The latest episode of my podcast “Cooking The Books” just dropped and it’s a good one! We’re talking South American politics, poetry, and the joys of the humble and sensual tomato, so check it out at:
You wouldn’t normally think that the Church of England would make for scintillating reading, but you’d be sooooooo wrong if you start reading the “Church of England” series written by British author Susan Howatch. I stumbled across one of them going on 15 years ago now, and was hooked. The series is broken up into two semi-series – for lack of a better way to put it – with the first six books focusing on the evolution of the Church from post-WWI into the late 1960s with all the attendant changes that happened in the world. The second series consists of three intertwined books that feature references and characters from the first six books, but are set in 1990s London and take on much more timely and controversial topics than the first six. The last book of the series, The Heartbreaker, goes pretty in-depth into prostitution, homosexuality, cult mentality, some paranormal and supernatural elements including a form of devil worship, and ultimately, love and redemption. I highly recommend all nine books, but the latter three are unputdownable.
The main character is Gavin Blake, a male prostitute whose clientele are wealthy, middle-aged gay men, but he is actually heterosexual. If you’re thinking “what the hell, how can a male prostitute servicing gay men be straight” you’d be where I was when I cracked open the book. But it’s incredibly fascinating how Howatch writes about human nature in all of these books, particularly the fluid nature of sexuality and how it’s possible to train your mind to do something completely alien to your nature if you’re in survival mode.
Gavin works for a woman named Elizabeth, who is his pimp but who also runs a very nasty little group made up of people who use bizarre sex and occult rituals to gain power in London. He has come to depend on her as he is traumatized by much loss in his own life, loss of his brother, messed-up parents, the works. He’s incredibly good-looking and charming, but the internal damage from his upbringing and the subsequent abuses he has gone through with Elizabeth turning him into a prostitute (though he doesn’t initially see it as abuse) make him very superficial and facile. He indulges in affairs with women who he then dumps in his charming way……he is the ultimate heartbreaker who leaves a trail of disaster and heartbreak in his wake because he himself has had his heart broken and been devastated. Well, we all have in some way or other, haven’t we?
When his path starts crossing with a woman named Carta Graham, he starts idolizing her and lusting after her, not realizing that she represents, on a very deep level, a way of life he used to have growing up and also a way of life that he is craving, though he continues to stay in the world of prostitution. He also meets Nicholas Darrow, the rector of a church called St. Benet’s, a part of the Church of England that works with psychologists, doctors, and holistic healers, to create a place where people can worship and heal both physically and spiritually. Gavin is so emotionally damaged that it takes him awhile to figure out there can be a different way of life for him through Carta and Nicholas, and his journey starts……..but not without danger along the way.
The ways of the subconscious are deeply explored in all of these books, and particularly here. I’ve always found psychology and our inner instincts and how they sometimes work against us and make us do crazy or awful things in the name of survival, to be utterly fascinating. As Gavin starts to gradually extricate himself from the life of prostitution, he is helped by Carta, by Nick, and most importantly, by Susanne, who also works for Elizabeth as a bookkeeper but who had previously also been a prostitute until she had a meltdown and couldn’t do it any longer. She represents someone who both can leave that lifestyle and heal themselves and get educated and be independent, which is why Gavin initially hates her because she has done what he wants to do with his life.
Susanne helps Gavin out of a major jam, involving blackmail sex tapes, illicit sex, etc., and to thank her, he takes her to the Savoy for champagne, dinner and dancing, and the next day, as they wait for the fallout from Elizabeth possibly finding out what they’ve done, Susanne grudgingly makes Gavin food and they begin to develop a friendship and a relationship that neither of them have had before. As they share a frittata and wine post-shag (as they call it in England), they start planning how to escape Elizabeth and her long, evil grasp.
After the shag Susanne keeps me organised by telling me I’ve got to eat some more, and she fixes what she calls a “fry-tartar,” a jumbo omelette stuffed with onions, peppers, tomatoes, and potatoes. We have to have eggs again because she’s run out of everything else, but the frittata’s so good I don’t care. We drink Italian wine with it and the cat goes in and out through the cat-flap, just as it would in a normal home.
Frittatas are among my favorite things to make, and not just because they’re relatively simple. I hate to admit this, but I am kind of a dumbass when it comes to making omelettes because I can’t master the damn omelette fold and flip. I know, I know, it’s easy, blah blah blah. It’s not. I have fucked up many, many potential omelettes in my life, and there was that time that one ended up on the floor………….thank God for dogs, is all I have to say. Anyway, here’s my take on a classic Italian frittata, or as Susanne would call it, a fry-tartar!
1 tablespoon olive oil
6 eggs, room temperature
1 russet potato, peeled and finely diced
1 red bell pepper, finely diced
3 green onions, finely diced
1 sausage link, squeezed out of its casing
1 cup shredded sharp Cheddar cheese
1/2 cup heavy cream (optional)
Salt and pepper to taste
Heat your oven to 500 F. Add the oil to a heavy, cast-iron skillet and cook the potato until they soften, about 7-10 minutes. Set aside.
Mix the eggs together in a large bowl and whisk. Add salt and pepper to taste.
In the skillet, add a a bit more olive oil and add the diced red pepper, the diced onions, and the sausage meat, and stir together. Cook for about 5-7 minutes, until the onion is translucent and most of the liquid has cooked off.
