The latest episode of my food podcast “Cooking the Books” has dropped if you want to give it a listen! We’re talking the late, great Anthony Bourdain and his legacy of food, foul language and being feisty, so please enjoy.
The third episode of my podcast Cooking The Books is now available at: https://anchor.fm/cookingthebooks/episodes/Like-Water-for-Chocolate-and-the-Magic-of-Chiles-en-Nogada-Stuffed-Poblano-Peppers-ed4eqd
This week, we’re talking about the wonderful book Like Water For Chocolate and all the delicious food and recipes in that book, and my take on a classic Mexican dish, so check it out!
It’s the end of an era. Or at least, the official end of the Star Wars films. I haven’t actually seen the last film, but I have an idea of how it ends. Don’t spoil it for me in the comments! That being said, part of what I did to prepare for this end game was to watch the original trilogy over the weekend. I’d forgotten I had it and it was such a great trip down memory lane. I still remember seeing Star Wars: A New Hope for the very first time as a kid at the Lensic Theater in Santa Fe. I was blown away, as I think every impressionable kid and teenager was at the time.
It’s definitely a cultural icon, if you think about it. How many movie lines can you quote? I can probably quote all three of the original trilogy, so don’t watch with me if that irritates you. How many references to the film are part of our society? Endless references, I imagine, my favorite being when Ross fantasizes about Rachel in a Princess Leia costume on Friends. Can you imagine a world without Darth Vader’s ominous breathing, Luke Skywalker’s youthful naivete, Princess Leia’s iconic cinnamon-bun hairdo, Chewbacca’s growly yells, Han Solo’s swaggering arrogance, C3P0’s pedantic words, and of course, the great Obi-Wan Kenobi? I certainly can’t.
Obi-Wan might be my favorite character in all the Star Wars films, besides R2-D2. There is just something about the classic archetype of the mentor figure that draws me. Characters like Gandalf the Grey, Professor Albus Dumbledore, Merlin the Wizard, and of course Obi-Wan, are so fascinating. The magician/wizard/mentor who guides the young knight in his quest to find the treasure is a classic trope in every culture.
Having studied the Tarot for many years now, I also found wonderful parallels between Obi-Wan and the figure of the Magician in the Major Arcana. The Magician is symbolic of both earth and heaven, or the joining of the esoteric with the widely known, the shadow with the light. If Star Wars were a deck of Tarot cards, Obi-Wan would be the perfect embodiment of the Magician, being completely at one with The Force and at the same time, tied strongly to his physical life, demonstrated by the fact that he chooses to go into hiding until such time as he can play a role in the events of Luke’s life. I suppose the combination of the earthly and the divine attract me because, if you think about it, we as humans are all that combination of faulty humanity constantly struggling toward divine oneness with the Universe.
Also, he has what, IMHO, is one of the most rad lines in the film series:
The symbolism is also pretty interesting, too. Light versus dark, black versus white, The Force versus The Dark Side, the son overtaking the father……you see a lot of traditional Judeo-Christian imagery in the trilogy. If you want to stretch the analogy even further, you could argue that Obi-Wan, Darth Vader and Luke Skywalker represent the Holy Trinity – Darth is the Father, Luke is the Son, and Obi-Wan is the Holy Spirit. There’s the whole story arc of rebirth and redemption, which is about as symbolic as you can get.
I thought about what kind of food might be both fun and tasty to recreate for this latest Food in Films post. I considered blue Banta milkshakes; frog legs from the scene where Jabba the Hutt eats the frogs in the third film; Cornish game hens to stand in for the cute little Porg creatures; or even some kind of floaty fruit like what Anakin manipulates to try and impress Padmé in the Clone film, but being the dork that I am and loving a good food pun, I give you……..wait for it…………Obi-Wan Cannoli. You’re welcome.
