The latest episode of my podcast “Cooking The Books” just dropped and it’s a good one! We’re talking South American politics, poetry, and the joys of the humble and sensual tomato, so check it out at:
I’m as guilty as the next person of judging. I judge wine by the label on the bottle, musical artists by genre, and of course, books by their covers. In this case, can you blame me? The cover for Mexican Gothic is stunningly beautiful and hits me on all my levels: aesthetic, moody, mysterious, and colorful. Combined with the word “Gothic,” you’re damn right I pre-ordered this months in advance and devoured it in 6 hours when it finally arrived. It was well worth the wait.
The gist of the book is thus: Noemi is a wealthy socialite living the life in 1950s Mexico. She’s a beautiful and intelligent woman whose chief problem is that she lives in a time and a place where people can’t believe a woman can be both, so she compensates by putting on a bored persona. But inside, she is ready for something more. When her father gets a urgent letter from Catalina, Noemi’s recently-married cousin, indicating she is in danger in her new marriage, he sends Noemi to the town of High Place to find out what is going on and to bring Catalina home if necessary. Not so fast, though. Catalina’s in-laws and new husband are what you’d call shady.
Catalina has married into the very wealthy and extremely weird Doyle family, and boy, do they put the “fun” in “family dysfunction.” The family patriarch, Howard, is beyond creepy. He is somewhere between 90 and death, and is pervertedly fascinated with the beautiful Noemi. Catalina’s husband, Virgil, is handsome and flirtatious toward Noemi, and she is both sexually drawn to him and repulsed by him at the same time. Florence, Virgil’s sister, runs the household like a military commander, not allowing Noemi to do or say anything. You can imagine how well that goes over with a young, independent and intelligent heroine like Noemi.
And then there’s the youngest son, Francis, whose interest in botany, plants and growing fungi – namely mushrooms – are pivotal pieces of the book’s plot. Noemi finds herself becoming friends with Francis and the longer she stays in High Place, the more she starts to be affected by the house, with terrifying dreams and visions, and she starts to suspect that something very weird and very scary is happening. It’s not actually difficult to figure out what the source of the visions and hallucinations are, but it’s part of the fun in reading this beautifully-written and atmospheric novel.
This is a wonderful book that combines mystery with Gothic romance, eugenics with some creepy Mexican folklore, some really great horror elements including ghosts, visions of blood, terrifying dreams, and a unique take on the haunted house trope that makes for some genuinely riveting reading. It actually reminded me quite a lot of the film Crimson Peak, that eerie movie by Guillermo del Toro, with similar elements of hallucinations, incestuous relations, and just that overall sense of mystery and doom.
I’d consider this book more of a slow burn than one of non-stop, intense horror. The horror is there, all right, but it’s more of a low simmer, gradually escalating, grotesque, Lovecraftian, sickening horror that creeps up on you the further into the mystery you get, until you realize you’re trapped with Noemi there with no avenue of escape. I like the intense terror as much as any horror fan, but I really enjoyed the slow build toward the final unraveling of the mystery surrounding the Doyle family.
As with many of the other books I read, I found myself culinarily inspired by a passage that isn’t necessarily a food reference. when Noemi comes across Francis foraging in, of all places, the family cemetery! Hey, whatever floats your boat, right, but it also made me start thinking about what to make with those good ol’, fungus among us, mushrooms!
He glanced down, nodding, looking at his basket. Now that he was with her, she had regained her levity, and she peered curiously at him. “What do you have there?” she asked, pointing at the basket. “I’ve been collecting mushrooms.” “Mushrooms? At a cemetery?” “Sure. They’re all around.” “As long as you don’t plan to make them into a salad.” “What would be wrong with that?” “Only the thought of them growing over dead things.” “But then mushrooms always grow over dead things in a way.”
Yes, I was inspired to make a something from this passage about ‘shrooms growing over dead things. Well, I’m strange like that. Anyway, being that the book was set in Mexico, and that it’s also green chile season here in my home state of New Mexico, I decided a tasty recipe of mushroom, chorizo, and roasted corn queso fundido with homemade tortilla chips was on the menu. And the best part? I got to roast the green chile and the corn outside on my charcoal grill in my new backyard, thus breaking it in! In a manner of speaking. 🙂
1 tablespoon olive oil
1 red onion
6 cloves of garlic
1 lb chorizo sausage, squeezed out of the casing
1 lb white mushrooms, sliced
1 lb bella mushrooms, sliced
1 lb Monterey Jack cheese
1 lb Muenster cheese
1 lb queso fresco
6 Anaheim chile peppers, roasted and peeled
2 fresh ears of corn, still in the husks, roasted and cooled
1 dozen corn tortillas
Heat the olive oil in a heavy Dutch oven, saute the onion and garlic until soft, then add the chorizo and saute another 10 minutes.
Add in the mushrooms and saute again for another 10 minutes.
Cut the roasted corn kernels from the cobs, then add to the mushrooms and chorizo mixture. I actually did this using a Bundt pan, which was suggested to me by my friend and sous-chef Krista, and it was the best idea ever!
Chop the roasted green chile and add to the other ingredients in the pan.
Cube the cheeses into small pieces and add their gooey, melting goodness to the pan.
Mix everything together and cook on low, covered, so that the cheeses melt and get that lovely, unctuous texture that make your mouth water.