Add the potatoes to skillet and mix everything together so everything is evenly spaced across the pan bottom.
Add the shredded cheese and the heavy cream to the eggs in the mixing bowl, whisk together again, then pour over the potato-pepper-sausage mixture in the skillet.
Cook stovetop over low heat until the eggs set on the bottom of the pan, about 5 minutes. Give the skillet a good swirl so the eggs evenly coat everything, then put the egg mixture into the oven and cook for another 5 minutes, so the eggs cook evenly.
Remove, let cool, and flip out onto a platter. Serve with the Italian wine of your choice. It’s such a delicious and simple way to cook eggs and it’s an excellent way to use up what’s in your refrigerator before it goes bad or expires. And people will think you’re a damn kitchen goddess!
I originally posted this blog in May 2017. Today marks two years from the date that my idol Anthony Bourdain died. One of my biggest culinary influences, as well as someone who changed my worldview in general, I loved, respected and honored his work and who he was as a human being. I hope you enjoy this repost.
Original posting: May 2017: Oh, that damn Monday fish. Anthony Bourdain, to whom I refer affectionately as “my future ex-husband,” is never going to live that down. I didn’t eat a Monday fish special at a restaurant for five years after reading Kitchen Confidential. Of course, in his updated version of that classic foodie memoir, he recants in his inimitable style by saying “eat the fucking fish on Monday, already!”
Bourdain is as snarky and smart-assy as they come. God, I love him. His attitude of irreverence, particularly within an industry that traditionally holds male chefs on very high pedestals, is refreshing. Though he is somewhat of a hypocrite in how he has previously mocked celebrity chefs like Emeril Lagasse and Rachael Ray whilst simultaneously pursuing his own brand of foul-mouthed celebrity, I can’t help but like the guy. He’s funnier than hell, can cook like an angel, curse like a devil, drink like a sailor, and is one of those men that just get more handsome and sexy with age. He’s welcome to eat crackers in bed with me anytime.
What sets him apart is that he doesn’t take himself seriously, either in his writing or his cooking. He’s a good chef and he knows it, but he regularly mocks himself, and I like that in a person. We none of us should take ourselves so seriously in life, because we are all going to screw up eventually. I also like that he doesn’t have any arrogance toward his staff and he gives credit where credit is due – to the hardworking cooks, sous-chefs, servers, bakers, prep cooks, dishwashers and all the unseen migrant men and women behind the scenes who make the food.
Without these workers, restaurants would shut down. They are the true backbone of the service industry, and I say this having worked for several years in the restaurant business myself; as a table busser, a hostess, a waitress, and a cashier at a well-known Mexican restaurant; and as a cocktail waitress at a couple of dive bars while in college.
It was fun, but physically demanding and mentally exhausting. I got yelled at by customers and dropped numerous glasses of water working in the restaurant business; I got my butt pinched so often as a cocktail waitress that I think it’s permanently bruised; and for years after I left the Mexican restaurant I could not look at a bowl of salsa and basket of tortilla chips without gagging. I respect the hell out of people in the service industry, and Bourdain respects them, too.
Well, my dear future ex-husband, I am going off the rails a little bit and making this dish in your honor ON A MONDAY! I’m taking you on, baby, and making that yellowfin tuna in a braised fennel, confit tomato, and saffron sauce. Except, with my usual recipe edits. This is the method that worked for me, based on this New York Times tasty recipe.
For the tomato confit:
1 pint cherry tomatoes
8 cloves of garlic, unpeeled
3 tablespoons fresh thyme and parsley
1 cup extra virgin olive oil
Sea salt and fresh ground pepper
For the tuna:
2 tablespoons olive oil
1 shallot, cut in thin slices
3 cloves of garlic, thinly sliced
1 fennel bulb, thinly sliced
3 small tuna steaks, 5 oz. each
Zest and juice of half a lemon
1/2 cup of seafood stock
1/ 2 teaspoon saffron threads
Heat the oven to 350F.
Bring a large pot of water to boil. Cut a small slit across the bottom of each cherry tomato. Put the tomatoes and unpeeled garlic cloves in the boiling water for 30 seconds.
Drain in ice-cold water to blanch, then remove the peels from each tomato. This will probably take a good 20 minutes.
Put the tomatoes and garlic in a baking pan, submerge in olive oil, add the dried and fresh herbs, sea salt, and pepper. Cover in foil and bake for 30 minutes. Allow to cool thoroughly, peel the garlic cloves and mash, mix with the tomatoes, then store in a jar.
Heat the remaining two tablespoons of olive oil in a nonstick skillet, over medium heat. Add the shallot, garlic, and fennel, and cook about 5-7 minutes. Season with salt and pepper, and let cook while you prepare the tuna.
In a small pan, heat the seafood stock to just boiling. Add the saffron threads, squeeze in the lemon juice, stir together, and let simmer.
Heat a cast-iron stovetop grill to high. Salt and pepper the tuna steaks, oil them lightly on both sides, and sear them each for 30 seconds per side.
Place the tuna steaks on top of the shallot, garlic and fennel. Grate over the lemon zest.
Pour over the seafood stock, check for taste and seasoning, cover and cook on low for another 5-7 minutes, until the fish is cooked through. Don’t let it overcook!
Plate and garnish with the gorgeously red tomato confit, and maybe some black rice. It makes a stunning presentation on a plate, and better yet, tastes delicious. Anthony, I think I did you proud!
