Ode to Tomatoes (A Poem) by Pablo Neruda

I don’t know about you, but I’ve never been big on poetry. The rhythm and meters necessary to appropriately read poems just bog me down. I love hearing poetry read by someone who understands how it should be enunciated, but when I try to read poetry, either in my head or out loud, I sound like an idiot. Well, with the exception of the poems of Pablo Neruda.

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Neruda is my favorite poet in all the world. He writes in a sensual, lyrical rhythm that is a gorgeous combination of the magical realism so common in Latin American writing, and a pure, romantic worldview centered around love. His arguable masterpiece of love poetry is his Twenty Love Poems and a Song of Despair, though I personally love Cien sonetos de amor (100 Love Sonnets). Cien sonetos, in my humble opinion, is probably one of the most beautiful and erotic collections of poetry in the world, mature and beautiful and quite sensual. I highly recommend you read them if you haven’t already.

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As much a political figure as a poet, Neruda was born Ricardo Eliécer Neftalí Reyes Basoalto in Chile. His poetry was considered beautiful, avant-garde, and at times, very subversive to the repressive government in his home country. Highly respected as both a writer and a political figure, he traveled extensively throughout the world, both as a diplomat and after he was forced into exile by after Chile outlawed Communism. A believer in pure Communist ideals, he was associated such other exalted revolutionaries as Garcia Lorca, Pablo Picasso and Salvador Allende. It is believed he was killed by the Pinochet government, which he had fervently criticized. Proof that words can be as powerful as any other weapon, if used correctly.

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Though I adore Neruda’s love sonnets, the Odes he wrote in homage to everyday, normal items such as food, are my absolute favorites. He wrote odes using these mundane objects as personification of the human experience. Odes to a tuna he saw in the marketplace, golden lemons, pearly onions, jade-green artichokes, ruby and topaz-colored wine, and tomatoes, comparing the crimson flesh of the tomato to the bleeding and suffering of mankind, but also finding the sheer joy in these common foods.

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Being both a reader and an avid cook, I’ve always found his odes to food so filled with pleasure and sensuality. It’s interesting that Neruda is as comfortable detailing his political beliefs in a logical manner as he is describing the eroticism of kissing his lover or the joys of drinking wine or eating a tomato.

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The street
filled with tomatoes,
midday,
summer,
light is halved like
a
tomato,
its juice runs
through the streets.
In December,
unabated,
the tomato
invades
the kitchen,
it enters at lunchtime,
takes
its ease
on countertops,
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among glasses,
butter dishes,
blue saltcellars.
It sheds
its own light,
benign majesty.
Unfortunately, we must
murder it:
the knife
sinks
into living flesh,
red
viscera
a cool
sun,
profound,
inexhaustible,
populates the salads
of Chile,
happily, it is wed
to the clear onion,
and to celebrate the union
we
pour
oil,
essential
child of the olive,
onto its halved hemispheres,
pepper
adds
its fragrance,
salt, its magnetism;
it is the wedding of the day,
parsley hoists its flag,

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potatoes bubble vigorously,
the aroma
of the roast
knocks at the door,
it’s time!
come on!
and, on
the table, at the midpoint
of summer,
the tomato,
star of earth, recurrent and fertile star,
displays
its convolutions,
its canals,
its remarkable amplitude
and abundance,
no pit,
no husk,
no leaves or thorns,
the tomato offers
its gift
of fiery color
and cool completeness.

Isn’t that just beautiful? In honor of this magnificent poet, I decided to create an homage meal that incorporated tuna, onion, lemon, tomatoes, artichoke, and of course, wine. This is the method that worked for me, based on this marvelous recipe from Beauty and the Foodie, creating tuna-stuffed tomatoes alongside lemon-steamed artichokes and a beautiful, garnet-hued Chilean wine. I do think Neruda would approve wholeheartedly of this meal created in his honor.

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INGREDIENTS
2 large, ripe tomatoes
1-6 ounce can of good-quality tuna, drained and flaked
2 tablespoons mayonnaise
1/2 red onion, finely minced
1/2 celery rib, finely minced
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1/2 tablespoon Italian parsley, finely minced
1 tablespoon Dijon mustard
1 tablespoon lemon juice
Salt and pepper
2 slices cheddar cheese
METHOD
Pre-heat your oven to 400F and spray a baking sheet with olive oil spray. While the oven heats, saute the diced onion in a bit of olive oil and salt, just until it’s translucent.
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While the onion is cooling, cut the tops of the tomatoes off about 1/3 from the top. Scoop out the seeds and pulpy juices, saving some.
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Drain the tomato halves upside down on a plate while you prepare the tuna salad. Mix the now-cooled onion with the flaked tuna, the celery and parsley, the tomato seeds and the lemon juice.
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 Add in the mayonnaise and mustard, and season with salt and pepper.
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Fill each tomato half with the tuna mixture, and top with a slice of cheddar cheese.
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Bake for 15 minutes, or until you see the cheese getting meltingly golden.
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While the tomatoes are roasting, boil two trimmed and stemmed artichokes in salted, lemony water for 15 minutes. Drain and allow to steam for another 5-10 minutes. Melt some butter and lemon juice in a bowl, and season with salt.
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Serve the luscious, meltingly good stuffed tomatoes on a platter with an artichoke, and with a lovely glass of Chilean wine, and enjoy the visual poetry of this ode to good food.
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Don’t Look Now by Daphne DuMaurier

Having had a long-time love affair with the books of Daphne DuMaurier, I was especially pleased to find a compilation of stories that included Don’t Look Now. The story, set in Venice, which is my favorite city on earth, combines creepy supernatural elements with the gorgeous backdrop of La Serennissima.

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The basic story is a couple, John and Laura, whose daughter has recently died, and who are visiting Venice in the hopes of coming to terms with her death. They encounter two odd old ladies – sisters and twins – who claim to be psychic and in contact with the dead daughter, and begin to have the strangest interactions with them. Cue the haunted house music here. John starts seeing a ghostly little girl in a red coat running around canals and over bridges, and at the same time, hears of gruesome murders happening in Venice.  His dead daughter died wearing a red coat so he thinks he is seeing her ghost.