While the cheese is melting, heat the broiler in your oven and slice the corn tortillas into fourths, put on a baking tray and bake for 15-20 minutes until they get golden and crispy. Let cool.
The connection between food and sex is one I looked at in one of my very first blog posts, which you can read here if you’re so inclined. That connection is one of the major threads in this book, as well.
In 1925 South America, Gabriela is a young woman from a terribly poor background who is “hired” by Nacib to do the cooking in his pub in the Brazilian town of Ilhéus. She is beautiful, from a very low social status, which was (and is) very important in the Brazilian culture. She has skin like cinnamon and gives off the scent of cloves, which entices everyone who meets her. Nacib is infatuated with her and they begin an intense love affair, which binds Nacib to her even more, because the connection between her cooking in the kitchen and her “cooking” in the bedroom have become intertwined in his mind. He marries her but then the challenges start.
The concept of change and sexual politics are major themes in the book, the new overthrowing the old, and the old-school machismo personified in the beginning of the book, when Col. Mendonca kills his wife, Dona Sinhazinha and her lover, Dr. Pimentel, for adultery. Adultery is accepted among men, but God forbid a woman take a lover.
What is ironic about the main tale of Nacib and Gabriela is that initially, she doesn’t fit his standard of what he believes he should have in a partner. She is beautiful, can cook like a dream, fulfills all of his sexual desires and fantasies, yet he is still held back by this expectation in his own mind that a relationship has to fit a certain mold. Ultimately, he realizes that he cannot change her, and in fact, to change her would be to lose the qualities about her he most loves.
Passion colors every aspect of Gabriela’s life and it shows up in her food. Again, another book that features food as a type of medicine, a mood-altering substance that can make others feel joy, happiness, sexual passion and release. Gabriela’s passion is food – she puts everything she feels into her food, and by extension, everything she feels into life itself.
She does not hold back her heart, and it is that openness that ultimately makes Nacib realize the value she brings to his life……and that in loving and accepting her as she is, it helps him love and accept himself and all the roiling changes happening around him. In her unchangeable passionate heart, she becomes his anchor and a catalyst for change in the entire town.
Obviously, a book called Gabriela, Clove and Cinnamon has some amazing food descriptions in it. Being set in Brazil with a cook as one of the main characters, the food is mouth-watering. Gabriela cooks Bahaian-style dishes involving manioc, rice, jerk chicken, shrimp, peanuts, bean fritters, stews………..so many delicious choices. This passage was the one I chose for today.
Gabriela was loading an enormous tray with pastries, and another, larger still, with codfish balls, bean-paste balls flavored with onion and palm oil, and other tidbits.
Bean-paste balls are a type of fritter made from black-eyed peas and called acaraje in Portuguese, and are usually stuffed with shrimp or something called vatapá, which has ground cashews as its base. So I decided some shrimp-stuffed acaraje and vatapá were in order.
For the acaraje:
2 14-oz cans black-eyed peas, drained and rinsed
1 large white onion
4 cloves of garlic
1 teaspoon sea salt
Teaspoon of cayenne powder
Red palm oil for frying
For the vatapá:
1 cup dried shrimp
1 cup unsalted cashews
2 pieces of day old-bread, torn into chunks
3 cups coconut milk
1 jalapeno pepper
1 piece of fresh ginger, peeled
Handful of fresh cilantro, chopped
Salt and pepper to taste
2 cups cooked shrimp, thawed
Chop the onion and garlic in a food processor. Set aside.
Mash the black-eyed peas in the same processor until it forms a thick paste. Season with salt and cayenne.
Mix together with onion and garlic in a bowl. Form little round patties.
Heat the red palm oil in a frying pan. Fry 4-5 fritters at a time, for about 3 minutes per side, until crispy and orange-red in color. Don’t cook more than that at a time, because it will lower the oil’s temperature and make the fritters greasy.
Chop the cashews and process for another minute or so until well mixed and rendered down. Add the dried shrimp, mix and set aside.
Soak the bread in a 1/2 cup of coconut milk for a minute. Then process for another minute, until it forms a paste-like texture. Mix with the cashew and shrimp in a separate bowl.
Finely chop the tomato, onion, ginger, cilantro, scallions and jalapeno in your well-exercised food processor, and set aside.
Heat the remaining coconut milk in a pan, and add the tomato-onion-cilantro mixture, then spoon in the shrimp-cashew mixture. Simmer gently at medium low for about 10 minutes, then add the bread mixture, and a tablespoon of red palm oil, for thickening and color. Cook for about half an hour, stirring occasionally.
Top the stew with the shrimp and cilantro, and apply to your face. Delicioso!
I can’t say enough about Carlos Ruiz Zafón’s writing. It’s absolutely beautiful, lyrical, lush without being overly purple, and whether describing the sensory overload of a roomful of books, the scent of tobacco, the deeply scarlet hue of a woman’s lipstick, or the existential dread and horror of torture and death, the man writes like a magician. I’ve read each of the books in the series over 10 times apiece, and I continue to find small, overlooked details in each one the more I read. The Labyrinth of the Spirits, the fourth and final book in the Cemetery of Forgotten Books series, draws together the threads splayed out in the previous three books, brings a kind of justice to the Sempere family, and introduces the reader to a very unusual heroine, Alicia Gris.