I found The Fifth Gospel to be quite a great read, fast-paced and adventurous, but with a fascinating historical and Biblical premise as the storyline. It’s simple – a Greek Catholic priest living in The Vatican must defend his brother, also a Greek Catholic priest but one attached to the Pope’s staff, who is accused of murder. The victim? An artist who recreated the Shroud of Turin for a Papal art show and made a discovery that could possibly turn the Catholic Church upside down.
It’s very well written, heavy on Church history (which I like) and yet has a human side in the main character of Father Alex Andreou, whose desperate efforts to prove his brother innocent are matched only by his dedication to the Greek Catholic church, raising his son Peter, and hoping his estranged wife Mona will return to them both. She does, mysteriously one evening, and when she reunites with Peter, she brings dinner with her, in that clever way women have of knowing that the best way to a man’s heart is through his stomach.
“Mona reaches into a plastic bag by her feet and says ‘I brought dinner.’ ‘A gift,’ she clarifies. ‘From Nonna.’ Peter’s maternal grandmother. I recoil. Peter looks at the Tupperware and says…….’My favorite pizza is margherita.’ ‘I’m sorry,’ Mona says, crestfallen. ‘All I brought is some cacio e pepe.’ Tonnarelli with cheese sauce. The devil inside me smiles. Her mother’s version of the dish will be too peppery for Peter. A fitting introduction to the mother-in-law I always found to be an acquired taste.”
This post came about, in part, from an IM conversation I had with my friend Luca Marchiori of Chestnuts and Truffles. Luca is not only my cooking hero, he’s a marvelous chef, a talented food and travel writer, and takes the most wonderful photographs. He also lives in Italy and gets to travel around that beautiful country ALL THE TIME. Is it any wonder I want to be him?
Anyway, I’ve gotten in the habit (annoyingly to Luca, I’m sure!) of asking his advice about the week’s upcoming blog post and my thoughts on how to make my recipe unique. Cacio e pepe is a traditional pasta dish that features three major ingredients – pasta, pepper and cheese. You really can’t go wrong with that trio, but I wanted to add my own unique twist on the recipe, so I asked Luca what he thought of perhaps a margherita-style cacio e pepe, combining two food descriptions in the passage above.
Luca didn’t think combining two separate pasta dishes into one was the best way to go, and when I mentioned wanting to make something one’s own, he talked about the writing of Philippe Conticini, who was, in Luca’s words, “a great patissiere who had the philosophy that when you were revising classic dishes you should make sure you keep all the original ingredients and not add more. Change the way they are put together rather than leaving out or adding.”
Something to consider. So, rather than trying to make it into something unique, I decided to challenge myself by simply recreating this classic recipe, and having roasted tomatoes on the side. Not IN the dish, Luca, so calm down. But as a garnish. And guess what? It worked!
This is the method that worked for me, based on this article from Business Weekly, featuring the late, great, notorious Anthony Bourdain – my future husband – in Rome. I mean, Bourdain, Italy and pasta – the holy trinity, in my book. (And very fitting for today’s post!)
1 lb bucatini pasta
1 tablespoon of butter
3 tablespoons grated fresh Parmeggiano Reggiano cheese
3 tablespoons Pecorino cheese
Generous amount of ground black pepper
Bring a large pot of salted water to the boil. Once boiling, add the pasta and cook for about 6 minutes, until the pasta is almost cooked, but not quite. You’ll see why in a minute.
One of the best cooking tips I’ve ever gotten in my life was to save some of the boiling water that the pasta has cooked in, and add a bit to whatever sauce you are making. The starch in the water helps the sauce to emulsify and thicken somewhat, and also adds to the dense flavor. So keep about a cupful of the pasta water before draining the pasta. But do keep some of the water on the noodles. Anna del Conte, the matriarch of Italian cooking and food writing, calls this “la goccia,” which means “a drop” to keep the pasta moist.
In a separate saucepan, add the butter and a very generous amount of freshly ground black pepper. Melt the butter gently over low heat, then add the starchy pasta water. Swirl around to mix.
Add the cooked and drained pasta to the saucepan with the pasta water, butter and pepper. Stir around with tongs to finish cooking the pasta, about 2-3 minutes more. Taste to see if the pasta is al dente, with a small bite but cooked.
Remove from the heat, and add your cheeses to the hot pasta mixture. Stir again to mix and meld all the cheeses. You DO NOT want your cheese to be in lumps, which is why you want to do it when the pasta is hot off the stove. Just stir and swirl with your tongs and pretend you’re one of those bad-ass Italian chefs who have that technique down pat.
Place a swirly pile in a shallow bowl, and sprinkle over more Parmeggiano, and add another generous sprinkle of freshly ground black pepper. Et voila! Cacio e pepe alla Romana!
Serve with roasted tomatoes on the side, which are simple to make. Slice the tomatoes thinly, and sprinkle over some slivered garlic. Toss with olive oil and dried basil, and roast at 425 for 30-35 minutes. Remove, let cool for about 15 minutes, then sprinkle over a dash of balsamic vinegar. Salt and pepper as you like.
A dish fit for a Pope!
I don’t know about you, but I’ve never been big on poetry. The rhythm and meters necessary to appropriately read poems just bog me down. I love hearing poetry read by someone who understands how it should be enunciated, but when I try to read poetry, either in my head or out loud, I sound like an idiot. Well, with the exception of the poems of Pablo Neruda.