6 cannoli shells
1 cup finely diced prosciutto or other ham
1 cup Ricotta cheese
Zest of one large lemon
1 cup shaved Parmesan cheese
Fresh mint and basil
1/2 cup capers, finely chopped
Mix the finely chopped prosciutto with the Ricotta cheese until well combined.
Add in the lemon zest and some sea salt, taste for seasoning and mix.
Add in the Parmesan cheese and the mint and basil, and taste again. Adjust the seasoning as needed.
Spoon the cheese mixture into a large plastic bag and refrigerate for an hour.
Assemble your cannoli on a large platter.
Snip a small hole in one corner of the plastic bag and squeeze the cheese filling into each end of each cannoli shell until each is filled, then garnish the ends with the chopped capers. Serve with marinara sauce for dipping and some good red wine, and know that The Force will be with you…….always.
Helen Dunmore has such a lush style of writing that you often don’t notice she’s sucking you into a maelstrom of subtle discord until it’s too late. Talking to the Dead is the first book by her I’d ever read and her literary style is absolutely amazing, combining the understated unease of family dynamics with the terror of repressed memories and the unacknowledged horror of how our childhoods can not only screw us up, but others as well.
Nina, a London photographer, comes to stay with her sister, Isabel, who has just given birth to her first child. Isabel’s gay best friend Edward has also come to stay. Nina’s brother-in-law Richard soon starts playing a major role in her life as she cooks for her sister and begins remembering the mysterious death of her and Isabel’s infant brother. The descriptions of a long, hot, drought-ridden summer in England resonate with burning sunshine, apple trees dropping their fruit-laden branches, scalding rivers, and lush descriptions of food. Chicken risotto, rustic bread smeared with unsalted butter and homemade apricot preserves, cream-filled doughnuts, and an ultimately doomed celebratory feast featuring figs, couscous with goat cheese and roasted vegetables, and……..the soup. Keep reading. It gets better.
This novel is one of those rare birds that feature wonderful writing, sensually lavish descriptions of food, and characters that are both unlikable and yet addicting in their dysfunction. Toward the end, a celebration dinner is planned and each character must cook a dish. Edward comes up with what sounded like garlicky, stinky heaven…….a shrimp and garlic soup, with coriander (cilantro to us desert flowers.) Nom nom nom! Garlic! Shrimp! Cilantro! A culinary holy trinity, as far as I’m concerned, and a smelling-to-high-heaven broth of deliciousness that you could feed to an angel. But don’t. Keep it for yourself and spoon it down with glee.
I’ll make a fish soup,” Edward says. “If we’re going into Brighton, I know a good fishmonger there. ‘Shrimp and garlic soup with coriander. It’s the fish soup that takes the time.”
What a crock…….of soup! This soup took no time at all, and the freshness of the ingredients, mixed with the strong saline flavor of shrimp, the heat of the garlic, and the pungent coriander, made this a true pleasure both to cook and to greedily eat.
6 ounces of butter, preferably unsalted
6 ounces of flour
12-15 cloves of garlic, peeled
2 teaspoons of cayenne pepper
6 cups of seafood stock
1 cup good white wine, such as Sauvignon Blanc
1 chicken bouillon cube
1 tomato bouillon cube
2 bags raw shrimp, tails on
2 tablespoons of lemon juice
Bunch of cilantro
Melt the butter slowly over low heat using a heavy-bottomed metal or cast-iron pot.
Gradually incorporate the flour one spoonful at a time, whisking like crazy. You don’t want to add all the flour at once, because it will turn into one big, floury-tasting lump. And who wants to eat a ball of flour? Not I. I found the best method for amalgamating the flour into the butter was to whisk when each spoonful of flour went in, then stir with a wooden spoon. Add the cayenne pepper, and the two cubes of bouillon cubes, and stir to mix, so their flavors can mix and add to the roux.
Slice the garlic into thin shards, saute them in a separate skillet to brown and bring out their flavors. Then add them to the roux.