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If you’ve ever visited Venice and seen it in both rainy weather and with the sun shining, you’ll understand that it seems two different cities. Venice in sunshine is beautiful, golds and pinks with the water reflections bouncing off the walls of the buildings that line the canals, and even the tourist chatter doesn’t detract from its charm. Seen with rain as the backdrop, it is a dark, haunted city with dead end corners, frighteningly loud echoes of footsteps in portegos, foggy lights reflected from the ornate lampposts around Piazza San Marco, and a pervasive sense of menace. I can tell you that if I was in Venice on a rainy, foggy day and saw some little girl running around like a haunt, hell no would I follow her.

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But I don’t like kids anyway. Anyhoo, Campari and soda, and scampi, are mentioned in a pivotal scene when John and Laura again meet the old ladies in a restaurant, so you get two recipes for the price of one in this week’s post! Lucky you!

“All right, thought John savagely, then I will get sloshed, and he proceeded to down his Campari and soda and order another, while he pointed out something quite unintelligible on the menu as his own choice, but remembered scampi for Laura. ‘And a bottle of soave,’ he added, ‘with ice.’ “

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I love to make scampi, and usually throw in a handful of sliced grape tomatoes in mine, for color and because tomato and shrimp have such a natural affinity for each other. Having recently bought some fresh green tomatillos at my local farmer’s market, I decided to make a variation of scampi with tomatillos. I know tomatillos are not traditionally Venetian, being much more used in Latin American recipes, but just think of it as my contribution to multiculturalism.

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INGREDIENTS

For the tomatillo scampi (adapted from this version at Simply Recipes, one of the BEST food blog sites out there)
1 tablespoon olive oil
1 tablespoon butter
1 red onion, finely diced
4-5 cloves of garlic, peeled and finely minced
1 jalapeno pepper, deseeded and finely chopped
Sea salt
6-7 tomatillos, husked, seeded and quartered
1 lb. raw shrimp, shells on
1/2 cup of white wine
1/2 cup of clam juice or seafood stock
1 tomato bouillon cube
3 tablespoons lemon juice
Optional: 1 cup crumbled feta cheese or Cotija cheese. (I am told by my Italian friends that cheese is not eaten with shellfish or seafood, and were I cooking in Venice, I would leave it out, but half the fun is experimenting with flavors, so I did. Send the hate mail later.)

METHOD
Saute the onion, garlic and minced jalapeno pepper in the olive oil and butter, for about 10 minutes. Add a sprinkle of sea salt. Add the tomatillos, give a good stir to mix, and cook over medium-low heat for another 10-15 minutes.

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Add the wine and the clam juice, let simmer and reduce it to about half the original liquid volume.

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Now add the tomato bouillon. Stir to mix and cook another 5 minutes. Toss in the raw shrimp and lemon juice, and cook over low heat, until the shrimp turn pink and look plump and luscious. If you so choose, add your cheese here and allow the cooking heat to melt it slightly before serving, but if you do add cheese, make sure your liquid has reduced significantly, or this will be runny. If you omit the cheese, serve over rice or linguine pasta.

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Having tried Campari to see if it’s really as bitter as famously claimed, guess what! It’s bitter! But the color reminded me of Italian spritzers I drank with my friend Kate in Venice at a cafe on the Fondamenta Nuova, overlooking the lagoon and San Michele, so I tinkered around with the Campari, some gin, some lemon and a few other things, and came up with what I will call a Vanessa cocktail.

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For the Vanessa cocktail – makes two generous drinks so feel free to adjust ratios as needed
1 part Campari
1 part gin
1 part limoncello or fresh lemon juice
1 part Cointreau
1 part cranberry juice
Ice
Lemon rind twists for garnish

Add all the ingredients, except the lemon rind, into a shaker, with ice. Shake well to mix. Pour into chilled glasses and garnish with the lemon rind twists. Admire the color…….kind of like the red coat on the ghostly kid running around Venice, wouldn’t you say? Knock it back with a smile or a shudder, but don’t look now.

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Corelli’s Mandolin by Louis de Bernieres

No doubt many people saw the mediocre movie made from this book  Corelli’s Mandolin,  beautifully filmed but as usual, not nearly as compelling as the book, which is written in lively, colorful prose from the viewpoint of several unique characters. These unique individuals include the main female character Pellagia, a traditionally raised Greek daughter who dutifully cooks for her father and becomes engaged to the local stud but then flips convention on its head with her later choices; Dr. Iannis, her father, who has his head in the clouds, who cures wild animals as well as human beings and whose inner monologues kept me vastly amused and entertained; and of course, the titular character himself, Captain Antonio Corelli. It was a wonderful read, but also very depressing and sad…..kind of like life itself.  Set on the gorgeous island of Cephallonia during World War II, the heartbreak of war is brought vividly to life in this place that has remained timeless until now. I suppose it goes to show that the horror of war leaves no place and no one untouched.

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Being set in Greece, of course the food depictions are luscious, with descriptions of wonderful octopus, mezedakia, which are little finger-type foods served like appetizers, dolmades, spinach pies in miniature, and my favorite, the passage below, set during the feast of the local saint, St. Gerasimos.

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“Outside, the pilgrims unloaded animals laden with feta, melons, cooked fowl, and Cephallonian meat pie, shared it with their neighbours and composed epigrammatic couplets at each other’s expense.”

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How can you not love a book that uses the word “epigrammatic” in the same sentence as such a delectable food passage? Anyhoo, kreatopita is the traditional meat pie eaten on Cephallonia, and can contain ground beef, feta cheese, onions, oregano and assorted other ingredients such as potatoes, rice, garlic, or tomatoes. The idea, I gather, is that each Greek cook has their own individual version of this recipe, and that is what true home cooking is all about. Having the skills to cook something and add tweaks or twists that make it truly your own, and which is part of the joy of this blog for me. It’s the ultimate in creativity, and I did it again here with the Cephallonian meat pie, using a base recipe from the marvelous blog site Lemon and Olives, with some added tweaks of my own.

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INGREDIENTS
16-20 sheets of phyllo dough, thawed and covered with damp towel
1 cup melted butter
1 lb. good-quality ground beef, preferably organic
1 tablespoon extra-virgin olive oil
1 red onion, finely chopped
3-4 cloves of garlic, finely minced
Fresh oregano, fresh mint and fresh dill – use dried if fresh are not available but use less
1 tablespoon tomato paste
1/2 cup of good, drinkable red wine.
1 cup of crumbled feta cheese
Squeeze of lemon juice
1 1/2 cups of frozen green peas

METHOD
Preheat the oven to 365F. In a skillet under a medium burner, add the olive oil and saute the onion and garlic for about 10 minutes, adding a bit of sea salt for flavoring and to keep the onion from burning. Add the ground beef to the onions and garlic in the pan, and brown for about 10-15 minutes, stirring to break up the meat.

