontus and is visualized as a giant octopus. Water imagery is everywhere in book, images of fish and mermaids and seahorses and octopi and every ocean-living creature you can think of.

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The enchantment of the 12 daughters of the Duke results in some truly creepy results. The ghosts of the four previously dead daughters start to be seen around the castle, and they are not the restful souls you might expect. Even I, a horror aficionado, was skeezed out a bit by the description of these wraiths. Annaleigh resists the longest as she continues to investigate her sisters’ deaths and as a result, is haunted by horrific visions of being drowned by a vast sea monster. In fact, though this is not what you’d expect as a food-inspired moment, it actually did inspire me but then, I’m a black-hearted bitch sometimes and the scary stuff often inspires me. As it did here.

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I tried to scream for Camille but was suddenly yanked under by an unseen force. The dark water raced into my mouth, filling it with a brackish bite as I sputtered out a cry for help. I pushed upward, gagging on the fishy tang. It was a surprisingly familiar taste. One of Cook’s favorite dishes to make in the summer months was a black risotto, full of clams, shallots and prawns. The rice was an exotic obsidian, dyed with squid ink.

Yes, I was inspired to make squid-ink risotto with seafood by a passage where a young woman is nearly drowned. I’m evil like that.

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INGREDIENTS
2 tablespoons butter
2 tablespoons olive oil
4 cups seafood stock
2 cups clam juice
1 cup Pernod (you could use white wine but Pernod adds a delicious aniseed note that goes well with seafood)
2 squid ink packets
6 tablespoons olive oil, divided
1 shallot, finely minced
4 cloves garlic, finely minced
1 cup arborio rice
1 pound raw shrimp, peeled and deveined
1 can cooked clams

METHOD
In a medium sauce pan, combine the seafood stock, the clam juice and the Pernod, and bring to a low boil.

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Squeeze one packet of the squid ink into the hot liquid to dissolve, until the stock is as black as your heart. Leave to simmer on very low heat.

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In a heavy-bottomed pot, heat 3 tablespoons of the olive oil over medium heat and add the shallots and garlic. Sprinkle with a bit of sea salt, and saute until soft, about three minutes.

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Add in the rice and stir, toasting it for about 2-3 minutes. This step is called la tostatura and is meant to toast the rice and give it a bit more flavor.

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One ladleful at a time, gradually add the hot, jet-black seafood broth into the rice, and stir with a wooden spoon until each ladleful of liquid is absorbed. Stir continually to allow the rice to absorb the broth. You cannot do this quickly, people. The idea is that slow incorporation of the liquid results in a lovely, creamy rice texture that is what makes risotto. Expect to stand and stir for about 30 minutes. It’s very Zen, actually.

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While you are stirring, heat the remaining three tablespoons of olive oil in a grill pan and when hot, grill the clams just a minute, then grill the shrimp until pink.

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Taste your risotto for texture and seasoning. You want it al dente – creamy but with a bit of a bite.

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Season with salt and pepper as needed and plate, first with a layer of black rice and then with the clams and shrimp. The taste of the blackest ocean is so salty and delicious on the tongue that you could drown in it.

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The Labyrinth of the Spirits by Carlos Ruiz Zaf√≥n

I can’t say enough about Carlos Ruiz Zaf√≥n’s writing. It’s absolutely beautiful, lyrical, lush without being overly purple, and whether describing the sensory overload of a roomful of books, the scent of tobacco, the deeply scarlet hue of a woman’s lipstick, or the existential dread and horror of torture and death, the man writes like a magician. I’ve read each of the books in the series over 10 times apiece, and I continue to find small, overlooked details in each one the more I read. The Labyrinth of the Spirits, the fourth and final book in the Cemetery of Forgotten Books series, draws together the threads splayed out in the previous three books, brings a kind of justice to the Sempere family, and introduces the reader to a very unusual heroine, Alicia Gris.

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The basic premise of this book is the story of Alicia, born in Barcelona, how she loses her parents during the Civil War in Spain, her chameleonlike evolution from petty street criminal to police officer/spy and her connection to Barcelona, Daniel Sempere, David Mart√≠n, and Ferm√≠n Romero de Torres (in my opinion, one of the funniest and most touching sidekick characters in modern literature and an obvious nod to Sancho Panza); and her connection to the marvelous and terrifying Cemetery of Forgotten Books. If you’ve read the three previous books, The Shadow of the Wind, The Angel’s Game, and The Prisoner of Heaven – all of which I have previously blogged – you will know the overarching storyline. How Alicia fits into this dark Wonderland tale that pays homage to books, literature, freedom, love and mystery, is both beautiful and sad.