The basic premise of this book is the story of Alicia, born in Barcelona, how she loses her parents during the Civil War in Spain, her chameleonlike evolution from petty street criminal to police officer/spy and her connection to Barcelona, Daniel Sempere, David Martín, and Fermín Romero de Torres (in my opinion, one of the funniest and most touching sidekick characters in modern literature and an obvious nod to Sancho Panza); and her connection to the marvelous and terrifying Cemetery of Forgotten Books. If you’ve read the three previous books, The Shadow of the Wind, The Angel’s Game, and The Prisoner of Heaven – all of which I have previously blogged – you will know the overarching storyline. How Alicia fits into this dark Wonderland tale that pays homage to books, literature, freedom, love and mystery, is both beautiful and sad.
I will say that my only beef with this book is how most of the women are portrayed, as either femmes fatales or saints, which is something I run across in most books where a male writer writes from a female POV. Alicia is a fascinating character. Yes, she is beautiful and somewhat damaged both physically and emotionally and she does have very complex emotions, but she isn’t a homewrecker and the reactions of other female characters to her is somewhat irritating after awhile. No, she isn’t there to steal your man, ok? She’s investigating a disappearance and looking into her own childhood history. Sheesh. I suppose it annoys me because I see so much of this in real life – this Madonna/whore outlook even from other women when they see a physically beautiful woman and automatically assume she is trouble or that she is a man-eater or a slut or all those other awful words that both men and women use to shame females for daring to look a certain way.
As dark and painful as this book is at times, it is above else, a love letter to reading. The sheer joy of losing yourself in a book is something that every lover of literature can relate to, including me. Alicia has loved books since she was a little girl, and when she is rescued early on in the book from a bombing in Barcelona by our erstwhile Fermín and accidentally falls through the glass roof of the Cemetery of Forgotten Books, it completely changes her life, both physically and emotionally. Can you imagine getting lost in the Cemetery of Forgotten Books? Between the ghosts and mysterious figures that supposedly haunt its corridors, the sheer amount of books to be devoured and the romantic terror implicit in such a place, it sounds like somewhere I could happily spend eternity. With lots of good wine and Spanish tapas, of course.
Alicia is paired with a detective named Vargas, with whom she has a strong attraction and shares a unique sense of humor. He’s a bit older than her, which is fine with me since I have always preferred older men. They have been tasked with finding Spain’s Minister of Culture, Mauricio Valls, who has mysteriously vanished and with whom the enigmatic David Martin – of The Angel’s Game – has been connected. Valls was responsible for imprisoning and torturing many people during Spain’s Civil War, including Martín, and it’s feared he has been kidnapped in retaliation. The reality, of course, is much more complex and far, far worse. Anyway, once back in Barcelona, Alicia introduces Vargas to many of her favorite haunts from her childhood and adult years living there. The Ribera quarter is home to her favorite tapas bar, appropriately called La Bombeta. There, she orders a plateful of bombas, bread with olive oil and tomatoes, and beer – a quintessential Barcelona treat.
“Bring us four bombs and two beers,” Alicia instructed, without taking her eyes off Vargas. “Estrella or draft beer?” “Estrella.” “Bread with oil and tomato?” “A couple of slices. Toasted.” The waiter nodded and walked off without more ado………..the beers and the plate of bombas arrived just in time to interrupt the conversation. Vargas eyed that curious invention, a sort of large ball of breaded potato filled with spicy meat.
Bombas are potato balls stuffed with meat and shallow-fried, eaten hot with a cold beverage. They can be stuffed with ground beef, ground pork, chorizo, etc. I ate many of them when I was a student living in Spain, and though they are made in various iterations in different cities, the bomba is a true child of that beautiful, unique and haunting city of Barcelona. This is my take on them.
6 waxy potatoes
1 yellow onion, finely diced
4 cloves of garlic, finely diced
1 tablespoon smoked Spanish paprika – also known as pimenton
1 pound uncooked chorizo
1/2 cup Spanish sherry
Salt and pepper to taste
1 cup flour
1 cup breadcrumbs
Olive oil for frying
Cook the potatoes in boiling, salted water for 20-30 minutes until soft. Push through a potato ricer and stir to mix and break down. Add salt and pepper to taste and set aside to cool.
Heat some olive oil in a pan and cook the onion and garlic for 10 minutes, until softened. Remove from the pan but leave the oil.
Add the chorizo and stir, breaking it into smaller pieces, cooking it until it firms up, about 10 minutes.
Add the cooked onion and garlic to the meat, and sprinkle over the smoked paprika. Cook for another 10 minutes.
Toss in the sherry and cook until the liquid evaporates, then let the meat cool and get on with your potato bombs.
Form a large ball with the potato and put some of the chorizo-onion mixture in the middle. Close the potato over the meat so it is completely contained. Repeat until you have 6-7 bombas. Lay on a platter and chill for up to 2 hours, if not longer.
Pour the flour and the breadcrumbs into separate bowls, and crack the egg into another bowl, mixing with a fork and some water and salt.
Quickly dip the bomba into the egg, then the flour, then the breadcrumbs so it is completely covered, then heat about 3 cups of olive oil in a large pan and toss a small drop of water to test the heat. When the oil sizzles, it’s ready.
In batches of 3, cook the bombas for about five minutes, until golden brown. Drain on paper towels and eat hot, garnished with roasted red peppers, and with a toast to the Cemetery of Forgotten Books, the Sempere family, and the genius that is Carlos Ruiz Zafón. ¡Salud!
