Photography by me.
The reason I love Sarah Waters’ books is because there is always a sense of pervasive menace throughout her pages. Her settings are innocuous: British post-war, large rambling houses, upper-class families who have fallen on hard times and must economize in ways they never had to before, and a way of life that has always seemed incredibly romantic. These are environments that you’d expect to be comforting, old-fashioned and a little bit staid, but in The Little Stranger, the house is haunted by dread, darkness and spirits……though not quite in the way you’d expect.
I realize, of course, that none of these houses had central heating, that it rains incessantly on the British Isles, and that these once-wealthy families probably didn’t have enough money for firewood to heat the houses. Living there would have been a misery, I’m sure. But there is just something that draws me to this way of life that probably doesn’t exist any longer. I am an Anglophile, when I’m not dreaming of Italy…….so maybe you can call me, in the words of one of my cooking heroes Anna del Conte, a “Britalian.” I like that term.
Told in the viewpoint of their family doctor, Dr. Faraday, whose mother was once a maid at the house in more affluent times, he has always been obsessed with the house and Ayres family who live there. As society has turned on its head after WWII, he soon becomes close friends with the family, something that would never have happened in earlier years. He grows fonder of Caroline, the Ayres daughter, and they begin a relationship.
All seems well, and yet………..there’s that menacing sense, again. Very strange things begin to happen. Mrs. Ayres gets terrifyingly locked in the nursery where her first daughter died as a little girl. The family dog, a gentle and sweet canine, mysteriously attacks a neighboring child. Bell pulls ring in the middle of the night from rooms where no one has been for over 20 years. Handprints from a child appear on the walls in rooms where children haven’t set foot in decades. Again, that pervasive sense of something waiting, lurking, stalking.
Sarah Waters can create atmosphere in a single sentence. But what I love about her books, aside from the setting and her atmospheric abilities, is simply the way she describes the rituals and niceties of British society. Tea is a constant and a comfort to the family, one of those rituals they hold onto to give structure to their lives even as the world around them seems to be crumbling daily.
So I moved back, and she set the tray down among the books and papers on a cluttered table, then poured the tea and passed round the cups. The cups were of handsome old bone china, one or two of them with riveted handles; I saw her keep those back for the family………”Oh for a scone, and jam, and cream!” said Mrs. Ayres, as the plates were handed out. “Or even a really good biscuit.”
I don’t have much of a sweet tooth, but I’m a sucker for scones. I had a mad crush on a man named Cord McQueen many years ago, who was a very accomplished cook and baker. He owned a coffee shop and I used to go in to get my vanilla coconut latte and a scone, and just drool over him. Aside from being handsome and charming and intelligent, the man could cook. Dream Man material for sure! Anyway, he made scones that were out of this world. Not overly sweet, perfect texture to hold together, and yet crumble off if you wanted to dip a chunk into your coffee, and he always used cranberries, my personal favorite. I’d forgotten that he had written down his scone recipe for me and discovered it recently, so using his method and having both dried cranberries and fresh blueberries on hand, I gave scones a whirl. This method makes 12 scones.
1 cup dried cranberries
1 cup fresh blueberries
1/2 cup sugar
Zest of two clementines or one medium orange
3 cups all-purpose flour
2 and 1/2 teaspoons baking powder
1/2 teaspoon salt
1 and 1/2 sticks cold, unsalted butter, cubed
1 cup buttermilk
Heat the oven to 400°F and prepare a baking tray by lining with parchment or lightly spraying with baking spray. In a mixing bowl, stir together the cranberries, blueberries, sugar and orange zest.
In your most wonderful and awesome Kitchen Aid, add the flour, salt and baking powder, and mix well. Add in the cubed butter a few chunks at at time and mix with the pastry hook attachment until the texture is crumbly.
Add the cranberry-blueberry mixture to the flour and butter mixture, and mix a couple of times.
Add the buttermilk and mix together until the dough comes together. Wrap the dough in plastic and chill for 10-15 minutes.
Roll out the dough on a floured surface, somewhat thickly, and cut out rounds using a floured biscuit cutter.
Bake for 20 to 25 minutes or until just golden.
Ideally, I would have attempted clotted cream to go with, but decided that was making things very stressful for myself. Besides, there is nothing wrong with buying a jar of ready-made genuine Devon clotted cream from your friendly neighborhood Cost Plus World Market, which I did.
Serve the scones in proper British style, with cream and black cherry preserves. Sooooooo yummy! Not too sweet, with the tart cranberries nicely offsetting the sweeter blueberries, and the orange zest adding a zip of citrus.
And a very happy birthday to me, this 12th of March!