Neruda is my favorite poet in all the world. He writes in a sensual, lyrical rhythm that is a gorgeous combination of the magical realism so common in Latin American writing, and a pure, romantic worldview centered around love. His arguable masterpiece of love poetry is his Twenty Love Poems and a Song of Despair, though I personally love Cien sonetos de amor (100 Love Sonnets). Cien sonetos, in my humble opinion, is probably one of the most beautiful and erotic collections of poetry in the world, mature and beautiful and quite sensual. I highly recommend you read them if you haven’t already.
As much a political figure as a poet, Neruda was born Ricardo Eliécer Neftalí Reyes Basoalto in Chile. His poetry was considered beautiful, avant-garde, and at times, very subversive to the repressive government in his home country. Highly respected as both a writer and a political figure, he traveled extensively throughout the world, both as a diplomat and after he was forced into exile by after Chile outlawed Communism. A believer in pure Communist ideals, he was associated such other exalted revolutionaries as Garcia Lorca, Pablo Picasso and Salvador Allende. It is believed he was killed by the Pinochet government, which he had fervently criticized. Proof that words can be as powerful as any other weapon, if used correctly.
Though I adore Neruda’s love sonnets, the Odes he wrote in homage to everyday, normal items such as food, are my absolute favorites. He wrote odes using these mundane objects as personification of the human experience. Odes to a tuna he saw in the marketplace, golden lemons, pearly onions, jade-green artichokes, ruby and topaz-colored wine, and tomatoes, comparing the crimson flesh of the tomato to the bleeding and suffering of mankind, but also finding the sheer joy in these common foods.
Being both a reader and an avid cook, I’ve always found his odes to food so filled with pleasure and sensuality. It’s interesting that Neruda is as comfortable detailing his political beliefs in a logical manner as he is describing the eroticism of kissing his lover or the joys of drinking wine or eating a tomato.
filled with tomatoes,
light is halved like
its juice runs
through the streets.
it enters at lunchtime,
its own light,
Unfortunately, we must
into living flesh,
populates the salads
happily, it is wed
to the clear onion,
and to celebrate the union
child of the olive,
onto its halved hemispheres,
salt, its magnetism;
it is the wedding of the day,
parsley hoists its flag,
potatoes bubble vigorously,
of the roast
knocks at the door,
the table, at the midpoint
star of earth, recurrent and fertile star,
its remarkable amplitude
no leaves or thorns,
the tomato offers
of fiery color
and cool completeness.
Isn’t that just beautiful? In honor of this magnificent poet, I decided to create an homage meal that incorporated tuna, onion, lemon, tomatoes, artichoke, and of course, wine. This is the method that worked for me, based on this marvelous recipe from Beauty and the Foodie, creating tuna-stuffed tomatoes alongside lemon-steamed artichokes and a beautiful, garnet-hued Chilean wine. I do think Neruda would approve wholeheartedly of this meal created in his honor.
1/2 celery rib, finely minced
1 tablespoon Dijon mustard
1 tablespoon lemon juice
Salt and pepper
2 slices cheddar cheese
Pre-heat your oven to 400F and spray a baking sheet with olive oil spray. While the oven heats, saute the diced onion in a bit of olive oil and salt, just until it’s translucent.
I went into this book expecting a nice, escapist type of read as I recovered from minor outpatient surgery this past weekend. It was recommended by two friends of mine as a book filled with art and food and set in France, and both of them were sure I’d love it. I minored in Art History and of course, I am a foodie par excellence and love travel, so I gave it a whirl. When you’re recuperating from any medical procedure, minor or major, you don’t really want anything too heavy or deep.
(sigh) That being said, Lisette’s List was boring. I’m sorry, I hate to slam on books and writers because God knows, I am not an author. The author of this book, Susan Vreeland, had previously written a wonderful novel called Girl in Hyacinth Blue, which told the story of a Dutch painting and its owners starting in modern times and going back through when it was painted, in a series of interconnected short tales. It was beautifully written and moved along brilliantly. This book? Not so much.
The basic premise is a young woman, Lisette, who moves with her husband Andre, to a small town in Provence to help care for Andre’s ailing grandfather Pascal in the late 1930s. Pascal, before he dies, gradually teaches Lisette about painting and colors and life. Sounds nice, right? It’s not. Dull. Andre goes off to fight the Nazis and of course, dies. Before he went off to fight, he hid away some family paintings worth millions. The rest of book is the tale of Lisette moving away from Provence, following her “list” that she had put together with Pascal of all the things she wanted to do with her life, including finding those family paintings before the Nazis get their nasty little hands on them.
The book had a lot of promise, and the basic premise could have been done so much better. And of course, the lavish descriptions of rural French country towns, the art itself and the luscious food so typical of Provence and southern France were really the redeeming parts of the book. But the main character, Lisette, doesn’t ever really develop much as a character and in fact, makes some decisions which are downright annoyingly stupid. I mean, if you’re savvy enough to go off on your own throughout southern France in search of valuable family paintings, you’re surely smart enough to figure out who is your enemy. Anyhoo…..
Like I said, the food descriptions were wonderful and in some cases, mouth-watering. There were any number of food passages I could have reenacted, but this particular dish sounded both intriguing and perfect for the current late summer bumper crop of heirloom tomatoes that are on jewel-like, glowing display at every grower’s market. I was lucky enough to have purchased a large bag of organic heirlooms last week and decided to put them to delicious use.