I don’t know about you, but I’ve never been big on poetry. The rhythm and meters necessary to appropriately read poems just bog me down. I love hearing poetry read by someone who understands how it should be enunciated, but when I try to read poetry, either in my head or out loud, I sound like an idiot. Well, with the exception of the poems of Pablo Neruda.
Neruda is my favorite poet in all the world. He writes in a sensual, lyrical rhythm that is a gorgeous combination of the magical realism so common in Latin American writing, and a pure, romantic worldview centered around love. His arguable masterpiece of love poetry is his Twenty Love Poems and a Song of Despair, though I personally love Cien sonetos de amor (100 Love Sonnets). Cien sonetos, in my humble opinion, is probably one of the most beautiful and erotic collections of poetry in the world, mature and beautiful and quite sensual. I highly recommend you read them if you haven’t already.
As much a political figure as a poet, Neruda was born Ricardo Eliécer Neftalí Reyes Basoalto in Chile. His poetry was considered beautiful, avant-garde, and at times, very subversive to the repressive government in his home country. Highly respected as both a writer and a political figure, he traveled extensively throughout the world, both as a diplomat and after he was forced into exile by after Chile outlawed Communism. A believer in pure Communist ideals, he was associated such other exalted revolutionaries as Garcia Lorca, Pablo Picasso and Salvador Allende. It is believed he was killed by the Pinochet government, which he had fervently criticized. Proof that words can be as powerful as any other weapon, if used correctly.
Though I adore Neruda’s love sonnets, the Odes he wrote in homage to everyday, normal items such as food, are my absolute favorites. He wrote odes using these mundane objects as personification of the human experience. Odes to a tuna he saw in the marketplace, golden lemons, pearly onions, jade-green artichokes, ruby and topaz-colored wine, and tomatoes, comparing the crimson flesh of the tomato to the bleeding and suffering of mankind, but also finding the sheer joy in these common foods.
Being both a reader and an avid cook, I’ve always found his odes to food so filled with pleasure and sensuality. It’s interesting that Neruda is as comfortable detailing his political beliefs in a logical manner as he is describing the eroticism of kissing his lover or the joys of drinking wine or eating a tomato.
filled with tomatoes,
light is halved like
its juice runs
through the streets.
it enters at lunchtime,
its own light,
Unfortunately, we must
into living flesh,
populates the salads
happily, it is wed
to the clear onion,
and to celebrate the union
child of the olive,
onto its halved hemispheres,
salt, its magnetism;
it is the wedding of the day,
parsley hoists its flag,
potatoes bubble vigorously,
of the roast
knocks at the door,
the table, at the midpoint
star of earth, recurrent and fertile star,
its remarkable amplitude
no leaves or thorns,
the tomato offers
of fiery color
and cool completeness.
Isn’t that just beautiful? In honor of this magnificent poet, I decided to create an homage meal that incorporated tuna, onion, lemon, tomatoes, artichoke, and of course, wine. This is the method that worked for me, based on this marvelous recipe from Beauty and the Foodie, creating tuna-stuffed tomatoes alongside lemon-steamed artichokes and a beautiful, garnet-hued Chilean wine. I do think Neruda would approve wholeheartedly of this meal created in his honor.
1/2 celery rib, finely minced
1 tablespoon Dijon mustard
1 tablespoon lemon juice
Salt and pepper
2 slices cheddar cheese
Pre-heat your oven to 400F and spray a baking sheet with olive oil spray. While the oven heats, saute the diced onion in a bit of olive oil and salt, just until it’s translucent.
Having had a long-time love affair with the books of Daphne DuMaurier, I was especially pleased to find a compilation of stories that included Don’t Look Now. The story, set in Venice, which is my favorite city on earth, combines creepy supernatural elements with the gorgeous backdrop of La Serennissima.
The basic story is a couple, John and Laura, whose daughter has recently died, and who are visiting Venice in the hopes of coming to terms with her death. They encounter two odd old ladies – sisters and twins – who claim to be psychic and in contact with the dead daughter, and begin to have the strangest interactions with them. Cue the haunted house music here. John starts seeing a ghostly little girl in a red coat running around canals and over bridges, and at the same time, hears of gruesome murders happening in Venice. His dead daughter died wearing a red coat so he thinks he is seeing her ghost.
If you’ve ever visited Venice and seen it in both rainy weather and with the sun shining, you’ll understand that it seems two different cities. Venice in sunshine is beautiful, golds and pinks with the water reflections bouncing off the walls of the buildings that line the canals, and even the tourist chatter doesn’t detract from its charm. Seen with rain as the backdrop, it is a dark, haunted city with dead end corners, frighteningly loud echoes of footsteps in portegos, foggy lights reflected from the ornate lampposts around Piazza San Marco, and a pervasive sense of menace. I can tell you that if I was in Venice on a rainy, foggy day and saw some little girl running around like a haunt, hell no would I follow her.
But I don’t like kids anyway. Anyhoo, Campari and soda, and scampi, are mentioned in a pivotal scene when John and Laura again meet the old ladies in a restaurant, so you get two recipes for the price of one in this week’s post! Lucky you!