Increase heat to medium and slowly add the stock, continuing to whisk so that it mixes with the roux. Again, do this gradually and stir and whisk as you incorporate the liquid. Your soup will thank you.
Simmer on low for about an hour so the flavors can mingle and mix, and you can enjoy the heady perfume of garlic, butter and roux. Add the white wine after about 30 minutes, so that it too, can flavor the broth. After the hour of cooking time, add the chopped cilantro and the lemon juice, and which will add even more scent to the broth. Allow to simmer another 10 minutes, then add the shrimp. These will not need long to cook, just until they turn pink.
Garnish with a bit more fresh cilantro and eat with joy in your heart. This soup is soooooooo good, and perfect served with good, crusty bread and a glass of deep red wine. Enjoy!
I thought it would be fun to blog about books I loved as a kid that also scared the crap out of me. I clean out books on a fairly regular basis because I buy so many of them, and I donate many to Little Free Libraries around my city. So while cleaning out my books the other day, I came across a stack of children’s and young adult books I’d kept for years and had some pleasant nostalgia when I saw The Curse of the Blue Figurine by John Bellairs. It features the character Johnny Dixon, a young boy who lives with his grandparents in Duston Heights, Massachusetts, in the 1950s. He’s a bookworm, kind of nerdy, loves to read and loves radio drama, and loves chocolate. Well, we can all relate to that!
Johnny is befriended by Professor Roderick Childermass, who is a hilarious character. He reenacts famous sea battles with plastic ships in his bathroom, is a professor of history who is extremely opinionated, plays chess like a wizard, and makes a mean chocolate cake. Naturally, he and Johnny become pals, which is fortunate because when Johnny discovers a mysterious book and a blue figurine in the cellar of his church that once belonged to the evil priest Father Remigius Baart, the curse comes back to haunt Johnny. A blue ushabti figurine – ushabti are small figures found in ancient Egyptian tombs with mummies usually representing servants expected to do certain agricultural labors required of the deceased in the land of the dead – contains the actual curse and when Johnny takes both the book and the figurine, all hell breaks loose.
My edition also features the unique artwork of Edward Gorey, who I absolutely adore! Anyway, this book was a wonderful nostalgic trip down memory lane for me, taking me back to the days when I would sneak books under the covers and read by flashlight after my mom and stepdad had gone to bed and I was supposed to be asleep. I think I always particularly loved the friendship between Johnny and Professor Childermass, because I always was in search of an adult who would treat me as a peer and not a a kid, and these two definitely bond as friends over chess and chocolate. This is one of my favorite passages:
Johnny excused himself and went across the street. He had a great time that evening. The professor was a crafty and merciless chess player. He was every bit as good as Johnny was, and maybe even a bit better. As for the cake….well, Johnny had theories about chocolate cake. He felt that the cake part of the cake was just an interruption between the layers of frosting. As it turned out, the professor’s opinions about cake were similar to Johnny’s. The cake he served had three or four thin layers and the rest was a huge amount of good, dark, thick, fudgy frosting. And he served second helpings, too.
In honor my sister’s birthday, I tried my hand at a four-tier, old-fashioned chocolate cake with chocolate frosting, with focus on the ganache frosting. I decorated it for Halloween, in honor of this high holy season of horror!
INGREDIENTS FOR THE GANACHE FROSTING
2 cups heavy cream
2 cups dark chocolate chips, 70% cocoa solids
1 teaspoon almond extract
1 teaspoon vanilla extract
1 tablespoon Amaretto
Make your cake tiers with whatever chocolate cake recipe you have to hand. Make sure they are completely cool before frosting them.
In a metal saucepan, heat the heavy cream until small bubbles just start to form around the sides and you see steam rising. Don’t overheat the cream or it will curdle. Turn off the heat immediately.
Pour in the chocolate chips and make sure they are covered by the hot cream. Add the almond extract, the vanilla extract and the Amaretto. Cover and let sit for 15 minutes.