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Chop the equivalent of a 1/2 cup each of the fresh oregano, mint and dill. In another bowl, crumble up the feta cheese with your hands, and add the fresh herbs to this mixture. Fresh herbs really allow the flavors to come through, so if you use dried, use 1/2 tablespoon of each. Stir to mix and let the flavors mix together while you attend to the still-cooking meat.

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Add the tomato paste and the wine and the beef and stir again. Lower the heat  to medium low and let the red wine reduce, stirring occasionally. Add in the peas and stir again, so that the heat of the skillet will help them defrost. The scent of the meat, the wine, the peas and the herbs will rise up and hit your nasal passages like a dream. Delicious!

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You want the liquid reduced to nothing, so as not to make the phyllo dough soggy, so once the liquid is all gone, remove the meat mixture from the heat and let it cool for about 10-15 minutes. Once cooled, add the crumbled feta and herb mixture, mix well, and leave while you prepare the phyllo dough pie base.

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In whatever type of baking pan you have – I used a buttered disposable baking pan – lay one sheet of phyllo dough and brush it with melted butter. Lay another sheet of phyllo and brush with butter again. Continue in this vein until you have 8-10 sheets of phyllo layered on top of each other, each layer covered with butter. You need to do this fairly quickly, as the phyllo dough dries out easily. If you cover the dough sheets with a damp towel, this should help, but don’t take too long at this stage.

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On this buttery surface, add your meat-feta-pea mixture and spread everything out so that it evenly covers the dough. Add another sheet of phyllo dough on top of the meat mixture, brush with butter, and repeat until you have a topping of 8 more phyllo sheets to cover the meat.

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Poke a few holes in the top of the dough and pop that bad boy into the oven to bake for 30 minutes, or until the crust is golden brown. You’ll be able to smell everything baking and your mouth will probably water so much that you’ll need a swig of wine to help. Remove from the oven, let cool slightly and eat with joy in your heart! Opa!

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The Talented Mr. Ripley by Patricia Highsmith

You can almost feel the Italian heat baking down, and smell the bougainvillea flowers, as you read this evocative novel, The Talented Mr. Ripley. Tom Ripley is a young man from New York, struggling to make something of himself. He’s approached by Mr. Greenleaf who mistakes him for a close college friend of his son, Dickie, who has run off to seaside Italy and essentially gone native there, living in a little house with his girlfriend Marge.

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Mr. Greenleaf offers Tom money to go to Italy and persuade Dickie to come back and resume a “normal” life. Tom meets Dickie and becomes caught up in the other man’s life, obsessively. They bond and become great friends, but several flies in the ointment, including Dickie’s quasi-girlfriend Marge and his obnoxious drinking buddy Freddie Miles, soon threaten their close bond.

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What makes Tom Ripley such a fascinating character study, psychopath that he is, is because we can all relate to him – having feelings of alienation and wanting to find an identity that matches our images of ourselves. Ripley is self-aware on a bizarre level, understanding his two identities and even acknowledging what he’s done by justifying his actions to others and himself. Yet for all the evil deeds he does, he’s not a classic antagonist. He is living his “normal,” as we all are, and the fact that I could sympathize and root for him and understand his motivations tells me that this book was written by a master. It didn’t hurt that the characters of Dickie, Marge and Freddie were all such annoying little prigs.

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Set primarily in Italy, then in France, the scenes in these countries evoke so wonderfully the Mediterranean sun and sea, the taste of salt from the ocean, the sound of boats and birds and busy harbors, and the marvelous flavors that these two countries sometimes share. When Tom is invited to Dickie’s house in Italy for the first time, Sunday lunch is being cooked by Marge – a roast chicken and artichokes –  two of my favorite foods. Yum!

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“The climb up the hill to Dickie’s house didn’t seem half so long as before. Delicious smells of roasting chicken drifted out on the terrace……….’I’m waiting for the darn artichokes to get done. You know that front hole. It’ll barely make anything come to a boil.'”

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Having recently gotten my hot little hands on some culinary lavender, I decided a riff on the classic Sunday roast chicken was in order, spiced up with lavender, lemons, garlic, new potatoes and of course, artichoke hearts – a wonderful melding of the flavors of France and Italy. Oooh la la, or as we tend to say here in New Mexico, oooooh a la!

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This is the method that worked for me.

INGREDIENTS
1 large chicken, about a 6-lb roaster will do.
2 large lemons
2 heads of garlic
1 cup dried lavender granules
3 tablespoons olive oil
2 cups of artichoke hearts, drained and cut into long chunks
4-5 small red potatoes, cut in half
10-12 sprigs of fresh thyme

METHOD
Your chicken should be at room temperature before roasting, so take it out of the refrigerator a good hour before starting preparations.

Pre-heat the oven to 360F. Butterfly the chicken. This is much easier than you might think. Turn the bird breast-side down, tailside facing you, and cut out the backbone using very sharp kitchen scissors. Then turn it over and press down on it so it flattens and looks like a butterfly. Hence the term “butterfly the chicken.” This YouTube video was how I learned, and it was so easy. If a total klutz like me can butterfly a chicken, you most certainly can! Trust me. https://www.youtube.com/watch?v=l-8tMEwBnSA

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Once the chicken is laid out nicely in a large roasting pan, salt and pepper it well. Slice the lemons somewhat thinly, and lay them across the skin of the bird. Tuck some of the lemon slices between the skin and the meat, as well. This helps tenderize the bird and gives more flavor to the skin. Keep half of one of the lemons for later.

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Around the chicken, dot the artichoke hearts, the garlic cloves still in their papery skins, and the potatoes. The idea with the garlic is that they will steam inside the skins and come out soft and sweet and mellow and delicious. Everything looks beautiful in the pan, too.

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Pour the olive oil over the bird and the surrounding vegetables, ensuring everything is well-coated. Add a splash of good red wine, then squeeze the juice of the remaining half lemon over the vegetables. For the final touch, scatter over the dried lavender and the thyme sprigs. The scent is heavenly, spicy and floral and warm at the same time.