Soon, Odette’s daughter, Sandrine, whose brother Michel, would come home someday, and Madame Pinatel, the mayor’s wife, came to pay their respects. Then Melanie brought two jars of canned cherries from their trees and a bag of raisins. Aloys Biron, the butcher, brought a large salami. Most unexpectedly, Madame Bonnelly, a stout woman with thick arms whom I had never met, brought a gratin d’aubergines, an eggplant-and-tomato pie garnished with breadcrumbs.
I have a love-hate relationship with eggplant, but the idea of a tomato pie sounded luscious, so I did a little culinary research and came up with this method which is a combination of Elise Bauer’s recipe from Simply Recipes and a long-remembered recipe from Southern Living I read about a few years ago.
1 and 1/4 cups unbleached flour
1 teaspoon salt
1 stick (8 tablespoons) cold, unsalted butter, cut into cubes
4 tablespoons ice-cold water
1 pound heirloom tomatoes, preferably fresh and organic
4 cloves garlic
1 cup of mixed shredded cheeses. I used sharp cheddar, pepperjack and Gruyere
1/2 cup mayonnaise
1/2 cup Greek yogurt
1 cup shaved Parmesan cheese
For the piecrust:
Combine the flour with a teaspoon of salt, and gradually mix in the butter one small cube at a time. Add the water a bit at a time until the dough comes together in your Kitchen Aid and forms a ball. Wrap in plastic and freeze overnight.
For the filling:
Slice the tomatoes, lie them out on some parchment paper, and sprinkle over salt and garlic powder. Leave to drain overnight.
Mix together all the cheeses except for the Parmesan, then mince the garlic and add it to the cheese mixture.
Add in the mayonnaise and the Greek yogurt and stir to mix well.
Finely mince the shallot.
Heat the oven to 350F and roll out your cold piecrust to roughly 12 inches diameter, then press into a pie pan.
Blind-bake the crust for 15 minutes, remove and prick the bottom of the crust a few times, and bake another 10 minutes. Sprinkle the shallots into the bottom.
Spoon over the cheese-mayo-yogurt mixture and spread across so that it cover the pie base and shallot-garlic mix.
Lay the tomatoes in overlapping circles over the cheese mixture, and sprinkle the Parmesan over the top.
Bake for 30 minutes, or until the Parm is nicely golden brown. Apply to your face.
If I could have any set of books with me on a desert island, I’d choose the Outlander series by Diana Gabaldon, the Johannes Cabal books by Jonathan L. Howard, and The Cemetery of Forgotten Books series by the one and only Carlos Ruiz Zafon. This mysterious, lyrical, dark and yet oddly uplifting series, set in Barcelona before, during and after their bloody Civil War, sucked me in from the first two books The Shadow of the Wind and The Angel’s Game, and the third one, The Prisoner of Heaven, is just as enthralling.
Here, we pick up the threads of Daniel Sempere, the protagonist from the first book. He is married, has a baby boy, is running his family bookstore, and continues his friendship with the jester-like Fermin Romero de Torres, who is one of the funniest characters in literature. Fermin is a hoot!
The Prisoner of Heaven is the third book centering around the Cemetery of Forgotten Books, but if you haven’t read the other two novels, The Shadow of the Wind and The Angel’s Game, (both of which I have previously blogged) don’t let that stop you from picking this one up – because you see, Zafón has done something brilliant and perfectly fitting with these books. You can start with any book and read them in any order, and they all remain connected through this one, single, perfect place. In this book the story of Fermin Romero de Torres is detailed out piece by fascinating piece, and Daniel is given more information on the history of his parents. The relationship between Daniel and Bea is also in question – and references to both The Shadow of the Wind and The Angel’s Game crop up throughout the book in, sometimes, the most surprising of places.
You can also clearly see Ruiz Zafón’s love for the works of Dumas and in particular, The Count of Monte Cristo. I mean, a secret prisoner, a Gothically dark and unbearable prison, the oddly beautiful way he describes dirt and corruption, making these otherwise revolting elements such a strong part of the overall narrative. Dumas seems to exert a non-stop fascination for modern writers in the Gothic tradition, which makes sense if you think about it. Secret passages, secret identities, secret loves……..all those literary elements that hook us and fascinate us still.
However, the darkness that seems to live around every corner in post-war Barcelona is well on display here. Barcelona herself is as much a character in this book as anyone else, both the inherent beauty and mystery of this city, as well as its moody darkness and the gorgeous and run-down amusement park atop Mount Tibidabo, which featured prominently in both previous books and is still a huge part of the overall framework here. I can’t imagine these books taking place in any other place in the world, so strongly do they connect to the seedy, dark, violent and beautiful metropolis that is Barcelona.
There are not too many food references in this book, but that’s ok because I was inspired by one of my favorite cookbooks of all time, The Best Recipes in the World by Mark Bittman. His method for making that classic Spanish dish huevos a la flamenco, or flamenco-style eggs, is so yum that I had to recreate it in honor of Fermin’s eternal love of serrano ham. The nice thing about this particular method is that you can scale it up or down depending on how many people you’re serving, with the ratio of 1-2 eggs per person.