Remove the lid, and whisk the mixture for 5 minutes. You’ll see the chocolate ganache start to amalgamate as you continue to stir, thickening into a luscious frosting.
One layer at a time, frost the top of each cake layer and stack them on a cake stand, until you have this magnificent layer cake. Proceed to frost the cake top and sides.
Decorate however you want. I tried to find little blue mummies but could not, so I just went full on Halloween instead. The result? Cute, kitschy, and ultimately delicious!
Just look at those fudgy layers! Johnny Dixon would be proud!
I’m a bore on the topic of books vs. films, as I’ve been told many times, and I’d have to agree. Don’t get me started on whether the film version is better than the book, because I will wax poetic for a good hour or two about the merits of the book and how the book is ALWAYS better than the film. However, I must come clean and shamefacedly admit that I have never in my life read Mario Puzo’s masterpiece The Godfather. Until now, that is.
I’ve seen the film, of course. Like 30 times. Possibly more. I own the trilogy, for God’s sake. I can quote the movie nearly line-by-line (another reason not to watch movies with me because I will irritate the shit out of you by doing that) and I will gladly debate the merits of that much-maligned film The Godfather III, because I personally think it has many hidden gems within it. Just try to ignore Sofia Coppola’s performance and give her a break…..she was young and there are worse actresses in the world.
Unless you live under a rock, you know the storyline. The Corleone family patriarch, Vito, runs a crime syndicate in 1950s New York. He has three sons, Santino (Sonny), Frederico (Fredo), and Michael, and a daughter, Constanza (Connie.) All are very different, and Sonny is expected to take over the family business, but when he is executed Mafia-style and when Vito Corleone has an attempt made on his life, Michael takes over, becomes the Don and is far more cold and ruthless than his father ever could be.
I was surprised at how removed the narration of the book was, though. It’s told from the third-person, but even from that remove, it is a very cold and clinically written book of a passionate family. The dichotomy was odd, though it worked extremely well because when you read the scenes of violence, murder, etc., the emotional remove makes them much more powerful. I was also surprised at how Michael’s Sicilian wife, Apolonia, was portrayed. In the film, she has very much a personality, flirtatious and passionate and quite funny, actually. In the book, she really isn’t given much character at all, beyond being this gorgeous, sexual creature that Michael falls passionately in love with and must possess, until she is, of course, killed in the car explosion meant for him.’
In terms of food, I had initially planned to recreate the scene where Clemenza teaches Michael to make homemade ragú sauce when Michael is in hiding before killing Sollozzo and McCluskey, frying the garlic, etc. It’s a classic food scene and I love nothing more than making tomato sauces because it’s so relaxing. But I then I read the scene where a pregnant Connie cooks a meal of veal with peppers for her dickwad husband Carlo, and when he tells her to fuck off, she loses her temper, smashes the dishes on the table, and he proceeds to beat the living hell out of her.
“I’m not hungry yet,” he said, still reading the racing form. “It’s on the table,” Connie said stubbornly. “Stick it up your ass,” Carlo said. He drank off the rest of the whiskey in the water glass, tilted the bottle to fill it again. He paid no more attention to her. Connie went into the kitchen, picked up the plates filled with food and smashed them……..the loud crashes brought Carlo in from the bedroom. He looked at the greasy veal and peppers splattered all over the kitchen walls and his finicky neatness was outraged. “You filthy guinea spoiled brat……clean that up right now or I’ll kick the shit out of you.” And he does, using a belt and his fists.
Pretty awful, both in the book and the film clip above, but it did start me thinking about veal. I had never made veal saltimbocca and this seemed like an excellent way to honor the Corleone family. This method comes from the legendary Anna del Conte’s book Gastronomy of Italy, which in my opinion, is like the Bible of contemporary Italian cooking. Her method does involve making the veal into little rolls, or involtini, so my friend Luca Marchiori says these should be called vitello involtino.