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Cover the bird and roast for 2 hours. The smell of the bird cooking, mingled with the lavender and all the yummy vegetables, will make your mouth water. At the 2-hour mark, remove from the oven, increase the heat to 425F, take off the cover, and baste the chicken and vegetable with the pan drippings that have collected at the bottom of the pan. Pour in some chicken broth if you think it looks dry. Tuck the uncovered pan back in the oven and roast under the high heat for another 25 minutes, so the skin darkens and crisps up. Keep an eye on it, though, to make sure the vegetables don’t burn.

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Remove the chicken from the oven, sprinkle over some sea salt, and let the dish rest for a good 10-15 minutes. Then serve and eat with a smile on your face and a song in your heart. But don’t actually START singing. You’ll frighten your guests and they’ll start thinking you’re a madman like Tom Ripley or something.

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The Mambo Kings Play Songs of Love by Oscar Hijuelos

Reading this book and getting to know the main character of Cesar Castillo in The Mambo Kings Play Songs of Love was both a joy and a sadness. This is a man with a great lust for life, dancing and drinking and eating and womanizing…….and with a talent for making decisions based on instinct and as oftentimes as not, ending up in worse circumstances.

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The trajectory of Cesar’s life is told in this book. He is a musician who comes from Cuba with his younger brother Nestor, both of them determined to make a name for themselves in the musical world of mambo in 1950s New York City. Nestor is a dreamer, sensitive and still in love with Maria back in Cuba, for whom he writes the song that will launch he and his brother into a semblance of success, “Beautiful Maria of My Soul.” While the title references both brothers, however, the book is truly Cesar’s tale of joy, woe, happiness, pain, and ultimately, calm satisfaction with his life. It really is the story of any man, of Everyman.

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Cesar is bigger than life, with appetites to match. He is the businessman, the driving force of the two brothers, yet – spoiler alert – when Nestor dies, a part of Cesar goes with him……..which all of us who have loved and lost someone can well relate to. There were times, though, when his life went from bad to worse, when his boozing and whoring made him into such a sad pathetic jerk, that I threw the book down in disgust. But I picked it up and continued reading, because his character is so fascinating, so resilient and ultimately, so filled with the joy of life.

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There’s a sense of wonder in this book that conveys Cesar’s mindset so well. You can understand why he continues to make the same mistakes over and over, yet still find something new and precious in his life. He is such a strong, tough, macho man, sensual, able to turn the world a bit on its axis toward him, and yet has those colossal weaknesses that bring him back down to earth.

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One passage in particular stood out to me. It’s just after they have appeared on the I Love Lucy show with Desi Arnaz, who becomes somewhat of a patron to them, and their Irish neighbor Mrs. Shannon comes to congratulate them and to goggle at Cesar, for whom she has a huge crush.

“She followed Cesar down the hallway…..through the kitchen into the dining room: they had a long table still set with platters of bacalao – codfish cooked with garlic – black beans, rice, a huge salad, pork chops and steaks from the plant, and a big bowl of yuca.”

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Yuca, a quintessential Cuban food, is also one of the simplest and tastiest things to cook. It’s a root vegetable, kind of like a potato or turnip but with more flavor. I cooked them still frozen, in chicken broth mixed with lemon juice and a chicken broth cube, about 30 minutes, to thaw, then added some olive oil and simmered on low another half hour to cook through. They do have a woody center that’s inedible so take that out before you eat. The pan juices, reduced, make a lovely sauce. Add salt if needed. The Cuban-style black beans were easy – I cheated and used canned black beans, and mixed them with gently sauteed onion, garlic, green pepper, salt and cider vinegar, mashing them to thicken.

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However, it was the bacalao that was the star of the show, based on this great recipe from La Cocina de Nathan. This is the method that worked for me.

INGREDIENTS
1 lb salt-cured bacalao

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2 eggs
2 cups of all-purpose flour
2 teaspoons of baking soda
Handful of fresh parsley, roughly chopped
6-7 cloves of garlic, either mashed into a paste or as finely grated as possible

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1.5 cups of water
Freshly ground black pepper

METHOD
Soak your bacalao overnight, changing the water every 2-3 hours. This is to drain the salt and also reconstitute the fish, kind of like what you do with dried porcini. Refrigerate the rinsed, drained and desalted cod until ready to use.

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Let bacalao come to room temperature. Peel the fish meat off the skin, taking out all the bones and scales. Flake with your hands, though initially you may need to use a sharp knife until the meat begins to break down.

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In a separate bowl, mix the flour and the baking soda together and whisk to evenly combine. Add the eggs to the flour and baking soda and whisk again. It will be a fairly crumbly mix, which is what you want at this point.

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Start gradually incorporating the water, until you have a thick, batterlike consistency. Add the chopped parsley and the mashed garlic and mix again.

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Then add your bacalao pieces, and stir well to mix. Cover and refrigerate for 1-2 hours. Ideally you should refrigerate overnight. But in this case, hell no. I was hungry!

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Heat grapeseed oil in a large pan. When smoking hot, drop in spoonfuls of the bacalao batter. Don’t crowd the pan, as too many cooking at once will drop the oil temperature, which is what makes fried food greasy.

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Cook 3-4 minutes per side, or until golden brown. Remove to a paper towel to drain.

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Serve beautifully with the black beans and the garlic-flavored yuca, and of course, some wine.

“In the name of the mambo, and the rumba, and the cha-cha-cha.”

Vaporetto 13 by Robert Girardi

Robert Girardi is one of my favorite “unknown” writers. He wrote Madeleine’s Ghost, which I blogged about previously, and Vaporetto 13 is another novel that combines cynicism, hope, the supernatural, and a gorgeous city as the backdrop. In this case, Venice. You can read about what makes Venice so uniquely gorgeous and special by checking out my food blog friend Luca Marchiori’s love letter to Venezia here. Or you can just read this book.

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When I first read Girardi’s novel, I fell in love with the city, and the dark, mysterious, beautiful, and yet sordid labyrinth of bridges, palazzos and stone that was described. Venice comes across like an aging prostitute who still looks beautiful and radiates charm, but yet has a dark, debauched side that also beckons. When I traveled to Venice a few years after reading this book, it struck me that these shadowy back alleys of The Eternal City juxtaposed with the bright, shiny, touristy Venezia, is the real Venice. It is both a jewel box of sumptuous colored glass and shimmering, watery reflections from the canal, and a dark, dank place of crowded buildings, garbage scows and stray cats.