“All right, thought John savagely, then I will get sloshed, and he proceeded to down his Campari and soda and order another, while he pointed out something quite unintelligible on the menu as his own choice, but remembered scampi for Laura. ‘And a bottle of soave,’ he added, ‘with ice.’ “
I love to make scampi, and usually throw in a handful of sliced grape tomatoes in mine, for color and because tomato and shrimp have such a natural affinity for each other. Having recently bought some fresh green tomatillos at my local farmer’s market, I decided to make a variation of scampi with tomatillos. I know tomatillos are not traditionally Venetian, being much more used in Latin American recipes, but just think of it as my contribution to multiculturalism.
For the tomatillo scampi (adapted from this version at Simply Recipes, one of the BEST food blog sites out there)
1 tablespoon olive oil
1 tablespoon butter
1 red onion, finely diced
4-5 cloves of garlic, peeled and finely minced
1 jalapeno pepper, deseeded and finely chopped
6-7 tomatillos, husked, seeded and quartered
1 lb. raw shrimp, shells on
1/2 cup of white wine
1/2 cup of clam juice or seafood stock
1 tomato bouillon cube
3 tablespoons lemon juice
Optional: 1 cup crumbled feta cheese or Cotija cheese. (I am told by my Italian friends that cheese is not eaten with shellfish or seafood, and were I cooking in Venice, I would leave it out, but half the fun is experimenting with flavors, so I did. Send the hate mail later.)
Saute the onion, garlic and minced jalapeno pepper in the olive oil and butter, for about 10 minutes. Add a sprinkle of sea salt. Add the tomatillos, give a good stir to mix, and cook over medium-low heat for another 10-15 minutes.
Add the wine and the clam juice, let simmer and reduce it to about half the original liquid volume.
Now add the tomato bouillon. Stir to mix and cook another 5 minutes. Toss in the raw shrimp and lemon juice, and cook over low heat, until the shrimp turn pink and look plump and luscious. If you so choose, add your cheese here and allow the cooking heat to melt it slightly before serving, but if you do add cheese, make sure your liquid has reduced significantly, or this will be runny. If you omit the cheese, serve over rice or linguine pasta.
Having tried Campari to see if it’s really as bitter as famously claimed, guess what! It’s bitter! But the color reminded me of Italian spritzers I drank with my friend Kate in Venice at a cafe on the Fondamenta Nuova, overlooking the lagoon and San Michele, so I tinkered around with the Campari, some gin, some lemon and a few other things, and came up with what I will call a Vanessa cocktail.
For the Vanessa cocktail – makes two generous drinks so feel free to adjust ratios as needed
1 part Campari
1 part gin
1 part limoncello or fresh lemon juice
1 part Cointreau
1 part cranberry juice
Lemon rind twists for garnish
Add all the ingredients, except the lemon rind, into a shaker, with ice. Shake well to mix. Pour into chilled glasses and garnish with the lemon rind twists. Admire the color…….kind of like the red coat on the ghostly kid running around Venice, wouldn’t you say? Knock it back with a smile or a shudder, but don’t look now.
French has a wonderful blog – here’s the link – that I follow and enjoy so very much, in addition to his first book Maledicus: The Investigative Paranormal Society, which I blogged about last year. The book is the story of three older gentlemen who form a paranormal group and go ghost-hunting, only to find that there are spirits and specters more terrifying in life and death than they ever would have thought possible. They do battle with the titular character Maledicus, a wonderfully evil and thoroughly nasty and despicable spirit who was just as bad when he was alive, and it is overall a wonderful, fast-paced and adventuresome book.
Being a book and food aficionado and having combined these two in my own blog, I was very pleased with the number of cooking and foodie references in Maledicus, and was happy to see that Charles French had decided to pay homage to his characters and their love of food and create this cookbook filled with delicious recipes from the characters in the book. What I like about French’s characters is that they are all so different and yet have the same love of cooking, though they all create different types of cuisine based on their own lifestyles, backgrounds, and abilities. The main character, Roosevelt Franklin, is a widower whose wife Sarah passed away. She was quite the gourmet cook, often making him lots of delectable meals that he would never attempt after her death, missing her so terribly as he does. It’s odd, because although Sarah is dead, she is as much a character in death as anyone else in the book.
This marvelous little cookbook has such culinary delights as Carrot Cake, Grape and Walnut Salad with Blue Cheese Dressing, Chicken Parmigiana, Quiche Lorraine, and other yumminess, all made by the various other characters in the book. Two main characters and the other two original members of the Investigative Paranormal Society, Jeremy Roche and Sam Sadlowski, are also quite good cooks in their own ways, though rather different in their methods. Jeremy is much more refined than Sam, who’s a retired police officer and whose tastes run to the Hungarian classics of his own family background. Two of the recipes I most wanted to try in this book are both Sam’s.
I limit my carbohydrate intake most of the time, so I decided to make Sam’s Hungarian Green Beans and Chicken Paprikash, omitting the noodles or rice that traditionally go with this type of dish, and the green beans provided a very nice contrast. The only things I did differently were to add some lemon and more salt to the green beans and cut down the sour cream and heavy cream somewhat to make it lighter; and to use red bell peppers and smoked paprika for the Chicken Paprikash, simply because I prefer their flavors instead.