10 thin veal veal cutlets
10 slices prosciutto
10 fresh sage leaves
1/2 cup flour, for dusting the veal
Salt and pepper to taste
1-2 tablespoons olive oil
3 tablespoons unsalted butter
1/2 cup white wine
Lay out the veal cutlets on a flat surface.
Place a strip of prosciutto and one sage leave atop each piece of meat.
Roll up each veal cutlet and secure with a toothpick to hold its shape.
Mix salt and pepper into the flour, and dredge each veal roll in the seasoned flour.
In a heavy skillet, heat the olive oil and melt the butter in it, and when hot and bubbly, add in five of the veal rolls, browning on each side. I estimate it was roughly 5 minute per side. Don’t crowd the frying pan because they won’t brown and your lovely $25.00 veal cutlets will have gone to waste. I’m too cheap to want that.
Let cool and fry the other five rolls.
Remove the last rolls from the still-hot pan, and pour in the white wine, whisking and letting it bubble until it thickens into a lovely, syrupy reduction sauce, about 10 minutes. Pour over the veal rolls. The smell is amazing!
Et voila! Veal saltimbocca, or as my friend Luca Marchiori suggested, vitelli involtini since they are rolled. Whatever. They are absolutely, mouth-wateringly delicious!
Serve with some lovely, buttery polenta and roasted red bell peppers….hence, veal and peppers! Just don’t throw the food across the room a la Connie Corleone.
I decided to do a little something different for this blog post. Many people have suggested different recipes or dishes to me that they saw in a film version of a movie, and I loved the idea but wanted to stick with my original concept of creating food either directly mentioned in a book or inspired by a book. However, my dear friend Jade gave me some delicious fresh plums from her tree, and I happened to reorganize my DVD collection over the weekend and came across one of my most favorite films of all time, Amélie. Or as it is titled in French, “Le Fabuleux Destin d’Amélie Poulain.”
I love love love this movie beyond most any other film I’ve ever seen, and that’s saying a lot because I love films as much as I love books. Set in the beautiful Montmartre area of Paris, Amelie is a lovely young lady who has lived very much in her own little world since childhood, a world that started out with teddy bear-shaped clouds, imaginary friends, and that childhood egomania where you believe that your actions affect things like world wars, sports outcomes, natural disasters, etc. This strange world was created as a result of being raised as an only child by two very neurotic parents, and this has essentially made her, even as an adult, stay enclosed and cocooned in this magical, if lonely, life she’s invented for herself.
A chance discovery of a child’s treasure hidden for years in her apartment that she is successfully able to return to its owner causes a chain reaction of events, both in the lives of those around her as well as herself. She starts doing small deeds of goodwill for other people but in some amazingly unusual ways, like taking a blind man through a visual tour of Montmartre, romantically connecting two regulars at the cafe where she is a waitress, putting together “fake” posthumous letters for the grieving widow whose husband abandoned her, taking her father’s garden gnome and having him send photos of himself traveling the world to inspire her widowed father to get out and experience the world, and my personal favorite, befriending her unusual neighbor who cannot leave his apartment due to a very odd medical condition that makes his bones so frail that the slightest bump will injure him.
Amelie is a very personal film for me, because I can so much relate to her character. I live very much in my own mind most of the time, and it can be hard to connect romantically, perhaps because I’ve been so hurt. I know we all have been hurt by love, and other people seem to have such an easy time reconnecting after relationship break-ups. Sometimes I feel like a freak because I’ve had such a hard time. It would be wonderful to meet someone and connect with them, but at the same time, I don’t want to be with someone just to be with someone. I want a special connection with someone, and if that’s not meant to be, that’s ok, but I also don’t want to settle for someone I don’t truly have special feelings for. As my Nana Jean used to say in Spanish “mejor sola que mala acompañada.” Better alone than in bad company.