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God, how I love Venice! It is my spiritual home. It is a city that is reflected back upon itself every minute in the waters of the Grand Canal, so full of of life and history and such extreme beauty that, at times, I found myself overwhelmed. There is, after all, only so much stunning golden light and beautiful canals and rosy architecture, that I can handle. Venice is sensory overload in the best sense of the word, and Girardi brings Venice to life so evocatively.

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Re-reading this book as many times as I have, I also have found myself loving the main character, Jack Squire, a money trader with a dark, cynical view on the world. I hated him when I first read the book, but as I have gotten older, I understand him much more. He seems a man that can’t ever be surprised by anything anymore, who looks on the world like a huge roulette table waiting on the ball to hit black, and yet there is still something shiny and hopeful in him that he tries to tuck away. I hate to admit it, but I still have this sense of idealism inside of me, for all that I feel surrounded by such an ugly world sometimes. I still want the good guy to win, I still want people to live happily ever after, I still want love to conquer all. So, it seems, does Jack. When he meets Caterina, a strange, otherworldly Venetian woman with strong ties to the past and history of La Serenissima,  he is struck by her oddness and yet enticed and enthralled by, that very same quality. She speaks to that part of him that is still young, hopeful and believing in miracles. They embark on a very mysterious love affair, yet he is never able to truly penetrate the mystery of who she is. Until the end, when he realizes who………and what…….she is. His view of the world is forever altered.

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One of the more entertaining characters is Jack’s friend, Rinio Donato, a quintessential Italian man, married, Catholic….and a complete womanizer. He is a hoot, and he drags Jack along to Torcello and other lagoon islands, including the very strange and creepy Sant’Ariano, adventuring, eating, and drinking as they go. The food descriptions alone are worth the read. In one passage, Jack attends a celebratory feast at Rinio’s house, where he is felt up by Rinio’s sister and gorges on a luscious Venetian feast that includes rolled veal chops stuffed with prosciutto and gorgonzola, and a salad of escarole, walnut and pear, which are just the precursors to the main feast, a roasted suckling pig with an apple in its mouth.

“The empty pasta bowls were cleared away and replaced with platters of rollini di vitelli – veal chops wrapped around prosciutto and gorgonzola cheese and baked in a marinade of olive oil, garlic, lemon juice, and white wine. Accompanying this was a salad of escarole, walnuts, and pears, and bottles of sweetish white wine from the Veneto. Italians eat slowly, their meals are long, drawn-out affairs, half food and wine, half air, which is to say animated conversation about nothing and everything.”

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I mean, how could anything stuffed with gorgonzola and prosciutto baked in lemon and olive oil and wine be bad? The store was out of escarole, so I instead opted for a salad of mixed greens with walnuts, pears and a vinaigrette of olive oil, red wine vinegar and a bit of the blue cheese, to accompany the veal. This is the method that worked for me.

INGREDIENTS

2 veal chops, bone-in, about 1 inch thick apiece
Gorgonzola cheese, or other sharp blue
4 strips prosciutto, finely diced
1 shallot, finely diced
1/2 cup olive oil
2-3 tablespoons lemon juice
1/2 cup good, drinkable wine, red or white
5 cloves garlic, finely minced with a Microplane grater

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Mixed greens – spinach, arugula and chicory is what I had on hand
Walnuts, toasted
2 pears, thinly sliced
Olive oil and lemon juice for the vinaigrette

METHOD

Pre-heat the oven to 375 F. In a small skillet, fry the prosciutto until just brown. Remove, and in the oil left in the pan, saute the diced shallot, with some red wine. Remove from the pan and let cool slightly, while you prepare your veal chops. Cut a small pocket into the veal, opposite side of the bone. Don’t cut all the way through the meat, just enough to be able to stuff the chop.

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Season the veal chops with salt and pepper. Mix the prosciutto and shallot with about half the packet of blue cheese, until nice and creamy but not melty. Stuff each veal chop with the mixture, and fasten with a toothpick to keep the cheese mixture inside the chop.

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In a good saute pan, heat a bit of olive oil and sear each veal chop about 3 minutes per side, but don’t char them. Let them rest a minute while you prepare the baking sauce. Combine the olive oil, the lemon juice, the white wine and the minced garlic in a cup and whisk together.

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Pour over the stuffed veal chops, reserving a bit for the end, cover, and put them in the oven for 15-20 minutes for a medium doneness, while you prepare the salad and vinaigrette, which is super difficult and time-consuming.

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Throw the mixed leaves into a large bowl, mix in the toasted walnuts, throw in the pears, sprinkle over a bit of the blue cheese, and then drizzle over a bit of olive oil, a bit more lemon juice, some sea salt,  and mix together vigorously. Pour over the salad and toss, probably with your hands to get the best amount of coating. That’s it. Very strenuous, as you can tell.

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You don’t want a lot of vinaigrette, just enough to lightly cover the salad, so using your very clean hands to toss is best here. When done mixing the salad, divide it onto two plates, take the veal from the oven and let rest for 10 minutes. Pour over the rest of the sauce you originally covered them with, put the chop onto the plate with the salad, and enjoy with some wine, preferably something light and Venetian, but hell, drink whatever type of wine you want! And you can do what I did, which was pretend I was sitting in a sunny cafe alongside the Grand Canal just off the Rialto Bridge, watching vaporettos and gondolas go by, and yearning for my Venice.

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“Still, as Rinio once said, what is a city, if not the people in it? What is Venice, without the peculiar, inventive race of men and women that built her up from the mud and reeds of the lagoon?”

Casino Royale by Ian Fleming

I am a diehard Bond Girl. I’ve seen all the films, read all the books and of course, have my own opinions about who has been the best Bond of all. Having a major crush on Timothy Dalton, I am biased in his favor, but there is also something to be said for the talents (not to mention eye candy quality) of Sean Connery and Daniel Craig. All three are are quite handsome in a rough-hewn, craggy kind of way. Pierce Brosnan, though also quite a gorgeous specimen of the male gender, was a bit too polished and smooth for my taste. Roger Moore and George Lazenby were the weakest Bonds, in my book (haha!).