2 tablespoons olive oil
1/2 cup cubed ham, Serrano preferably but use whatever you can find
1/2 cup chorizo
1 cup chopped tomatoes, fresh or canned
1/2 cup cooked green peas (use frozen bagged ones here)
4-6 strips roasted red peppers, from a jar
Salt and pepper to taste
Heat the oven to 415F, and in a cast-iron skillet, heat the olive oil and toss in the ham and chorizo. Cook until nicely browned.
Chop up the tomatoes and line the bottom of four oven-safe ramekins with them.
Spoon in the cooked ham and chorizo.
Crack an egg over the tomatoes and meat mixture and season lightly with salt and pepper.
Toss a spoonful of peas over each egg yolk.
Add 3-4 strips of roasted red pepper on top of the peas.
Bake for 15 minutes, or until the egg whites have set but the yolk is still a bit runny, because you need that unctuous golden ooziness to make this dish truly fantastic.
Allow to cool while you toast some bread – we had green chile cheddar bagels – and serve, dipping your bread into the nice, gooey egg yolk as you go. So delicious and quintessentially Spanish. ¡Olé!
The Last Supper, that immortal painting by the equally immortal Leonardo da Vinci, always fascinated me, even as a child. Just looking at it takes you into that world, sitting beside Jesus, watching the disciples react to the news he would soon die, and noticing the amazing details of the work itself.
Reading The Secret Supper took me back to my days of persistently asking questions about the nature of religion and God, because this book raises almost as many questions as it answers. Being raised Catholic, of course I’d heard the story of Jesus asking his disciples to take this bread and eat it, and take this wine and drink it, and the mystery of transmogrification, so seeing this painting as a child made me start to question what I had been taught. Of course, when you’re young and asking questions about religion, it tends to not go over well. In this book, when the main character, Father Agostino Leyre, begins asking questions about the nature of faith, God, and Leonardo’s masterpiece, it’s no different for him.
One of the reasons I enjoyed this book so much is its similarity to The Name of the Rose, my all-time favorite book in the world. The monks, the literary mystery, one man trying to answer questions………although this one is less weighty on philosophy. Still a marvelous read, if you’re into the Italian Renaissance and symbolism in paintings and Da Vinci himself. Or if you’re into references about Italian cuisine, you’ll enjoy this book, too.
My stomach was making noises under my habit. With solicitude, the librarian led me to the kitchen and managed to rustle up a few scraps from suppertime………”It’s panzanella, Father,” he explained, helping me to a still-warm bowl that heated my freezing hands. “Panzanella?” “Eat. It’s a bread soup, made with cucumber and onion. It will please you.”
Panzanella can be in the form of a soup, but is essentially a bread salad, rustic peasant food that used stale bread. Most likely, the very poor had only bread and onions as their panzanella base. It’s become traditional to include mozzarella, tomatoes and occasionally cucumbers, and an herb-based dressing with olive oil and vinegar, and being that I like to roast vegetables, I had the idea of roasting asparagus and garlic alongside the bread croutons, replacing the more usual cucumber which can get soggy. A traditional panzanella salad is delicious anytime of the year, and is also an excellent way to use up any bread or tomatoes you have lying around.
This is the method that worked for me, based on the New York Times version by the great Melissa Clark, with requisite changes by yours truly. As always.
1 lb. asparagus, rinsed and trimmed
1 large head of garlic
1 stale baguette, cubed
3 tablespoons regular olive oil
3 tablespoons grated Parmeggiano Reggiano cheese
2 large, ripe tomatoes at room temperature
6 oz. fresh mozzarella, cubed
1 large red onion
3 garlic cloves, peeled
3 tablespoons red wine vinegar
1 tablespoon Dijon mustard
1 tablespoon lemon juice
3 tablespoons Meyer lemon olive oil
1 bunch of fresh basil
1 bunch of fresh oregano
3 tablespoons capers
Sea salt and fresh ground pepper
Heat the oven to 400F. Spread out the asparagus on a parchment-sheet lined baking tray. Sprinkle with olive oil, salt, pepper, and Parmeggiano-Reggiano cheese.
Slice the top off the head of garlic, drizzle with more olive oil and some salt and pepper, and put into a well-soaked terracotta garlic roaster.
Lay the cubed bread pieces on another baking sheet, and toss with olive oil, salt, pepper and Parmeggiano-Reggiano cheese.
Place all three items in the hot oven and bake for up to 20 minutes apiece, checking frequently. The bread will cook fastest so don’t let it burn and remove when it is golden-brown. The asparagus will take a few more minutes, and the garlic will take longest, so plan to cook it for up to 45 minutes.
Cut up the tomatoes, and place them in a bowl with the mozzarella.
Finely mince the onion, add a tablespoonful of garlic paste, and add to the tomatoes and mozzarella. Stir to mix everything.
Finely dice the basil and oregano.
Combine the vinegar, Dijon mustard, lemon juice, and the cut-up herbs in a large measuring cup, then slowly add in 3 tablespoons of Meyer lemon olive oil, whisking together to form a vinaigrette. Taste for seasoning.
Add the cooled bread cubes to the tomatoes and cheese, then cut up the asparagus into smaller pieces and mix with the tomatoes and bread.
Squeeze the roasted garlic cloves out of the garlic head, and add to the tomato mixture. Toss in the capers and stir together.
Pour over the vinaigrette, and stir to mix well. Allow to sit for about 30 minutes, to let the bread soak up the delicious juices, which is the whole point of this dish.