I think Amélie is somewhat the same. She is such an unusual and unique creature that she needs to find someone as unusual and unique as she is. When she meets Nino Quicampoix……well, “meets” is maybe not the word for it. She sees him collecting torn-up photos from underneath photo booths in metro centers and finds this so oddly charming that she immediately concocts an entire story for his life and why he collects the photos. When she finds his scrapbook of all these photos put back together, she goes on a quest to find him and return it to him, wanting to meet him but at the same time so frightened to meet him in person and engage with him in real life that she creates these elaborate intersections where their paths cross but they never really connect due to her fear of him not liking her as she is. I can relate to that so very much that it’s almost frightening.
So there were two food’n’flix moments I thought of recreating. The first is early in the film when the narrator is talking about Amelie’s love of small pleasures, such as dipping her hand into a barrel of dried beans, finding shapes in clouds, and breaking a crème brûlée with a spoon (and which is a very underrated pleasure!) The other is at the end, when Nino comes to find her baking a plum cake in her apartment and imagining their life together. It’s such a sweetly beautiful moment when she finally lets him in and he kisses her, after all of her own self-doubts and fear of connection to another person. I opted to go with the plum cake due to having been given a large bag of them fresh from my friend Jade’s tree, and the fact that I don’t have a torch to make the requisite crust on a crème brûlée….and who the hell makes a crème brûlée without a crust you can break with a spoon? Not this girl! So a luscious plum cake, spiced with crushed cardamom and made tenderly delicious with some vanilla Greek yogurt was what it had to be.
1 and 1/2 cups all-purpose flour
1 and 1/2 teaspoons baking powder
1 teaspoon cinnamon
1/4 teaspoon nutmeg
1 teaspoon crushed cardamom pods mixed into 1 cup vanilla Greek yogurt
1/2 teaspoon salt
8 tablespoons unsalted butter, softened
1 cup plus 2 tablespoons sugar, divided
1 large egg
1 teaspoon vanilla extract
1 pound plums, pitted and quartered
Heat the oven to 375F and mix together the flour, baking powder, cinnamon, nutmeg, and salt in a bowl.
In the bowl of your most awesome red Kitchen Aid mixer, using the paddle attachment, cream together the butter and sugar until fluffy.
Add the egg and vanilla and mix on low.
Gradually add in the flour mixture, mixing slowly, and alternate with a spoonful of the cardamom-spiked vanilla yogurt until all is smooth and combined. The batter will be thick, and that is what you want.
Butter a 9-inch springform baking pan and pour in the thick batter, smoothing with a spatula.
Arrange the sliced plums on top, skin-side up, in a circle so that they cover most of the batter, and sprinkle over the remaining two tablespoons of sugar.
Bake for 60 minutes, checking at the 45 minute mark, or until golden brown on top. Make sure the center has set and completely baked, then let cool, and serve with a dollop of whipped cream and a smidgen of whimsical romance. Vive la France!
I went into this book expecting a nice, escapist type of read as I recovered from minor outpatient surgery this past weekend. It was recommended by two friends of mine as a book filled with art and food and set in France, and both of them were sure I’d love it. I minored in Art History and of course, I am a foodie par excellence and love travel, so I gave it a whirl. When you’re recuperating from any medical procedure, minor or major, you don’t really want anything too heavy or deep.
(sigh) That being said, Lisette’s List was boring. I’m sorry, I hate to slam on books and writers because God knows, I am not an author. The author of this book, Susan Vreeland, had previously written a wonderful novel called Girl in Hyacinth Blue, which told the story of a Dutch painting and its owners starting in modern times and going back through when it was painted, in a series of interconnected short tales. It was beautifully written and moved along brilliantly. This book? Not so much.