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In rereading Casino Royale, I came to the conclusion that the reason these rough-around-the-edges cinematic 007s are more to my taste is because they are closer to his book character, which is why I like them. A man who is elegant and polished, yet still has that roughness, that “throw down,” is incredibly sexy to me.

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James Bond is not a very likable character, for all his perspicacity as a spy. He’s witty, urbane, but with that dark edge that allows him to use people and not care about his effect in their lives. It’s not just with women, although they do tend to be rather interchangeable and disposable. As an agent provocateur, it is probably a matter of life or death to be able to sharply and coldly cut someone out of one’s life, and this aspect of Bond’s character is much more apparent in the books, as his thought process and internal meanderings are well described. In Casino Royale, you get the origin of his coldness toward women, when he meets and falls hard for Vesper Lynd, a fellow secret agent who initially is not very impressed with Bond…..which, of course, intrigues him It’s such a typically male response to a woman that it made me laugh.

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Vesper and Bond share a luxurious dinner at the Casino Royale, while they wait for the high-stakes gambler Le Chiffre, whom they have been sent to watch and infiltrate his empire. Bond tells Vesper to order expensively and do honor to her fabulous evening gown. She takes him at his word and they order their meals.

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“I’d like to start with caviar and then have a plain grilled rognon de veau with pommes souffles. And then I’d like to have fraises de bois with a lot of cream. Is it very shameless to be to certain and so expensive?” She smiled at him knowingly…………”While Mademoiselle is enjoying the strawberries, I will have half an avocado pear with a little French dressing.”

Fraises de bois are wild strawberries, and difficult to find in New Mexico. However, seeing as strawberries and cream are one of my desert island meals, with the tartness of strawberries contrasting so nicely with a lightly sweetened cream, I couldn’t not make it to go with the centerpiece meal. An avocado pear, which is a half-avocado stuffed with whatever you like, is delish! Lobster and avocado have a natural affinity for each other and I love them together, the jade green of the avocado and the deep pink of the cooked lobster creating a beautiful food palette that’s almost too gorgeous to eat. Almost. And you can’t beat lobster for sheer luxury. I got mine at Nantucket Shoals, and I highly recommend you visit there, either in person or via their website.

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This is the method that worked for me for the stuffed avocado pear, taken from the great Emeril Lagasse, but with a few tweaks by me. Enjoy!

INGREDIENTS

For the avocado pear:
2 large avocadoes
2 cups lobster meat, cooked and finely cubed
1 tablespoon homemade mayonnaise (see method below)
1 teaspoon of truffle oil

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Juice of one medium lemon
Fresh chives, finely chopped

METHOD
Mix together the lobster meat, the mayonnaise and the truffle oil. Let the flavors mingle in the refrigerator for about 30 minutes.

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Add the lemon juice and taste for seasoning. Sprinkle in some sea salt if you think it needs it, but the homemade mayo has plenty of flavor and saltiness, so you may not.

Halve the avocadoes and carefully scoop out the meat, retaining their shape so that they form green cups. Squeeze over a bit of lemon juice to keep the avocadoes from blackening.

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Put a large spoonful of the lobster mixture into each avocado half, so you have four tasty little green cups full of seafood heaven! Garnish with the chives and admire the beautiful pink and green deliciousness before chowing down. 007 would most certainly approve of this avocado pear!

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The homemade mayo was simply one egg yolk (organic and free range), 1 teaspoon of Dijon mustard, one teaspoon of white wine vinegar, one teaspoon of lemon juice, a half-teaspoon of sea salt, and incorporated very slowly and whisked in drop by drop, a 3/4 cup of regular olive oil – all at room temperature. Don’t use a blender or it will be runny. I hand-whisked for 20 minutes and although it is quite an arm workout, the end result is so worth it.

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The strawberries, I simply marinated in Amaretto and lemon juice for about an hour, while I whipped some heavy cream with sugar and a dash or two of Campari liqueur. The Campari makes the cream a gorgeous, pale pink, like the inside of a seashell. It creates such a beautiful accent for the glistening, red strawberries. You pile it into a fancy glass and eat. Or, if James Bond were to drop by, you could have him feed it to you, berry by berry. (sigh)  A girl can dream!

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I would be a terrible Bond girl if I didn’t include this classic paragraph:

“A dry martini,” Bond said. “In a deep champagne goblet. Three measures of Gordons, one of Vodka, half a measure of Kina Lillet. Shake it very well until it’s ice cold, then add a thin slice of lemon peel. Got it?”

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The Waiting Room by F.G. Cottam

F.G. Cottam is my new favorite author of horror, supernatural and paranormal fiction. He’s published several works, and I’d previously blogged The House of Lost Souls, which was the first book I read by him and the one that hooked me into his elegant, spare and eerie style of writing. The Waiting Room is a unique and creepy ghost story that incorporates elements of time travel, though not in a sci-fi way.

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The main character of Martin Stride reminded me a bit of Justin Hayward of The Moody Blues, just in appearance and description. He’s been seeing and hearing ghostly apparitions on his large estate, his kids are having terrifying visions and dreams, and he consults TV ghost hunter Julian Creed for assistance, which is where the book starts. Creed is, of course, a total charlatan though a very good one, but when he actually experiences the terrifying haunting for himself, his entire perspective shifts.

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Elena is Julian’s assistant, and I loved her character. I think one of the main reasons I like Cottam’s books overall is because he writes so eloquently in the voice of his female characters and they are multilayered and intelligent. Sometimes, male authors try to write in the female voice and it can be jarring and usually irritating to me, but Cottam’s characterization of Elena and of Martin Stride’s wife Monica are incredibly well-done. Elena and Julian had previously been romantically and sexually involved, and though you don’t get the details, you know something bad happened that caused a personal, though not professional, rift. How they find their way back to each other is both romantic, sad, and plays a pivotal role in the book’s unusual but sad and uplifting ending, if that makes any sense.

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The haunting itself is fascinating, caused by the grieving parents of a wealthy WWI veteran who died. His parents are into the paranormal and decide to try some necromancy to bring him back. Big, big mistake. Big. Huge. If you’ve ever read the short story “The Monkey’s Paw” by W.W. Jacobs, which is one of the only stories that truly frightened me so badly that I had to sleep with the lights on, you’ll get an idea of why this is so not what to do with the dead.