Enjoy with some grilled chicken or on its own as a light lunch, but don’t forget the wine. Jesus would never forgive you, nor would Father Leyre.
I was first given the book Winter’s Tale by a woman who worked with me in a law firm, several years ago. She was an odd woman, claiming to be psychic and in touch with – in her own words – “the universal forces.”
She was a practicing Wiccan, though it turns out she was in love with my then-boss and was using her Wiccan powers to try to destroy his marriage so she could have him. I digress slightly, but it was she who introduced me to this wonderful and mystical novel that encompasses magical realism, fantasy, history, metaphysics, and time travel, so I associate her with this novel. I suppose we all have that strange individual who has crossed our paths and made an unusual impression, whether good or bad.
I love magical realism in books, though in my own humble opinion the Latin American writers do it best. Cases in point: Rudolfo Anaya, Isabel Allende, Laura Esquivel, and pretty much every book written by the late, great Gabriel Garcia Marquez, whom I blogged about twice previously. But Mark Helprin brings snowy, turn-of-the-century New York City in a slightly alternate universe, into this magically realistic universe so beautifully. The endless clashes of good and evil, love and hate, life and death, and the eternity beyond it all, are described in such a way that you are transported there.
The love story between Peter Lake, an Irish immigrant who is later granted supernatural powers, and Beverly Penn, the heiress dying of consumption, is stronger than death, stronger than time, and it’s that love story that colors the entire book.
When I recently finished rereading this book, I was filled with joy and sadness; that such a world exists and that the book containing it had to come to an end. One of the lines that touched my heart and hit me so strongly in the heart was this one: “Remember, what we are trying to do in this life is shatter time and bring back the dead.” For anyone who has ever loved and lost, whether it be a parent, a sibling, a friend, a grandparent, or a lover, this line is particularly poignant. We all want to shatter time and bring these people back…….whether they have actually passed on from this world or whether it is the love between us that died.
Peter Lake is on the run from the unusual creature Pearly Soames – devil? demon? – with whom he has previously associated and who now wants to kill him. A magical white horse called Athansor has appeared to whisk him to safety, which he finds in a hidden garret in Grand Central Station. He is able to safely stable the horse, rest, and being hungry from his recent adventures, proceeds to cook himself a delicious meal of seafood stew.
With his strength renewed, he realized that he was ravenously hungry, and proceeded to cook an excellent bouillabaisse culled from cans of varied fish, tomatoes, wine, oil and an enormous bottle of Saratoga spring water.
I have yet to meet a combination of fish and tomatoes I don’t love. Bouillabaisse was something I’d yet to try, though, so today, a cold, windy day heralding the beginning of winter, seemed the appropriate time to recreate Peter Lake’s homemade meal.
This is the method that worked for me, based on methods from Emeril Lagasse and the marvelous The Ultimate Book of Fish & Shellfish by Kate Whiteman, which has a place of honor among my cookbooks. There are many ideas about what constitutes proper bouillabaisse, but the overall consensus is that you can essentially use whichever fish and shellfish you’d like, and make the classic rouille to garnish the bread eaten with this dish.
1 small roasted red pepper, peeled and deseeded
2 chunks of baguette, torn into pieces
1 tablespoon Dijon mustard
1 egg yolk
Juice of 1 lemon
Salt and pepper
1/2 cup olive oil
1 large onion, finely diced
1 celery rib, finely diced
7 cloves of garlic, minced (4 for the bouillabaisse, 3 for the rouille)
4 cups fish stock
1/2 cup Pernod
1/2 cup clam juice
2 leeks, white part only, washed and cut into rings
Handful of chopped parsley
1 fennel bulb
Zest and juice of one orange
1 tablespoon black peppercorns, whole
Pinch of saffron threads
4 bay leaves
8 ripe beefsteak or Campari tomatoes
4 small red potatoes, cubed
1 lb frozen salmon, cut into large chunks
1 lb. frozen cod, cut into large chunks
2 cups frozen shrimp, deveined and peeled but with tails attached
2 cups frozen clams in their shells
Remainder of the baguette, cut into thick slices
For the rouille:
Combine the torn-up 2 baguette pieces, the roasted red pepper, 3 of the peeled garlic cloves, the Dijon mustard, the egg yolk, the lemon juice and the salt and pepper in a food processor. Mix until smooth, then slowly add the olive oil.
Mix again until you have a smooth, thick emulsion. Set aside.
For the bouillabaisse:
Saute the onion, celery and garlic in a bit of olive oil. Add the bay leaves and peppercorns. Add the leeks and the fennel, and saute for another 5 minutes, or until soft.
Grate in the orange zest here, and then squeeze in the juice to the broth.
Add 3 cups of the seafood stock. Stir to mix and simmer another 5 minutes. Then add the diced tomatoes.
Add the Pernod, the tomato bouillon cube, the saffron, and the remainder of the fish stock. Allow to cook another 10-15 minutes, so the flavors mingle. You’ll be able to smell the saline of the stock and the anise of the liqueur.
Once your broth has simmered 15 minutes, add a half-cup of clam juice and blend to a thick, smooth consistency with a stick blender. Toss in the parsley.