The basic premise is a young woman, Lisette, who moves with her husband Andre, to a small town in Provence to help care for Andre’s ailing grandfather Pascal in the late 1930s. Pascal, before he dies, gradually teaches Lisette about painting and colors and life. Sounds nice, right? It’s not. Dull. Andre goes off to fight the Nazis and of course, dies. Before he went off to fight, he hid away some family paintings worth millions. The rest of book is the tale of Lisette moving away from Provence, following her “list” that she had put together with Pascal of all the things she wanted to do with her life, including finding those family paintings before the Nazis get their nasty little hands on them.
The book had a lot of promise, and the basic premise could have been done so much better. And of course, the lavish descriptions of rural French country towns, the art itself and the luscious food so typical of Provence and southern France were really the redeeming parts of the book. But the main character, Lisette, doesn’t ever really develop much as a character and in fact, makes some decisions which are downright annoyingly stupid. I mean, if you’re savvy enough to go off on your own throughout southern France in search of valuable family paintings, you’re surely smart enough to figure out who is your enemy. Anyhoo…..
Like I said, the food descriptions were wonderful and in some cases, mouth-watering. There were any number of food passages I could have reenacted, but this particular dish sounded both intriguing and perfect for the current late summer bumper crop of heirloom tomatoes that are on jewel-like, glowing display at every grower’s market. I was lucky enough to have purchased a large bag of organic heirlooms last week and decided to put them to delicious use.
Soon, Odette’s daughter, Sandrine, whose brother Michel, would come home someday, and Madame Pinatel, the mayor’s wife, came to pay their respects. Then Melanie brought two jars of canned cherries from their trees and a bag of raisins. Aloys Biron, the butcher, brought a large salami. Most unexpectedly, Madame Bonnelly, a stout woman with thick arms whom I had never met, brought a gratin d’aubergines, an eggplant-and-tomato pie garnished with breadcrumbs.
I have a love-hate relationship with eggplant, but the idea of a tomato pie sounded luscious, so I did a little culinary research and came up with this method which is a combination of Elise Bauer’s recipe from Simply Recipes and a long-remembered recipe from Southern Living I read about a few years ago.
1 and 1/4 cups unbleached flour
1 teaspoon salt
1 stick (8 tablespoons) cold, unsalted butter, cut into cubes
4 tablespoons ice-cold water
1 pound heirloom tomatoes, preferably fresh and organic
4 cloves garlic
1 cup of mixed shredded cheeses. I used sharp cheddar, pepperjack and Gruyere
1/2 cup mayonnaise
1/2 cup Greek yogurt
1 cup shaved Parmesan cheese
For the piecrust:
Combine the flour with a teaspoon of salt, and gradually mix in the butter one small cube at a time. Add the water a bit at a time until the dough comes together in your Kitchen Aid and forms a ball. Wrap in plastic and freeze overnight.
For the filling:
Slice the tomatoes, lie them out on some parchment paper, and sprinkle over salt and garlic powder. Leave to drain overnight.
Mix together all the cheeses except for the Parmesan, then mince the garlic and add it to the cheese mixture.
Add in the mayonnaise and the Greek yogurt and stir to mix well.
Finely mince the shallot.
Heat the oven to 350F and roll out your cold piecrust to roughly 12 inches diameter, then press into a pie pan.
Blind-bake the crust for 15 minutes, remove and prick the bottom of the crust a few times, and bake another 10 minutes. Sprinkle the shallots into the bottom.
Spoon over the cheese-mayo-yogurt mixture and spread across so that it cover the pie base and shallot-garlic mix.
Lay the tomatoes in overlapping circles over the cheese mixture, and sprinkle the Parmesan over the top.
Bake for 30 minutes, or until the Parm is nicely golden brown. Apply to your face.
I admit to having been a Grail fan since I read Le Morte d’Arthur many years ago. The romance of the Arthurian legend combined with the mysticism of the Cup of Christ is the ultimate story, isn’t it? King Arthur courting Guinevere, Sir Lancelot falling in love with Guinevere and his relationship with Elaine, Arthur’s incestuous liaison with Morgan le Fay and the birth of their son Mordred, Sir Galahad going off in search of the Grail itself……..this is the stuff of fairy tales combined with some arguable historical figures so of course it’s compelling reading!