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In an early sequence when Martin first encounters the haunting, he is out on his estate picking up apples from where they’ve fallen on the ground, bringing them home to his wife as she is baking pies. His estate contains an old, unused rail line and a dilapidated train station waiting room from the first World War, and it’s here that the specter appears.

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The waiting room lay to the east of the house, to its rear. One evening about a fortnight prior to seeking his meeting with Creed, Stride had been gathering windfalls in the orchard, which was situated a few hundred yards on from the kitchen garden. The orchard was small and ancient and the apples of a unique variety. They were good to the taste, but tart enough for baking, too.

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I had several apples gathered from friends’ trees and decided that it was time for me to tackle that old classic, apple pie. So here we go.

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INGREDIENTS
2 pre-made pie crusts. Pre-bake one of the crusts and keep the other cold until ready to bake. You’ll see why below.
6 apples of any variety. I used 3 tart Granny Smith, 3 red and 1 Golden Delicious
1/2 cup of lemon juice
2 tablespoons cinnamon
1 cup granulated sugar
4 tablespoons butter, preferably unsalted
2 tablespoons flour
1 teaspoon salt
1 tablespoon vanilla
1 tablespoon nutmeg
1 egg

METHOD
Pre-heat the oven to 375F. Peel, core and slice the apples.

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Put in a bowl with lemon juice and sugar, stir to mix and leave to macerate for up to 30 minutes.

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Heat the butter in a skillet over medium heat and pour in the apple mixture. Cook for 10-12 minutes until the fruit softens.

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Add the flour, the salt, the vanilla and nutmeg, stir, then cook gently for a few minutes until it forms a thick, caramely sauce.

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Pour the mixture into one of the empty pie shells.

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I’ve said before that no one is ever going to ask me to quit my day job to decorate cakes and pies, and they are right. I couldn’t work with the second, cold pie crust as it started breaking, so I got fancy and cut out heart-shaped dough pieces to cover the top of the pie. You can see how well it worked………not.

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Whisk the egg with a bit of water, and brush the egg wash over the top of the pie crust hearts.

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Bake for 45 minutes.

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Serve with whipped cream, ice cream, or alone. Very tasty!

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The Haunting of Hill House by Shirley Jackson

Probably one of the creepiest books I’ve ever read, and that’s saying something, because I love ghost stories. The Haunting of Hill House is effective because it doesn’t actually show any ghosts, there are no murderers chasing anyone, no demons possessing souls, no vampires sucking blood, no monsters under the bed. There is just the house, which both epitomizes and contains what we should call pure evil.

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I remember reading this book one very hot summer when I was in my early 20s, sitting outside on a shaded patio while the sun blazed overhead. Not a remotely scary environment in which to read a ghost story, and yet I was totally freaked out reading this book. Every noise made me jump, every shadow in my peripheral vision seemed threatening, and I ended up sleeping with the lamp on that night.

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What’s interesting in this book is the house itself is a character. It has as many characteristics as the four people who come to stay in it for a week, studying the supernatural environment Hill House is known for and hoping to evoke otherwordly occurrences. Boy, do they!  The main character, Eleanor, around whom the novel revolves, is probably one of the more irritating characters in literature. She’s an interesting character study if you can get past her annoyingness, though. Is she insane? Is she psychic? Is everyone in the house having a collective supernatural hallucination? Is Eleanor as alienated as she feels, or is she just super self-centered? My God, I wanted to smack her at times! Perhaps readers are supposed to feel sorry for her, yet when she took off up that spiral staircase and made everyone chase her, I found myself snapping at her  “Pull your head out of your ass, woman!”

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Early in the book, as Eleanor makes her way toward Hill House and her fate, she loses herself in imaginings about what her life will be like going forward. She passes a lovely house in a town with stone lions outside, and daydreams of her life there, being waited upon and  served meals.

A little dainty old lady took care of me, moving starchily with a silver tea service on a tray and bringing me a glass of elderberry wine each evening for my health’s sake. I took my dinner alone in the long, quiet dining room at the gleaming table……..I dined upon a bird, and radishes from the garden, and homemade plum jam.

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I wanted to recreate this simple-sounding meal in my own style, but I wasn’t about to go full-on Martha Stewart and make my own plum jam. So I did a little research and found this recipe for roasted chicken with plums, which is Persian in origin with the sumac seasoning, and that sounded marvelous. I added a few of my own touches,using chicken thighs instead of a whole bird, roasting and caramelizing lemons with the plums, and because I am all about roasting vegetables, alongside the chicken I served sliced radishes seasoned with olive oil, garlic and lemon zest.

This is the method that worked for me.

INGREDIENTS
For the chicken:
12 chicken thighs, bone in, skin on
2 lemons , quartered
2 tablespoons ground sumac, found at Middle Eastern groceries or click here
2 tablespoons ground allspice
4 cloves garlic, finely minced
Zest of 1 whole lemon
1 tablespoon cinnamon
Sea salt and ground black pepper
3-4 tablespoons olive oil
1/2 cup fruity wine, red or white. I actually used a rose wine.

For the plums:
2 red or black plums, cut into chunks
2 shallots, finely diced
1 tablespoon honey
1/2 teaspoon of cinnamon
1/2 teaspoon allspice
Olive oil
Sea salt and ground black pepper

METHOD

Make sure your birds are at room temperature. Pre-heat the oven to 350F. Lay your chicken thighs skin-side up in a large roasting pan. Mix the sumac, allspice, cinnamon, lemon zest, minced garlic salt and pepper together in a bowl, add the olive oil and pour this over the chicken. Add the lemon, pour over the wine, cover and cook for 1 and 1/2 hours.

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Chop up the plums into rough chunks and mix with the sliced shallots, cinnamon, allspice, salt, pepper, the honey, and olive oil. Mix together and let the flavors combine.

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Add the plums to the chicken during the last 30 minutes  of cooking at 350F, and leave them in when you increase the heat and bronze the thighs at 450F.

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Remove the foil from the chicken, turn up the oven to 450F, and cook for another 30 minutes so the bird pieces get bronze and the skin crisps up. When you remove the chicken for the last time to cool before serving, give a final stir so that cooked plums mingle with the flavors of the bird, the lemon, and all the spices and seasonings. Let rest, and serve with the lemon-zested roasted radishes. A marvelous dish! Exotic, subtle flavors and somewhat complex, with just a hint of the Casbah, yet familiar enough to taste comfortingly of home.