For the Chicken Paprikash:
2 lbs boneless, skinless chicken thighs, preferably organic
2 tablespoons olive oil
2 red bell peppers, cored, seeded and chopped into long slices
2 onions, peeled and diced
1 pound mushrooms, sliced
2 14-oz. cans crushed tomatoes
4 cloves garlic, peeled and sliced
Salt and pepper to taste
2 tablespoons smoked paprika
2 cups sour cream
For the Hungarian Green Beans:
2 lbs fresh green beans, trimmed
1 large onion, sliced
3 tablespoons sour cream
1 tablespoon heavy cream
1/4 cup paprika
1 generous tablespoon lemon juice
Salt and pepper to taste
Poach the chicken for 10 minutes, then pat dry, before shredding.
In a dutch oven, heat the olive oil and add half the smoked paprika so that the oil looks red, and saute the vegetables for 10 minutes.
Add the canned tomatoes, a dash of salt and pepper, and stir again to mix. Taste for seasoning and adjust as needed with more paprika, salt or pepper.
Add the chicken chunks, cover and simmer on low for up to 2 hours.
After 1 and 1/2 hours, add in the sour cream and taste again. Let heat, but don’t let the cream curdle.
During the last half-hour of the Paprikash’s cooking, par-boil the green beans for two minutes in salted water, then immediately blanch in ice water. You want them still a bit crunchy and with their green color intact.
Saute the onion in a bit of oil and some salt, until softened and slightly starting to caramelize. Just keep an eye on it and keep stirring.
Mix together the heavy cream, the sour cream and the paprika, and add in the cooled green beans.
Add in the sauteed onions and the paprika, stir to mix well, and taste. Add the lemon juice here as well as the salt and pepper, and taste. Adjust seasoning as needed. NOTE: this is rather bland so I would recommend more salt and more lemon, for certain.
Serve together, and enjoy with a nice, full-bodied red wine like Pinot Noir or Cabernet Sauvignon, and toast the culinary genius of Sam Sadlowski! And a most sincere thank-you to Charles F. French, who created these wonderful characters and recipes. Check out his blog and give the man some love and kudos! And a huge thank you to Charles French for writing this wonderful cookbook and giving me much more cooking inspiration! If you get a chance, head over to his awesome blog and show him and his writing some extra love and attention!
At last, we are in New Mexico! My home state is written about beautifully in this classic, The Milagro Beanfield War. Set in the mythical village of Milagro (there is actually a Milagro, NM, but the real town is nothing like the book’s version), it’s the story of Joe Mondragón and his fight for water rights, against big business, and in essence, it’s the story of the little guy fighting the system and – for once – winning.
I loved the story of one man against the system – the whole David and Goliath theme – and could certainly relate it to much of what has gone on here in my state. New Mexico seems to fighting a battle of two clashing cultures – the culture of the heritage and history of the original families who settled here over 400 years ago, and the ongoing culture of the rest of America that continues to come here and make small but significant changes to a way of life that has been consistent for hundreds of years.
I am all for progress and innovation, but it would be nice to have that without losing so much of our cultural heritage that is found increasingly in the small towns of the state. This book gave me a new appreciation for places and things that I’d grown up around and taken for granted.
The movie version of this book was filmed in the Northern New Mexico, in a little town called Truchas, which was originally part of a larger Spanish land grant and in fact, because it is unincorporated, still operates under the same land grant laws that were in effect 300 years ago. You still see horses and cows on the streets and roadways, sharing the space with cars, tractors and bicycles.
It’s a true slice of New Mexican history, a beautiful small village tucked against mountain ranges, and for me, epitomizes what is so very special about my home state.
I am embarrassed to admit this, but I never learned to cook the New Mexico classics growing up. My grandmother, Nana Jean, who raised me for the most part, was a fantastic cook and the greatest maternal influence on my life and my cooking. But when I was young, I associated cooking with drudgery and obligation. You HAD to cook for your family and kids – not out of fun, out of requirement. As a result, I flat-out refused to learn to cook until I hit my early 30s and discovered Nigella Lawson, who made it look not only easy but glamorous and fun. From her, I learned to cook simple things and gradually moved into more complex dishes and flavors, and developed the palate that influences my cooking today.
When my Nana Jean died a few years ago, she took much of my heart with her. It was only when I came out of the worst of my grieving that I was able to look at the homey cookbook she’d put together for all of her grandchildren, written in her own words and each with a handwritten dedication to each of us.
When I started to read the recipes and methods I’d grown up with, I realized that I was ready to embrace her spirit and start making these dishes. And it’s appropriate that her spirit is what encourages me to continue doing what I’m doing, in honor not just of my love of books and cooking, but also, my love of my home state of New Mexico.
In the book, the character Herbie Platt comes to Milagro to conduct scientific research, and strikes up an unlikely friendship with Amarante Cordova, an elderly man who believes in all the saints, and regularly leaves them offerings of tamales. It was an interesting juxtaposition of science and progress meeting tradition and history, and showing how they can indeed compliment one another. Herbie ends up falling for Stephanie, a local woman who runs a nursery school and has befriended him. In one scene, while he is pondering his love for her, she shows up with a traditional New Mexico meal for him and ensures his devotion to the death, something we New Mexico women are good at doing with our cooking.
“By this time Herbie loved her so much it hurt. Whereupon Stephanie appeared – miraculously! – with steaming enchiladas, a bottle of homemade beer, freshly baked bread, and locally grown grapes. They ate while a church bell languidly rang the Angelus.”
This is the method that worked for me, based on my Nana Jean’s classic recipe for green chile chicken enchiladas, with my own added twist.