When I read The Mists of Avalon, it was eye-opening because it presented the tale from a completely different perspective that embodied female power and juxtaposed Christianity taking over the pagan religions of ancient Britain in a fascinating way. In addition to Monty Python, though, the film that always fascinated me with regard to the Grail was Indiana Jones and the Last Crusade.which remains a favorite to this day, particularly the scene toward the end when Indy finds the knight in the chamber surrounded by cups and chalices and glasses and vessels. That scene perfectly embodied the mysterious and ethereal nature of the Grail……..especially when it is pointed out that the cup of Christ would not be made of gold. Well, duh, but I had never thought about it that way before, having been entrenched in the rituals of the Catholic church and the typical Communion wine goblet.
This book, The Lost Book of the Grail, adds a nice twist to the traditional tropes of Grail lore. The protagonist, Arthur Prescott, is endearingly old fashioned and nerdy, teaching at the University of Barchester Cathedral, a nice little meta-nod to the fictional town of Barchester as satirically created by the late Anthony Trollope. He loves books and hates the modern world, having been raised on the mythology of King Arthur and the Grail. His own grandfather has planted the seed that the Holy Grail itself may be hidden somewhere in Barchester and that colors his perception of his own life there.
A young lady named Bethany comes to Barchester, intent on digitizing the ancient books in the Barchester Cathedral library and as much as Arthur is drawn to her, he shies away from her modern outlook on books and literature. But she is also an amateur Grail sleuth, and before long, they are on the trail of the legendary Cup of Christ and the origins of the ancient St. Ewolda, whose story interweaves with the Grail in a really wonderful and unusual way. And of course, one thing Arthur loves is walking with the female Dean of the Cathedral, Gwyn Bowen, and her two dogs, each morning and debating various issues tying in with life, literature and often, food. Gwyn needles him about his dislike for a colleague, whom Arthur has just compared to a cheese.
“I thought we were talking about the Gorgonzola, said Arthur with disdain. “Don’t you care for Gorgonzola, Mr. Prescott?” said the dean, and they spent the rest of their walk debating the relative merits of English, French and Italian cheeses.
So of course, I had to make something with Gorgonzola, which in my opinion, is the King, the Queen and the Empress of all the cheeses in the world. A dish of farfalle pasta enhanced with Gorgonzola, butternut squash and pancetta sounded mouth-watering, so that’s what I made.
1 lb farfalle pasta
3 tablespoons extra-virgin olive oil
2 ounces pancetta, diced
1 shallot, diced
6 garlic cloves, thinly sliced
1/2 cup dry white wine
2 cups butternut squash, peeled and diced
1 cup pasta water
1 cup Gorgonzola crumbles
salt and pepper to taste
Boil the pasta in salted water until al dente, drain and reserve a cupful of the pasta water. Set both aside. (NOTE: this is a stock photo of farfalle pasta as I forgot to get a shot of the drained, cooked pasta.)
In a large skillet, heat the olive oil over medium heat, and sauté the garlic, shallot, and sliced-up pancetta until the veggies are soft and pancetta is crispy, roughly 10-12 minutes.
Add the butternut squash, season with salt and pepper, and sauté another 10 minutes. You want the squash softened but not mushy.
Pour in the white wine and stir together. Let simmer for about 5 minutes.
Add in the drained pasta and pour over some of the pasta cooking water. Stir again and warm over low heat.
Sprinkle the cheese over the pasta and squash mixture, pasta and stir until just combined, then taste for seasoning. The Gorgonzola is marvelously sharp and salty, so you likely will not need any additional salt, and the pasta water makes the sauce lovely and creamy.
This is a rich and delicious pasta dish, one that you don’t want to have on a regular basis but rather, once in a blue moon when you want to indulge and enjoy something unique and rare……rather like the Grail itself!