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I will say that my only beef with this book is how most of the women are portrayed, as either femmes fatales or saints, which is something I run across in most books where a male writer writes from a female POV. Alicia is a fascinating character. Yes, she is beautiful and somewhat damaged both physically and emotionally and she does have very complex emotions, but she isn’t a homewrecker and the reactions of other female characters to her is somewhat irritating after awhile. No, she isn’t there to steal your man, ok? She’s investigating a disappearance and looking into her own childhood history. Sheesh. I suppose it annoys me because I see so much of this in real life – this Madonna/whore outlook even from other women when they see a physically beautiful woman and automatically assume she is trouble or that she is a man-eater or a slut or all those other awful words that both men and women use to shame females for daring to look a certain way.

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As dark and painful as this book is at times, it is above else, a love letter to reading. The sheer joy of losing yourself in a book is something that every lover of literature can relate to, including me. Alicia has loved books since she was a little girl, and when she is rescued early on in the book from a bombing in Barcelona by our erstwhile Fermín and accidentally falls through the glass roof of the Cemetery of Forgotten Books, it completely changes her life, both physically and emotionally. Can you imagine getting lost in the Cemetery of Forgotten Books? Between the ghosts and mysterious figures that supposedly haunt its corridors, the sheer amount of books to be devoured and the romantic terror implicit in such a place, it sounds like somewhere I could happily spend eternity. With lots of good wine and Spanish tapas, of course.

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Alicia is paired with a detective named Vargas, with whom she has a strong attraction and shares a unique sense of humor. He’s a bit older than her, which is fine with me since I have always preferred older men. They have been tasked with finding Spain’s Minister of Culture, Mauricio Valls, who has mysteriously vanished and with whom the enigmatic David Martin – of The Angel’s Game – has been connected. Valls was responsible for imprisoning and torturing many people during Spain’s Civil War, including Mart√≠n, and it’s feared he has been kidnapped in retaliation. The reality, of course, is much more complex and far, far worse. Anyway, once back in Barcelona, Alicia introduces Vargas to many of her favorite haunts from her childhood and adult years living there. The Ribera quarter is home to her favorite tapas bar, appropriately called La Bombeta. There, she orders a plateful of bombas, bread with olive oil and tomatoes, and beer – a quintessential Barcelona treat.

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“Bring us four bombs and two beers,” Alicia instructed, without taking her eyes off Vargas. “Estrella or draft beer?” “Estrella.” “Bread with oil and tomato?” “A couple of slices. Toasted.” The waiter nodded and walked off without more ado………..the beers and the plate of bombas arrived just in time to interrupt the conversation. Vargas eyed that curious invention, a sort of large ball of breaded potato filled with spicy meat.

Bombas are potato balls stuffed with meat and shallow-fried, eaten hot with a cold beverage. They can be stuffed with ground beef, ground pork, chorizo, etc. I ate many of them when I was a student living in Spain, and though they are made in various iterations in different cities, the bomba is a true child of that beautiful, unique and haunting city of Barcelona. This is my take on them.

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INGREDIENTS
6 waxy potatoes
1 yellow onion, finely diced
4 cloves of garlic, finely diced
1 tablespoon smoked Spanish paprika – also known as pimenton
1 pound uncooked chorizo
1/2 cup Spanish sherry
Salt and pepper to taste
1 egg
1 cup flour
1 cup breadcrumbs
Olive oil for frying

METHOD
Cook the potatoes in boiling, salted water for 20-30 minutes until soft. Push through a potato ricer and stir to mix and break down. Add salt and pepper to taste and set aside to cool.

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Heat some olive oil in a pan and cook the onion and garlic for 10 minutes, until softened. Remove from the pan but leave the oil.

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Add the chorizo and stir, breaking it into smaller pieces, cooking it until it firms up, about 10 minutes.20200120_125638

Add the cooked onion and garlic to the meat, and sprinkle over the smoked paprika. Cook for another 10 minutes.

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Toss in the sherry and cook until the liquid evaporates, then let the meat cool and get on with your potato bombs.

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Form a large ball with the potato and put some of the chorizo-onion mixture in the middle. Close the potato over the meat so it is completely contained. Repeat until you have 6-7 bombas. Lay on a platter and chill for up to 2 hours, if not longer.

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Pour the flour and the breadcrumbs into separate bowls, and crack the egg into another bowl, mixing with a fork and some water and salt.

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Quickly dip the bomba into the egg, then the flour, then the breadcrumbs so it is completely covered, then heat about 3 cups of olive oil in a large pan and toss a small drop of water to test the heat. When the oil sizzles, it’s ready.

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In batches of 3, cook the bombas for about five minutes, until golden brown. Drain on paper towels and eat hot, garnished with roasted red peppers, and with a toast to the Cemetery of Forgotten Books, the Sempere family, and the genius that is Carlos Ruiz Zafón. ¡Salud!

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