6 boneless, skinless chicken thighs, poached in chicken broth and shredded
12 corn tortillas. I used white, but yellow is just fine, too.
Grapeseed or sunflower oil for frying
1 small onion
3 cloves of garlic
1 can cream of mushroom soup
1 can cream of chicken soup
1/2 cup of milk
1 carton of mushrooms – my twist and a darn good one, I must say
1.5 cups shredded cheddar and Monterey jack cheeses
1 cup roasted and peeled New Mexico green chile
Preheat the oven to 350F, and sauté the mushrooms, onions and garlic in a bit of oil until softened, about 10 minutes. Set aside.
Heat the oil in a skillet until a drop of water makes it sizzle and pop. Fry each corn tortilla for 5 seconds on each side, just to soften them and make them a bit more pliable.
Layer the corn tortillas in a casserole dish. I used my Nana’s old Pyrex dish that I remember her using for enchiladas, and mix the shredded chicken with the sauteed mushrooms, onions and garlic.
In a separate bowl, combine the two cans of soup with the milk, stir together, then add to the chicken and mushroom mixture. Stir, then mix in the chile in with the rest of the ingredients.
Spoon a layer of the mixture over the corn tortillas. Add some of the shredded cheese. Layer more tortillas on top of that layer, then add another layer of the chicken mixture. Top with another generous layer of cheese.
Bake for 30 minutes and savor the rapturous scent of chicken, mushrooms, cheese and green chile cooking together. Let cool for about 5 minutes, then eat. They are so delicious, rich and creamy and spicy! I do think my Nana would be proud!
What I found fascinating about The Dead House is the fact that it’s narrated in first person by a character who is not the focus of the story, but whose own story is as much a part of the overall arc as the main character. Mike is an art dealer and his best friend is Maggie, an artist whom he represents. She’s been recently from the hospital after having been savagely assaulted by her ex-boyfriend. She finds an old cottage in the Irish countryside, starts fixing it up in anticipation of painting something new, and invites Mike, his future wife Alison, and another friend and they spend the weekend exploring, drinking, cooking, laughing, and on the last night, playing with an Ouija board. Because what else would anyone want to do in a seaside cottage on the isolated Irish coast in a country that boasts its fair share of ghosts, spirits, pagan gods and other creepy things? And of course, we all know that when we are dumb enough to play with the supernatural, it almost always plays back with us.
Maggie becomes even more isolated at the cottage as whatever spirit that was summoned by the Ouija board starts spending more and more time in her company. Ack! Mike, whose relationship with Alison is developing and which is described in lovely and realistic detail of a true love match (but in a way that’s not mushy or sappy, thank God), and when he goes to visit Maggie yet again and sees how her world is deteriorating, all else goes to Hell. Literally and figuratively.
The aspect of the story I found difficult was the fact that Maggie, although the de facto focus of the story, is never truly given a personality or background. We know she’s an artist, we know she’s drawn to men who don’t treat her well, we know she’s somewhat of a lost soul, we know she’s a creative type with an odd connection to the stranger things in life, but we never really understand why she is the way she is. Mike talks about Maggie from almost an emotional remove, perhaps it’s because what happens to Maggie ultimately ends up affecting his own life……….but enough spoilers.
Overall, I loved this unique ghost story, heavy with the menacing sense that Ireland’s history is still with us today and is as scary and haunting as it was hundreds of years ago when blood sacrifices to their pagan gods were the order of the day. Also, O’Callaghan writes so beautifully about the nature in Ireland – the rocks, the glint of sunshine on the ocean, the various trees and flowers and plants that make the countryside into such a picture-perfect place.
Before the sh*t hits the fan with the Ouija board, the four friends spend one evening making a communal meal of spaghetti Bolognese, or spag bol, as it is called in the United Kingdom. I thought a nice potful of Bolognese sauce was in order, so that’s what I made, based on the late, great Antonio Carluccio, who insists there be no herbs whatsoever. And yes, I know it’s weird to make an Italian classic from a book set in Ireland. Don’t write in.
6 chicken livers
1 cup milk
2 tablespoons olive oil
1 tablespoon butter
6 baby carrots, finely chopped
2-3 celery ribs, finely chopped
1 onion, peeled and chopped
1 head of roasted garlic
3 ounces ground beef
3 ounces ground pork
1 cup pancetta, finely chopped
4 generous tablespoons good-quality tomato paste
1 glass dry red wine
1 cup chicken stock
Salt and pepper to taste
Firstly, soak the chicken livers in milk overnight in the refrigerator. Please trust me here. They add such a depth of savory flavor that is so delicious and when cooked and mashed in the sauce, thicken it deliciously.
Rinse the chicken livers, pat dry and fry in butter for about 5 minutes per side. Let cool.
Melt the oil and butter together in a large pot, and add in the chopped carrot, celery and onion. Saute for about 5 minutes, then squeeze in the roasted cloves of garlic. The smell is out of this world good!
Add the ground pork, ground beef, and pancetta, and stir together so that the juices from the meats mingle with the flavor of the vegetables. Let cook for 15 minutes, stirring occasionally so things don’t stick. You want to cook it until it’s almost dry, as this adds to the texture.
Pour in the tomato paste, and stir around. The color is like a deep brick red, very different than the color you get from cooking with crushed tomatoes.
Pour in the red wine and the chicken stock, and stir to mix. You will still have a thick texture, but the wine and stock thin it and add to the flavor.