Heat the oven broiler at this point. You’ll know why in a moment. Add the potatoes to the broth. Cook another 15 minutes, or until they soften. Add in your fish at this stage, but stagger based on thickness and delicacy. The idea is to have all the fish cooked perfectly. Add the cod and the salmon chunks first and cook for 6 minutes.
Toss in the clams and enjoy that clatter of shells in the soup pot. Cook another 6 minutes, until the clams open up. Discard any that don’t open, unless you enjoy pain. Add the shrimp and cook until they turn pink.
While the fish is cooking, toast the baguette slices under the broiler for 1 minute. Remove, and spread with the rouille sauce.
In a bowl, place 3 chunks of rouille-smeared bread. Ladle over some of the fish and the heavenly-scented broth. Drizzle over a bit of the rouille sauce.
This is truly heaven in a bowl for seafood lovers. Rich, delicate and with a mix of green and salty, savory flavors that hit your tongue like a golden kiss. Soooooooooo good, and perfect for a chilly winter’s day.
Very much a fairy tale for adults, Neverwhere tells the story of Richard Mayhew, a London commuter who stops to help a young woman lying bleeding on the sidewalk one night, and finds himself in the alternate universe of London Underground. The parallels with Alice in Wonderland are fairly obvious – falling into an underground alternate reality, coming of age – yet this is a much darker and bloodier otherworld.
Without giving too much away, the inverses in London Underground are pretty fascinating. Angels are evil, doors can be opened to anywhere, and the environment resembles more of a medieval estate than modern London. Richard goes through a significant transformation when he is there. He goes from being a young, rather naive man who is willing tolerate bad behavior from his fiancee because he simply thinks this is how it is, to having a mind and will of his own. He knows he is worthy of so much more, because he’s proven himself. In many ways, this book is a “bildungsroman” as it details his transformation from boy to man.
In one passage, Richard and Door, the young woman he stopped to help and who essentially brought him to London Underground, wake up with ungodly hangovers from drinking heavenly wine with the Angel Islington. They’ve been found by Serpentine, a type of Amazon woman and part of a group of women who act as hunter/protectors and who, in her rough way, tries to help with the hangovers by feeding the two of them. Quite ironically, I too, woke up with a hangover this morning – my first in many years. I blame my friends Jake, Maggie and Heather, without whom I would not have overindulged in red wine last night. But we had a marvelous time, and this quiche can cure any hangover. It certainly did mine.
“What is there to eat?” asked Hunter. Serpentine looked at the wasp-waisted woman in the doorway. “Well?” she asked. The woman smiled the chilliest smile Richard had ever seen cross a human face, then she said, “Fried eggs poached eggs pickled eggs curried venison pickled onions pickled herrings smoked herrings salted herrings mushroom stew salted bacon stuffed cabbage calves foot jelly – “
While pickled eggs DO NOT have any kind of attraction for me, the savory tastes of fried eggs, salted bacon and mushrooms caught my attention. Remembering the wonderful fried tomatoes I had as part of a delicious morning meal when visiting London a few years ago, I decided a riff on the classic British breakfast was in order.
This is the method that worked for me.
1.5 cups regular flour
4 tablespoons unsalted, chilled butter, cut into cubes
4 tablespoons chilled shortening, also cubed
1/4 cup ice-cold water
5 slices of smoked bacon, good quality
Salt and pepper to taste
1 carton sliced mushrooms
1 tablespoon of garlic powder
1 tablespoon of fresh thyme leaves
1/2 cup of half and half or heavy cream
2 large tomatoes, sliced
1 cup of grated cheese – I used a mixture of sharp cheddar and Monterey Jack
Gradually mix together the flour, the cubed butter and the cubed shortening until it forms a “rubbly” texture. I used my most awesome Kitchen Aid stand mixer with the pastry hook attachment. It’s important that your butter and shortening are cold cold cold.
Gradually add the cold water until a dough is formed. Mine was sticky so I added a bit more flour to the mixer. Wrap the dough in plastic, form it into a ball and knead it a bit before refrigerating.
Heat the oven to 375F. Remove the dough from the fridge and roll it out on a floured surface. Don’t use your kitchen counter as you will have a mess and if you’re doing it recovering from a hangover, it will not make you happy. Trust me.
Press the rolled-out dough into a pie pan. Chill it again for another 10 minutes. Poke a few holes in the bottom crust with a fork. Then bake the empty quiche shell for 10 minutes.
While the crust is both chilling and baking, fry the bacon in a little bit of olive oil. Remove and drain, then crumble.
Cook the mushrooms, garlic powder and thyme leaves in the bacon oil for about 10 minutes. The smell is out of this world! But do watch out for spatters from the hot oil.
In a separate bowl, add the eggs, salt and pepper. Whisk together, then add the slightly cooled mushrooms and the bacon. Add in the heavy cream and the cheese and whisk together again.
Pour into the slightly baked quiche pieshell and top with the sliced tomatoes. Isn’t that pretty?
Bake for up to 50 minutes, checking occasionally. When the crust is golden-brown, that’s usually when it’s ready. The filling will have set, and the smell of the mushrooms and the savory scent of roasting tomatoes will also give you a hint.
Remove from the oven, allow to cool, and serve in generous slices. Accompany it with a hibiscus cocktail, which is champagne and cranberry juice, very necessary “hair of the dog” for a hangover. The flavors are luscious – the sharp cheese, the savory tomatoes, the salty bacon and the nicely set eggs, set off by the bosky taste of the mushrooms.