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Sexy Sunday! Tipping the Velvet by Sarah Waters

DISCLAIMER! The following post contains explicit sexual language and profanity. You’ve been warned!

Welcome to the second installation of Sexy Sunday, my monthly collaboration with fellow blogger The Bookworm Drinketh, in which we read a book infamous for its sex scene or scenes; she writes a review and does her usual cocktail-to-go-with, and I write a review and do a food post inspired by the book. It’s as much fun as it sounds, kids! Here is The Bookworm’s Sexy Sunday take on today’s book.

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Today’s book of choice is Sarah Waters’ Tipping the Velvet, which on superficial review is lesbian cross-dressing dance-hall girls in Victorian England. But there’s a lot more to it than that. The heroine of the story, Nan King, works in her father’s oyster shop on the coast in Kent with the rest of her family.  Yes, oysters and lesbians. Well, no one ever accused Sarah Waters of subtlety in her early works.  At least they weren’t full-on fish mongers.

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Anyway, Nan has a great attraction to musical theater, and when she meets Kitty Butler, a lovely young singer who is performing at the theater in Nan’s hometown, she is starstruck and uber horny. The two go off together to London, where Nan becomes part of Kitty’s singing act. They dress up as men, though it’s obvious they are both women, and their affair starts. But, in the way of all first loves, Nan and Kitty’s romance goes sour. Kitty realizes that she does not want to be seen as a “tom,” as lesbians were called in those days. She loves Nan but isn’t strong enough to fight against societal expectations, so she has an affair with, and marries Walter, who had been her agent. Nan, of course, is devastated and heartbroken, and so begins her career as a cross-dressing call girl who only gives handjobs and blowjobs to men as she struggles with her grief over Kitty. Then, Nan meets the woman who will totally fuck up her life, but in a really seductive and sexual way.

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Nan becomes the “kept girl” of the wealthy Diana, who turns her on to adult pleasures she’s never experienced before. Nan is fully in lustful thrall of Diana, who essentially treats her like a fuck slave. Which she is, really. This is the sexiest part of the book, in my opinion. And I’m not even attracted to women! But damn, this scene was arousing, when Diana instructs Nan to go into a trunk in her room and fetch her…………..something.

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It was a kind of harness, made of leather: belt-like and yet not quite a belt, for though it had one wide strap with buckles on, two narrower, shorter bands were fastened to this and they, too were buckled. For one alarming moment I thought it might be a horse’s bridle; then I saw what the straps and buckles supported. It was a cylinder of leather, rather longer than the length of my hand and about as fat, in width, as I could grasp………It was, in short, a dildo. I had never seen one before; I did not know, at that time, that such things existed and had names. “Put it on,” she called – she must have caught the opening of the trunk – “put it on and come to me.”

You so know where this is going, right?

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“Come here,” said the lady when she saw me in the doorway, and as I walked to her, the dildo bobbed harder. I lifted my hand to still it; and when she saw me do that she placed her own fingers over mine, and made them grasp the shaft and stroke it. Now the base’s insinuating nudges grew more insinuating still; it was not long before my legs began to tremble and she, sensing my rising pleasure, began to breathe more harshly. She took her hands away…..and gestured for me to undress her.

Oh yes, it’s going there.

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With my hands still clasped in hers, she led me to one of the straight-backed chairs and sat me on it, the dildo all the while straining from my lap, rude and rigid as as skittle. I guessed her purpose. With her hands closed-pressed about my head and her legs straddling mine, she gently lowered herself upon me; then proceeded to rise and sink, rise and sink, with an ever speedier motion. At first I held her hips to guide them; then I returned a hand to her drawers and let the fingers of the other creep round to her thigh, to her buttocks. My mouth I fastened now on one nipple, now on the other, sometimes finding the salt of her flesh, sometimes the dampening cotton of her chemise.

And here we go. Takeoff!

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Soon her breaths became moans, then cries; soon my own voice joined hers, for the dildo that serviced her also pleasured me – her motions bring with it an ever faster, even harder pressure against just that part of me that cared for pressure best. I had one brief moment of self-consciousness, when I saw myself from a distance, straddled by a stranger in an unknown house, bucked inside that monstrous instrument, panting with pleasure and sweating with lust. Then in another moment I could think nothing, only shudder; and the pleasure – mine and hers – found its aching, arching crisis, and was spent…….At length, she laughed and moved again against my hip. “Oh, you exquisite little tart!” she said.

It’s been said that if you learn something new each day, no day is wasted. Well, while reading this book I learned many interesting things, including the meaning of the phrase “tipping the velvet.” It means cunnilingus, going down on a woman, eating at the Y, any and all of those euphemisms. So the next time you want your lover to do some eating in, ask them if they want to “tip your velvet” and see what response you get.  🙂

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Being an oyster girl, Nan inspired me to make a tasty oyster dish. Yes, someone else did the hard work of shucking them. But I cooked them and wolfed them down. So good and definitely capable of making the passions rise. 🙂

INGREDIENTS
12 oysters, shucked, but with the shells kept nearby. Also keep the oyster liquor.
6 tablespoons softened butter
1/2 cup Panko breadcrumbs
1 teaspoon dried thyme
3 cloves of garlic, finely minced
1-2 tablespoons lemon juice
Zest of 1 lemon
Fresh chopped parsley

METHOD
Heat the oven to 400F and line a baking tray with uncooked rice, to keep the oysters steady while baking.

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Arrange the oyster shells on the rice, and put each oyster back into its little shell. Add the finely minced garlic.

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Pour over the reserved liquor.

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Melt the butter, then add the breadcrumbs. Stir around until they are lightly brown.

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Add in a squeeze of lemon juice and the lemon zest, and stir again.

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Top each oyster with the lemony, buttery breadcrumbs and squeeze over more lemon juice.

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Bake for 10 minutes, keeping an eye on them. When the breadcrumbs are a dark golden brown, remove from the oven.

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Arrange prettily on a platter and scatter over the chopped parsley. Eat while they’re still hot. They are so tasty and fresh, with that hint of salty sea brine and the sharpness of the parsley offsetting very nicely. YUM! And nary a tip of velvet in sight.

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