After 10 minutes, add in the chicken livers, and using a wooden spoon, mash them against the side of the pot to thicken the sauce.
Turn the heat to low, stir again, cover and let simmer gently for up to 2 hours, checking on it occasionally. Add in more wine or stock if necessary.
Serve with spaghetti for a true British spag bol, tagliatelli which is much more traditional in Italy, or if you’re not eating carbs like me, eat with a pile of zucchini noodles, which are excellent! The sauce itself is so good, complex and thick and rich, yet with a hint of sweetness. Delicious!
The Master and Margarita is a heavy and weirdly surreal read, but it’s far more lighthearted and satiristic than many other Russian novels of the similar period. Mikhail Bulgakov wrote this book as a sharp commentary and satire on the communistic and atheistic government of time, top-heavy with government bureaucrats and processes. This book was actually banned in the Soviet Union for many years, and with Bulgakov’s sharp eye for calling bullshit in his country and his scathing tongue when satirizing the government and religion, it’s no wonder the bureaucrats couldn’t handle it. Most people who abuse their power in government can’t handle being satirized and criticized. Sound familiar? 🙂
Anyway, the story is told in three parts. The first section is where Professor Woland (the Devil in disguise, with apologies to Elvis Presley) appears in 1930s Moscow with his minions, including Behemoth the black cat who is my favorite animal character in any book. He’s a real smart-ass, wears a bow tie, totes a Kalashnikov and dude! Get this! The cat DRINKS VODKA! Professor Woland proceeds to turn the Russian government and wealthy society upon its head as he asks aggravating questions, pisses off the Establishment and makes a nuisance of himself pointing out the obvious nonsense going on in society and government.
The second part of the book takes place in ancient Jerusalem and tells Pontius Pilate’s version of the story of Jesus Christ prior to the Crucifixion, which is not at all what one would expect, and although this was interesting, to me it was the weakest part of the book. I guess it’s because I know that story so well, but it’s interesting to see how tormented Pilate is over his part in Jesus’s crucifixion.
The eponymous Master and his mistress Margarita appear about halfway into the book, and are the third part of the story. The Master, a tormented and failed writer during the 1930s, has written a book about Jesus and Pontius Pilate that has not sold. Margarita, madly in love with the Master, makes an odd agreement with Woland in which she acts as hostess for Satan’s midnight ball and and flies over Moscow naked on a broom. Yes, you read that correctly. She is able to torment the horrible publisher who rejected The Master’s book and made him so miserable. This is a woman unlike any other – she is brave, loyal, adoring, smart and unafraid to use the powers of Darkness to help the man she loves.
I personally liked the irony of reading this book – which you could also call “Sympathy for the Devil” on Easter, but since it’s also April Fool’s Day, it seems rather appropriate. Woland is a rather sympathetic Devil, and actually quite a just one, as he rewards Margarita’s love and loyalty to her Master and punishes wrongdoings and injustices, particularly those perpetrated by the corrupt and evil Russian bureaucrats whose greed and selfishness condemn them. One such bureaucrat, Nikanor Ivanovich, who has a rare and expensive apartment in the heart of Moscow gained by greed and illicit actions, serves his Chairman a rather delicious sounding meal before he is later arrested and punished for his horrible deeds.
“His wife brought pickled herring from the kitchen, neatly sliced and thickly sprinkled with green onion. Nikanor Ivanovich poured himself a dram of vodka, drank it, poured another, drank it, picked up three pieces of herring on his fork….and at that moment the doorbell rang. Pelageya Antonovna was just bringing in a steaming pot which, one could tell at once from a single glance, contained amidst a fiery borscht……..”
A spicy, fiery borscht! Oh yeah! But I held off on the pickled herring. One has to have standards, you know. 🙂 My borscht was a take on Elise Bauer’s recipe at Simply Recipes, which is my go-to website for many dishes, with my own tweaks, as usual.
3-4 tablespoons olive oil
1 lb. cubed boneless beef chunks
1 onion, chopped
4 cloves of garlic, finely minced
3 cups organic beef stock
1/2 cup red wine vinegar
1/2 cup red wine
3 large red beets
2 large potatoes
12-15 baby carrots
1 small head of red cabbage
5-6 bay leaves
2 tablespoons fresh dill
Sour cream for garnish
Heat the olive oil a large cast-iron pot, and brown the beef chunks for about 5 minutes, turn them to brown on the other side, then add the onion and garlic, and cook those down for another 5 minutes.
Pour in the beef stock, cover and cook for 45 minutes, until the meat is tender.
While the meat is cooking, heat the oven to 375F. Slice the potatoes and beets into roughly similar slices, lay on a baking tray with the carrots, and pour over the olive oil. Roast them for about 30 minutes, then add to the beef and stock.
Slice the red cabbage and add it to the pot, along with the fresh dill, the red wine vinegar, the red wine, and some salt and pepper. Taste for seasoning and add more salt or pepper as needed.
Add the bay leaves, cover and simmer for another 30 minutes, until the cabbage is cooked through. The color of the beets will deepen with cooking and you’ll have this beautiful ruby-red potful of stew that begs to be eaten.
Serve in bowls with a tablespoon of sour cream and a sprinkling of fresh dill, and optionally, an ice-cold sipping shot of Russian vodka, and pretend you’re soaring naked on a broomstick over Moscow………or not. Maybe just eat your borscht instead.